Tierra fría

This is the kind of drama that breaks your heart over and over again without a moment to recover. It's NOT an easy film to watch. But that's what makes North Country so extraordinary. Charlize Theron plays Josey Aimes, a young mother who leaves her abusive husband and returns to her hometown to start a new life and support herself and her two kids. Almost immediately, we learn that this is a woman who has been judged, criticized, and ostracized and called a "whore" ever since she became pregnant in high school. Josey takes a job at the local mine because it's the best paying job she can find, and she's determined to give her kids a comfortable life. She and her female co-workers are reminded every day how unwanted and unwelcome they are at the mine. They are physically, verbally, mentally, and sexually abused on a daily basis. After being physically attacked and threatened, Josey quits and starts to fight back by suing the company for sexual harassment.

I was finally pushed over the "tears threshold" when Josey's dad stands up at the miners' union meeting and defends his daughter for the first time in her life. After that, I was sobbing on and off for the entire duration of the film. While the entire cast is perfect, I believe the Best Supporting Actress Nomination must go to Frances McDormand who injects some much-needed comic relief into this bleak-but-brave story. Movies about rape and abuse are never easy to watch, but North Country is such an important story to hear. We as women need to be reminded that women before us suffered and fought for what we take for granted today.

Josey Aimes (Charlize Theron) leaves her abusive husband and returns to her hometown in Northern Minnesota. After a prompt from her old friend Glory (Frances McDormand), Josey now a single mother with two children to support, seeks employment at the town iron mine plant. Predominantly employing men, Josey is expecting the work to be hard and gruelling, what she wasn't expecting tho is the mental and sexual harassment that the women and herself are expected to tolerate. Finally having enough, she starts to speak out about her treatment, but she finds that there are few allies both at work and at home. Her career, her life and her family are all sure to be affected as things reach breaking point.

North Country is inspired by the 2002 book Class Action: The Story of Lois Jenson, which details the landmark case of Jenson V Eveleth Taconite Company that changed the sexual harassment law.

There is always a danger in film land that serious, based on facts topics get too much of a Hollywood sheen. So shall it be with Niki Caro's (Whale Rider) interpretation of this most important part of American law. The impact is there, very much so, but in the need to keep the audience on board, one feels they are being force fed drama when really none was needed. Having a beauty like Charlize Theron playing your lead hardly helps cast off the glossy feel of the production. "Rightly" nominated for Best Actress (she has gusto in abundance), Theron is however miscast as regards the nature of the piece, her aura and star bank-ability his hard to ignore during the more dramatic moments. As the New York Times review noted on its release, "it's a star vehicle with heart," and it's impossible to argue with that astute summary.

Still there is much to enjoy here. In amongst the annoying contrivances put our way to further the emotional aspects, there beats a serious and dramatic heart. Coupled with a more than competently handled court case finale, and aided by McDormand's highly effective performance, North Country makes its valid point in spite of its obvious problems. Though the film didn't make back its budget of $30 million, it got people talking about the topic at its core. Putting the revolting issue of sexual harassment back in the public conscious can never be a bad thing, so with that, North Country achieved its aims. If it's as impacting as its cousins, Norma Rae, Silkwood and Erin Brockovich is debatable, but it is potent and it is acted with aplomb from its principals. It's just regrettable that one can't quite shake off knowing it's all a bit too glossy for its own good. 7/10

I hate to give North Country a relatively low vote because this is such an important issue, and I appreciate the good intentions of director Niki Caro, and the A-list actors who no doubt took a big pay cut when agreeing to take a role.

On the other hand, I feel disappointed, a little angry, as well as insulted as a woman that this hugely important story was made into a melodrama that flattens out what really happened, and somehow manages to diminish the political nature of sexual harassment, even while seeming to highlight it.

At least 90 percent of the problem had to do with Michael Seitzman's script.

In the interview with Seitzman on the DVD, he makes clear that he didn't think the sexual harassment story was the real story. The real story, he said, was the traumatic experience Josie had in high school, and her relationship with her son.

Therefore he should have written a script for Lifetime focusing on what he felt was the "real story". He should not have used one of the most important cases for sexual harassment in legal history as the vehicle for telling this other story.

The producers should have demanded a script that more closely resembled Susannah Grant's Erin Brockovich. The sequence of victimization after victimization depicted in North Country didn't let us get to know Josie's character in any depth. We saw her slammed against the wall again and again, from beginning to end. We see that she stands up against the oppression, but we aren't taken into her sensibility, her choices, her process, her blind spots, character change, etc, etc, like in EB. Likewise, the lack of complexity in the male "macho" characters also flattens the story, and takes away from the real difficulties in challenging sexism and sexual harassment. In real life, character complexity of those who oppress or who defend oppressors is part of what makes the problem of sexual harassment difficult to fight.

