Return to Sender

Listed on IMDb under the primary title of Return to Sender (2004) by pretty much unknown to me Danish director, Bille August (except for The Adventures of Young Indiana Jones), is about a woman on death row who is going to let herself be executed in order to protect some one else. Excellent performances by Danish stunner, Connie Nielson (the reason I rented the movie) who never looked better than here in understated prison makeup, and Aidan Quinn (as a letters from death row inmates bounty hunter) in a tight script that starts off like it's going to be an evils of capital punishment vehicle, but turns into something else, which I can only call the value of truth without giving too much away.

It was only released in the US on DVD last November, but set here and filmed here and in Denmark. There aren't any external reviews in English, and only one review on IMDb that panned it. I'd have gone to see this in the theater. 7+/10.

There are many stories concerning the unlucky people arrested, Incarcerated, Convicted and often executed for crimes against the state. But what if it's an innocent woman awaiting death? In this movie directed by Bille August and written by Neal Purvis was originally called " Convicted ", but changed to " Return to Sender " stars Connie Neilsen as Charlotte Cory, a former nurse, who's being prepared for execution, while reaching out to Frank Nitzche (Aidan Quinn) a man who claims to be a former friend of her father. Unknown to Cory, Frank is not who he claims to be and that secret is discovered by Susan Kennan (Kelly Preston) her attorney. However the discovery is made simultaneously with Nitzche who learns that Cory is protecting someone else. It's a race against time as both of them try to halt the execution before they bring the new evidence to the governor. Although slow to build and the subject matter is difficult to comprehend, the film nevertheless does produce a dramatic atmosphere which lends itself to an escalating climax. Quinn is incredible as the despicable former lawyer, now trying to help uncover the truth. Nielsen demonstrates a wonderful transition from ambivalent nurse to desperate victim who realizes she does care to live. ****

it's a movie that brings out the human nature of the man,which is trying hardly to rile on real fact for the immersion of the truth in order to triumph over the possible bad part coexisting in everyone of us ,part which it's revealed into the very start of the movie.during the whole duration of the movie,the watcher comes to serious and powerful feelings regarding the human condition among the others which just look like some little pure things in comparison with the inmate Charlotte and the man who does almost everything to apply for her's "inguiltyness" in which he doesn't believe in 100% . the final is on the same scale with the movie,being an answer to the whole movie,revealing the house of the sister's laying calmly in the lazy landscape of the sunset,revealing the house which was "put into fire" by those who believed that she was guilty.the final scene reveals the humanity of the whole movie and it gives the movie a possible continuation ,beeing placed in the zone of a flaming relationship between the main two characters of these miniatured masterpiece.

A powerful performance by Connie Nielsen, well supported by Aidan Quinn and Kelly Preston. The plot holes don't really matter here, it's the psyche of Charlotte Cory, as revealed by Nielson, that draws one through this film. Like Quinn's character Frank, one needs to learn why this beautiful person will passively accept execution by the state rather than defend her innocence. Self-condemned, because she miserably failed her sister Stella years before, Charlotte seems to believe she can atone for her sins in a twisted kind of sacrifice.

Neilsen reveals with her face and eyes the inner beauty of her character, the sadness on learning the (false?) circumstances of her father's death, the meaningfulness of her relationship with Frank, the love of her sister, the hope of a new life.

Aidan Quinn provides a solid, believable Frank, the shyster turning hero, resonating with Nielsen throughout.

The overwhelming impression of this film is its realism, in character portrayal, settings, musical score, it seems authentic, even when viewed through the lens of a security camera. In contrast, the fantasy sequences are whimsical and far out.

The solution of the mystery is satisfying, leading to a good ending.

First of all, I liked this movie. Connie Nielsen, Adain Quinn and Kelly Preston are all terrific actors (especially Nielsen, who's been a favorite of mine since Gladiator) and all do supreme justice to their roles. That said, I didn't know much about this movie (nothing actually) when I rented it and was very disappointed to find that it was just another message movie which told us, the ignorant, just how evil capital punishment really is. The crowds at the prison just before the execution were all stupid redneck types shouting obscene comments. Nowhere did you see a Mike Ferrell type and his equally moronic crazies. Also, many of the comments made by the actors were about as subtle as a sledgehammer. I wish Hollywood would go back to making movies that tell a story and quit trying to sell their left-wing agendas.