CALIFICACIÓN DE IMDb
7.4/10
1.4 k
TU CALIFICACIÓN
Un novelista recuerda sus emociones, sus años locos, sus amigos de Buenos Aires, pero sobre todo a su madre Roma.Un novelista recuerda sus emociones, sus años locos, sus amigos de Buenos Aires, pero sobre todo a su madre Roma.Un novelista recuerda sus emociones, sus años locos, sus amigos de Buenos Aires, pero sobre todo a su madre Roma.
- Dirección
- Guionistas
- Elenco
- Premios
- 10 premios ganados y 13 nominaciones en total
Angel Facio
- Editor
- (as Ángel Facio)
Maximiliano Zago
- Simón
- (as Maxi Zago)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This movie has been called "the event of the year" in film industry and I am not sure if it is up to this statement. Of course Aristarain knows what he is doing, the cast is really good (even Botto, whom I hated in "Martin (hache)"), photography, edition. It is a very beautiful product indeed. But the plot seemed a bit weak and the pace is quite slow. I didn't get it: if the intention was to pay homage to that great woman that Roma is, it wasn't fair enough, it was too focused on Joaquin; if it was to tell the story of Joaquin, the I couldn't see the point, because I don't think it was a deep story, with any turning point; then, if Aristarain was trying to show the history of Argentina, he was quite vague and used too many time jumps. Finally, if he was trying to do all three things, he of course was being too ambitious! I'm sure a lot of people was waiting for Aristarain's next movie. Will they be pleased? I really don't know. Maybe he reached his peak with "Un lugar en el mundo". What I'm quite sure about is that, if this film was the event of the year, I will be very disappointed in Argentinian film till 2005.
Few times in my life I have seen such an intense drama. Intense in the dialogues, superb in acting. The life as it is, not an idealized bit of it, as in conventional films. Characters are deep, well developed, they don't act the standards, but seem to be much more "human" than in conventional stories. Almost every scene is a virtuoso acting near-monologue. But you have rests, including the whole Chopin nocturne's filmed in a way that, only with the actor's expressions, something is still happening into the characters, and the story doesn't suffer for such a long quiet time. Yoy can save a lot of dialogs as a treasure. OK, it is not as much as an archetype of filming language. OK, it is nearly theater. But only nearly. I cannot imagine me enjoying all of the subtleties in actor's faces from so far, in a theater. A tasty drama, full of good philosophy about life, love and feelings, expressed trough complex characters and scenes. Too bad for those who find it "slow" or "overlong"... in my opinion, they just didn't catch it. To me is seemed pretty dense, full of things... I couldn't stick out until the end. I didn't like it. Just the last minute. But it is my opinion. All the rest is more than enough to make the movie a masterpiece. In my opinion.
I loved this film and am astounded at previous reviewers that found it "slow". Two and a half hours that skimmed by for me and I didn't want it to end. Okay, it is not an action film. It is a reflection on life, relationships, and maturation. The central theme is the influence of an exceptional mother, named Roma, on the life and development of the narrator.
This isn't about Argentine history, life in the 60s and 70s in Buenos Aires, none of that except as incidental to decades-long time line. Although there is the incidental, requisite Argentine reference to the terror of the 70s; it is not that story. It is about growing up and growing old and "finding" one's self. This is not a feel-good movie but real and true, if only we were all blessed with such a mother.
This is an adult script, not meaning "adult themed", and if you need an action movie with guns and car chases...stay away. The script, casting, performances and production values are thoroughly superb.
This isn't about Argentine history, life in the 60s and 70s in Buenos Aires, none of that except as incidental to decades-long time line. Although there is the incidental, requisite Argentine reference to the terror of the 70s; it is not that story. It is about growing up and growing old and "finding" one's self. This is not a feel-good movie but real and true, if only we were all blessed with such a mother.
This is an adult script, not meaning "adult themed", and if you need an action movie with guns and car chases...stay away. The script, casting, performances and production values are thoroughly superb.
This movie is Aristarain's best in my humble opinion, what a beatiful picture.
A journalist arrives to a writer's home to help him to make an autobiography, there, as he tells his life, we can remember all his good and bad moments that caused a scar in his existence. A movie with a typical Argentinian style: great actors with a very well structured screenplay and a touching and hard story. unfortunately, as usual in Argentinian films, it is too much slow, and than can make it boring sometimes, in the same way, its enormous duration (2 hours and a half) makes it more difficult to enjoy indeed. It has very very good acting. However, its duration and its lack of rhythm mess a little the result; with 30 minutes less of film it would have been better.
¿Sabías que…?
- ConexionesFeatures Las viñas de la ira (1940)
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- How long is Roma?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Рим
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,763,806 (estimado)
- Total a nivel mundial
- USD 1,459,663
- Tiempo de ejecución2 horas 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
By what name was Roma (2004) officially released in Canada in English?
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