Bab'Aziz

"Bab'Aziz: The Prince Who Contemplated His Soul" is a magical retelling of a Sufi mysticism; the mystical side of Islam, the time-honored concept of oneness with God, the peace and harmony with the universe. Bab'Aziz (Parviz Shahinkhou)is a very old blind dervish who hit the desert for a dervish reunion that is held once in every thirty years. A sort of a Sufi congregation where dancing ,singing, reciting poetry are all performed in a dhikr-like meditation and ecstasy to realize a sense of oneness with God, to reach the Creator. Ostensibly, his only accompanier is his high-spirited but patient granddaughter Ishtar(Maryam Hamid) who enjoys the mystic tales of the dervishes which somehow intersect with the tales of those who are on the desert for the same reunion.Bab'Aziz tells the story of a titular prince who goes missing one day.The fastidious prince who enjoys himself with the worldly-deeds follow a little gazelle that happens to be near his palatial tent. After he is gone missing, his loyal subjects look for him only to find him to be enraptured by apparently his own reflection in the pool but his loyal server knows that there is more to it than meets the eye. En route to the congregation they meet others whose stories are mystically interwoven with the tale of the old dervish. A young man who is on the desert to avenge a brother who was killed by a red-haired dervish(Hossein Panahi)whose only concern is to 'sweep with his soul, before his beloved's door', Osman(Mohamed Graïaa) who years for the beautiful Zahra who mystically meets in a palatial well, Zaid(Nessim Khaloul)who looks for the enchanting woman (Golshifteh Farahani) who is bewitched by his poems at a poetry contest but fled away from him to find her long-lost dervish father...

Dedicated to the father of the director Nacer Khemir, the movie is a subtle on-portrayal of Muslims in a hostile,gradually increasing Islamophobic world. In an interview in Al-Ahram Weekly,Nacer Khemir says "Suppose you were walking with your father on the street and he fell and got mud on his face. What do you do then? You help him up and wipe the mud off his face." The mud--the wrongly attained image of Islam due to those guys who take wows of violence with their guns is trying to be clarified by a man who could say "When I became an orphan I understood that I was at the center of a whirlpool, that I would never know comfort. I felt it was necessary to start expressing that..."

Teemed with vivid desert imagery, thought-provoking and enchanting remarks by self-less dervishes,Bab'Aziz is definitely not a movie for a layman. If you don't like a journey which will take you literally nowhere but mystically everywhere the movie won't be making much sense for you. If you have never read anything about sufi poets like Rumi let alone the possibility that you may never heard of him, then this movie won't be an easy one for you to relate to, because Sufism,in a way, is ripped away from rationality. I mean what would you say to a granddaughter who says "we've lost the way" on the desert. Bab'aziz says "He who has faith will never get lost, my little angel.He who is at peace won't lose his way." That's I mean about the "rationality" in Sufism.So if you really want to watch this movie get ready for the mystical journey that will become obscure if you lose your faith,concentration and attention!

Images are of a haunting beauty: the immensity of the desert, the rare trees, birds, rocks trying to make their life there, the sudden oasis with houses made of clay, the paradox of ghost houses surrounded by myriads of people, the mosque, unexpected and weird, like the church from Tarkovski's Stalker.

The music is great, and makes the movie a ballad: it is like the songs make the statement and images and dialog just emphasize. Of course songs are not translated, but give you the mood.

It is not easy at all to follow the story: it comes from a very different culture, with its own rhythms, its own poetry, its own logical connections. For us it is like floating in plain paradox.

For those who haven't seen it yet, think at the movies of Parajanov. It is not an easy movie, but if you overcome the difficulties, you'll get the incomparable beauty of the story.

There are moments that do not come often to us - we should be prepared for them. Encounter with love, with death. Death as the way to enter the great realm that we lost at birth.

And the granddaughter, learning this lesson of life on the way, along with us, who are watching the movie and follow her journey.

Great movie!

I went today on a film festival in Izola, Slovenia and this was the first movie I saw. I'm in a youth jury.

I have to say that this is one of the best movies I have ever seen. Everything is going on in a desert and you completely feel like your a part of this story. Movie photography is amazing. There are four stories that all tell one message. Maybe it's a little hard to follow all the stories, but in the end everything makes sense. I loved the message, but I can't tell you what it is, I want you to see the movie.

The music was also amazing. Arabic music makes you feel like your there, in the movie, but sometimes it's a little bit to loud...you can't hear the desert. But maybe that's what the director wanted. I recommend it to everyone!

For anyone who is unaware of the culture,the Dervish is an integral part of the Sufi branch of Islam (the ones who embrace mysticism). This is a loving meditation on a grandfather & granddaughter who embark on a spiritual odyssey to a gathering of Dervishes that only takes place every 30 years. Along the way,the pair encounters various persons in the desert that tell their stories (which,like Sufi stories,interweave within one another). This is a lovingly written, directed,filmed (mostly in the barren desert areas of Iran,giving the film a dreamy & surreal look at times)allegory of spirituality. This is a film that deserves to be taken at it's own terms (the pacing is s-l-o-w, but don't let that deter you). The music score is fantastic,with lots of traditional Sufi music (it might help to listen to a bit of it---try anything by the late,great Ustad Nusrat Fateh Ali Kahn for some background). By all means,get yourself attuned & enjoy this rare bit of entertainment & enlightenment.

As others have said, this movie can qualify as a "best movie of my life". The person that commented about the movie not focusing exclusively on the pure/ascetic aspects of Sufi has a valid point, but it is on purpose that this is the case.

I strongly recommend watching the other two movies of the "dessert trilogy" where the very same path towards illumination, is seen from the outside (first movie), then from the point of view of the one drawn into joining in (second movie) and with Bab'aziz comes the end of the cycle.

Behind the movie and the trilogy itself, the Director (Nacer Khemir) is of course the conduit that guides to the viewers the source of the light. To dedicate all your artistic career to a single trilogy over so many years, puts Mr. Khemir in the line of the Muslim craftsmen that adorned so beautifully the buildings we see throughout the movies... He succeeded in turning a medium (cinematography) mostly used by anti-traditional messages in a veritable page of a scripture. The movie is able to lead people to "search more" and provides them a valid direction as well.

Some of Nacer's interviews one can find on the net are worth watching too...