I read an interview with Niki Caro, and though I think she's a very talented director, I got the sense that she didn't really get the politics or history behind sexual harassment. It seems things aren't as bad in New Zealand as they are here in the U.S. This is a foreign culture to her, and Northern Minnesota is certainly a foreign culture. I wish she would have spent more time fully understanding the issues and cultural dynamics (including the accent and mannerisms of the area, etc, which were sprinkled into the movie, but not rigorously replicated) before undertaking the project. If she had gone the extra mile to immerse herself in the issue and the region, perhaps she would have demanded a total rewrite of the script.

I thought this would be one of those issue-based legal drama movies about sexual harassment where the main character is harassed a couple of times and then she eventually fights back. I was apprehensive about buying it. I mean I wanted to see it but whether it was worth buying was another thing. After checking, I decided to gamble. I bought the DVD and watched it and discovered that 'North Country' is about much more than sexual harassment. As the film progresses towards the end, we are addressed more important themes such as the consequence of rape on the relationship between a mother and child and how her silence is used as a weapon against her. However, while these issues are interestingly dealt with and fit the story they slightly deviate from the main theme of sexual harassment.

Niki Caro does a fine job in directing. Her intentions are sincere. Perhaps the script could have been a little tighter and the courtroom sequences could have been better handled as they are a little too dramatic and unrealistic, especially the judge letting White to argue his case that way. In addition to that, the case became more about Josey's sex life rather than the actual harassment and terrorizing in the workplace. Even though this provides a twist in the story and explains a lot of Josie's situation, it takes away from the main theme. Also most of the male characters have been caricatured. I understand the film is about Josey which may be the reason why these characters weren't given much attention but even Josey's father is portrayed as a misogynist and all of a sudden he is shown to have a change of heart. It would have liked to see this characters inner conflict as he plays a crucial role in Josey's life.

In the technical front, the cinematography is smooth and gives us some spectacular glimpse of the snowy landscape and the coal mines. The sound effect and country-feel soundtrack are quite good too.

Charlize Theron deserves all the recognition she got for giving a strong, confidant and heartfelt performance as the brave hard-working and headstrong Josey Aimes. She breathes fire into her role and, along with Frances McDormand, she's the heart of the film. McDormand performs naturally and her tragic character provides some great comic relief. She has some witty one-liners that bring a smile. While most of the guys are portrayed as nasty sleazy men, Sean Bean's Kyle is the complete opposite. Nonetheless, the actor does a fine job (quite a deviation from what the type of roles he's more famous for). Harrelson's Bill White suffers from poor characterization. His character is a bit too sketchy. Harrelson tries the best with what he's got and turns in a decent enough performance. Richard Jenkins too suffers from poor writing. Sissy Spacek has a tiny role but she has a subtle dignified presence and her character contributes to one of the major turning points of the story. Rusty Schwimmer and Michelle Monaghan are adequate.

'North Country' isn't an easy film to watch because of the explicit scenes of sexual harassment and the haunting rape scene but it is a relevant film. Not only is it about women's rights, it's about everyone's right to live a life with dignity, to work with dignity. It's about standing up against injustice rather than turning a blind eye. It's about protecting your loved ones and fighting for what you believed in. Though 'North Country' isn't without its share of flaws (it is a little preachy and sometimes too dramatic), it brings forth some important themes well enough and with the support of good direction and strong performances, it's worth watching.

Dramatic license is certainly forgivable but this film would have been much more effective if not for the beyond-Perry-Mason touches in the courtroom where the plaintiff's case is rescued at the 11th hour and 59th minute by antics that wouldn't pass muster in any courtroom in America, unless the defendant's attorney (Linda Emond) was utterly incompetent and the judge was a blithering idiot. Surely it should have been possible for a competent script writer to bring the drama to its conclusion in a more believable way. The manifest absurdity of the last 15 minutes of the movie undermined (for me) what was otherwise another excellent performance by Charlize Theron and the usual outstanding work of Frances McDormand. For those who haven't seen her on the stage, this may have been the first time most movie goers will have encountered Linda Emond, who plays the defense attorney. She is a gifted actress who deserves better than being asked to stand by like a cigar store Indian while the plaintiff's attorney (Woody Harrelson) commits every procedural violation that could possibly be conceived. Don't blame Harrelson, however. The one-time goofy bartender of "Cheers" actually does very well in the scenes outside the courtroom. Frankly, I wish this film had stuck more closely to the facts and avoided the phony fireworks at the end.