Behind the Camera: The Unauthorized Story of 'Charlie's Angels'

This made for TV movie was a hoot to watch! The 2 hours just flew by! Nice direction, fun 70's music, and well paced. Kudos for the incredible casting! Christina Chambers as Jaclyn Smith (My Favorite Angel) was so 'dead-on' in appearance and voice, that I had to look twice in some scenes. Lauren Stamile as Kate Jackson had her voice down so perfectly that it was darn right freaky. Tricia Helfer as Farrah Fawcett Majors had the hair and smile, but lacked the shy /giddy personality that I remember.

What could possibly be next?? Behind the Camera: The Unauthorized Story of "Fantasy Island" and "Dynasty"......God help us all!

I believe that movies like this will definitely educate members of our generation about all those famous TV shows that now airs on cable, that people have not much idea over. Well one such programme is Charlie's Angels- though also having been made into 2 big screen movies, in 2000 and 2003, people know of it, but may be do not know about it.

Well this movie filled in all those gaps- about why Farrah left the show etc. Though this movie had information- it was badly given- well it is obvious that they just wanted the actresses portraying Farrah, Jaclyn and Kate to look like them- but that was it- they just had the looks- as for acting- it was definitely disappointing. However I must admit that the Farrah look-alike was supposed to be bigger chested. Not forgetting the fact that this movie gave room for certain scenes to make Aaron Spelling look like a schizophrenic.

I also noticed some trivia- the guy playing Jay Bernstein- Wallace Langham- played thie same role in the 'behind the camera: the unauthorized story of Three's Company' where he played Suzanne Sommer's agent. Something else which I noticed was when Aaron Spelling tells his kid daughter Tori that he is one day gonna have a TV show just for her - which actually happened- with the huge success of Beverly Hills 90210.

Enjoyable, once, most likely very close to the actual goings-on in the TV business. Only the gal that played Kate Jackson is a poor look-a-like for the super good looking real Ms. Jackson. Her acting was OK as was most others in the film.

The use of sub-titles to introduce each new character is very good as it helps to keep track of the many TV executives who have large but necessary parts. Music of the 70's running in background is a nice touch and not overdone.

Again, it is worth a early evening viewing but only once: don't bother to tape it.

This is what you expect, watching one of these shows. Unauthorized, willing to shatter the phoniness surrounding the public facade:

The show was torn apart by feminists for its sexism. Nobody fell for the female empowerment claim.

It was a jiggle show, first, last, and always. The ladies were always in bikinis, tight or see through clothes, wet clothes, eye candy.

And the ladies were pushed into this against their will. Smith was morally conservative. Jackson refused to go braless and happy to quit. Fawcett hated her sex symbol image and how it affected her marriage.

There are some slow parts to the film. It's padded. The 90 minutes would have been far better at 60.

I watched "Behind the Camera" with my husband on a gray cold winter Sunday afternoon here in the UK. It brightened up our day by bringing back a lot of memories. I was in junior high school when "Charlie's Angels" was first broadcast and I remember the Time magazine cover and the zillions of rip off products capitalizing on Farrah's skyrocket ride to fame. The script tells the story of the making of "Charlie's Angels" effectively and blends in dozens of in jokes bound to be appreciated by those who relish 70s TV (I especially enjoyed the Baretta joke). The three ladies playing the Angels all give skillful performances, recreating the charms of Farrah, Kate, and Jackie while portraying the people behind the glitz. The script illustrates Farrah's struggles with finding a balance between her sudden stardom and the demands put on her by her husband the Six Million Dollar Man. The screen Kate Jackson battles for feminism and her career; I don't know how accurate the script is regarding the women's real life problems, but the film gives an idea of the issues of the time, the pressures of show business, and the meaning of the show for millions of viewers. The role of Jacyln Smith is the thinnest, as the movie shows her mildly troubled by how her character will appear to Smith's family and young girls. Christina Chambers (Maria of "Sunset Beach") fleshes out the role well and she looks particularly lovely. It was a stroke of genius to cast Dan Castellaneta as Aaron Spelling: his performance is supremely enjoyable. The set designers did an excellent job of recreating 70s interiors: I could have sworn I was looking back in time to my parents' living room. I am surprised that with all references to the Angels' hair and the scenes of blonds with identical flicks (some of them trick or treaters) there was no discussion of Farrah's do.

I could not stand "Charlie's Angels" when it was on the air but the film enchanted me by revealing the backstage gossip and recreating a time that now ironically looks mildly innocent compared to today and today's TV. All in all, "Behind the Camera" is an hugely entertaining tribute to an era as well as a TV show .