Ett hål i mitt hjärta

Just when you think that the film has done everything it can to shock and disgust you ... it gets worse ! Thinking about scenes in isolation, they shouldn't be too bad - but I guess it's the whole development of the characters that make events so disturbing.

The director was on stage afterwards (London Film Festival) and said that he thought there were something like 68 different messages in the film, but wouldn't expand on any of them, and wouldn't answer questions about why he had blanked out all the logos - other than to confirm that he had done it on purpose. He also claimed that he didn't understand the film himself, and that he would much prefer to be making children's movies rather than this type of film.

Before the film he had predicted that 9% of the audience would walk out during the film - he seemed pleased that the dropout rate was lower than expected !

Worth seeing, if you like being made to feel uncomfortable ...

You'll probably hear a lot about how shocking and unrelenting this film is. My first reaction was to call the film "Pink Flamingoes"-esque, but I knew this was wrong, as this movie never shocks for the sake of shock itself. I've never seen another Moodysson film (although I will now), but his fury really came through and spoke to me here. He is taking our civilization's obsessions with seeing everything, with pushing limits, and shoving it in our face, making us hurt for it. That said, there is much beauty here as well, and a pitch black humour that carries viewers through the darkest moments. The protagonist, a teenage boy who spends most of his time in his room with headphones on, attempting to block out the increasingly depraved porno being filmed by his father and friends in the living room of a tiny apartment, tells a couple of stories based around the theme of beauty existing under the most impossible conditions, life flourishing where no one would've thought it could, and he is referring both to himself and the moments of grace that Moodysson places throughout the film. He even manages to give a feeling of hope by the end, which stuck with me as I walked down the street, although my stomach gave a serious churn as I walked by an adult video store.

I chose Moodysson's film out of another 200 at the Jerusalem Film Festival because of the good impression of Fu__ing Åmål. Apparently, he has gone to a totally different place meanwhile...

Even before genres and modes, I believe there are two basic elements for any film whatsoever: there has to be a reason, a motivation for what you see, and there needs to be some effective cinematic language in use. Some good films do well with just one, sometimes one feeds the other. My problem with Ett Hål i mitt hjärta, and eventually what made me give up watching halfway through, was that I found none.

A blatant, border-breaking experiment? nice, but after 15 minutes it got boring. A manifest against the porno industry? OK, but the shattered style blocked any attempt of mine to get closer to the characters. If anything, it reinstated how essential it is to identify with your protagonists on the screen in order to feel empathy.

I don't mind seeing labia all over the screen - there just has to be a REASON. It's the fine border between noise and music, scribbles and art.

Mr. Moodysson made a flick here that has very little rhyme, but a lot of reason. No, wait...it has a lot of rhyme, but zero reason. No! It's...uh, there's a little bit from...hmmm.

As soon as A Hole in My Heart began, I realized taking that little bit of Nyquil probably wasn't the greatest of ideas. But luckily, I'm a tough guy, and I managed to keep focus on Lukas's lil experiment. Because that's what this was kinda, an outlined experiment. Well, I think so anyways.

For me, I split the movie into separate aspects. One ideal is for the three adults (the Dad, his friend and the porn actress) of the movie, and the other is for the son. With the three adults your shown immaturity, delusion, confusion, and just a whole wave of emotional problems. Not far away is the son; overly thoughtful, a shut-in, quiet...and simply appears the polar opposite to the three on the other side of the door. And whatever story this movie was trying to present, in my opinion, lies within comparing the two sides to another other, and hoping they would find a common ground. And even that was hard to do, as all the characters (even the son) were rather unlikable, and all relied on pity.

Was the film intriguing? Yeah, I guess. Was it well directed? I thought so. Was it entertaining? Not really. Is there a deeper meaning than simply comparing the people to one another, and not trying to look at them as useless human beings? Maybe. But if you really want to do such a thing, I think you're already fighting an uphill battle.

From my point of view there's not much to learn from this film, as it was mostly full of negative things. And I'm curious to know Lukas's point of the film. I would guess it was a very simple idea. I could easily say this film's underlying message is to get an education. But I could be dead wrong. Watch this flick if you like to ponder about movies afterwards. Don't if you don't.

I've seen (and loved) Together and Lilya.. - this film is different, and will not appeal to the vast majority of people.

I'm not sure about the themes; that these characters ultimately need each other? The dialogue, although perhaps improvised, is at least free from cliché. The editing is a little annoying, but not really distracting. It's mainly the soundtrack that grates, with its casual use of white noise and drone. The film is essentially a day in the cramped flat filming Rickard's amateur (gonzo) porno movies, while he tries to connect with his introverted goth son / the son has a tentative yearning for the girl / the girl discovers that these people who can be so hurtful are still better than 'normal boring ugly' people / and the actor who is slightly insecure and has a confusing & frustrating habit of falling asleep, but has quite a close relationship with his friend the director. There's more to it (particularly with Rickard, the father/porno director), and the ending is characteristically upbeat (relationships resolving/issues in the open), coming off a real emotional low-point.

The film itself occasionally jumps forward & back in time, and there are a few dream sequences. The surgical cuts (literally and editorially) are scattered through the film, along with blurry out-of-context 'organic' shots, and a parallel version of what's happening in the porno film, as performed by Barbie and Action Man. I'm just not 'deep' enough to understand (or care) what all these bits mean.

Yes, the film is pretty graphic - not so much in the sex, but there is nudity on all counts (although not in a sensational way), there are intimate surgical shots, and one quick scene following a food fight which may make you feel ill (and will burn itself on your memory, whether you want it to or not).

Although I can't be bothered trying to understand or analyse the use of the surgery bits and other possible motifs, the film is mostly pretty straightforward and - if you stick with it - a fairly 'okay' plot/resolution develops by the end of the film. It just takes a while for the characters to reveal enough of themselves, because they all start out as fairly unlikeable.