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Imagine watching a play, but the over-the-top acting that gives an audience 50 feet away a connection to a play's actors, is painfully irritating when watching it 6 feet away on TV, or blown up on a movie screen. Bad. Bad. Very very bad , in a movie format. At least the songs, while novel, had music that was entirely forgettable. While this may have been a fine musical play (though I doubt it, and I enjoy musicals) it was irritating as a movie. The characters dialogue was not comical- simply over the top (like the acting) and bizarre - intended to be funny simply for the crude, crass degree of bizarreness.

Unless you get into watching mediocre musicals on film, I'd pass this one by.

First, there was Mel Brooks' clever movie "The Producers." That got adapted into a Tony-winning stage musical. Then the musical became adapted into a movie. This hilarious spectacle is sure to please! Nathan Lane and Matthew Broderick return as Max Bialystock and Leo Bloom, the same roles they made famous on Broadway. Lane is a riot, channeling Zero Mostel's bombastic character. Meanwhile, Broderick surprises as he does a decent take on Gene Wilder's original hysterical act. Will Ferrell scores laughs as Nazi playwright Franz Liebkind, and Uma Thurman puts in a good song and dance as Swedish sexpot Ulla. The movie perfectly catches the style of the old-fashioned musical, with a large serving of slapstick. This snappy production is sure to be a hit with everyone!

After reading critics' reviews I thought twice about seeing this film. But I needn't have worried as this was fantastic entertainment. I don't seem to care that the director has kept the stagy sets and took a literal approach to adapting a stage musical for the big screen. It was a fun time from beginning to end.

While his portrayal of Leo Bloom was too much like Gene Wilder's, Matthew Broderick was simply divine when dancing. Indeed it was an interesting to see the top half of his body so still and rigid while his legs and feet were moving with such poise and grace. Nathan Lane never seems to disappoint, he is simply brilliant. His physical resemblance to Zero Mostel is obvious but the mannerisms are all his own. Uma Thurman is good as Ula and Will Ferrell rediscovers his funny.

I didn't even mind the over-the-stop stereotypes. Gary Beach and Roger Bart are screamingly funny. Springtime for Hitler is the best part of the show and nice to see John Barrowman giving it his all as the blond Nazi.

If you want to be entertained for a few hours then this is the movie to go see, don't let the critics put you off!

A little more music and embellishing of several plot points that were passed over in the original film are what distinguishes this musical version of The Producers. It's a musical version about a film that had a plot about two men who try to create the biggest flop in the history of Broadway and a musical.

Taking the places of Zero Mostel and Gene Wilder as the producing partners Bialystock&Bloom are Nathan Lane and Matthew Broderick. Both these guys are given an impossible task of repeating two classically congruent performances that Mostel and Wilder created. Even the additional bits of business just can't make me forget the original.

Will Ferrall did not come over from Broadway to do the role of the hermit like Nazi living in Greenwich Village and caring for his carrier pigeons. He had to do double duty because he also took the place of beatnik method actor Dick Shawn from the original. I'm not sure that combining the roles was the best thing, I'm also not sure Ferrall did real justice to either try as he might on both. Kenneth Mars was the reclusive Nazi author of Springtime For Hitler. in the original. Both he and Shawn were almost as memorable as Mostel and Wilder.

I do love the Mel Brooks humor, but I think he laid it on a bit thick with the gay stereotyping of Gary Beach and Roger Bart. It came this close to the good side of being offensive, but not quite.

There's a lot to like in this version of The Producers, but I think Mel should not have touched his masterpiece.

One has to compare this with the original and it just does not cut it. Lane is pretty good in this but have seen him much, much better. I like Broderick usually but this performance is embarrassing. Will Ferrell is his usual overrated self-there is not a funny bone in his body!! Uma Thurman is wasted in this .I have been told that the stage play is great, so perhaps a straight filming of the Broadway production might have been a better idea (after all Into the Woods worked brilliantly as a simple filming of the stage). Incidentally I love musicals so that was not my problem. The original film was just so great and the performances by Mostel,Wilder and Mars were incredible and incredibly funny that any remake just had to suffer by comparison. The only way in which the new version might have shaded it were the stage numbers which looked great. A nice try but they shot and they missed.