Casino Royale

Casino Royale is a major step-up from the flamboyant Die Another Day. Pierce Brosnan has been replaced by a young-ish Daniel Craig, there is no Q, no campy gadgets, no silly naked women silhouettes in the opening credits, no world-dominating super-colossus villains, no Miss Funnyfanny (or whatever), and no silly one-liners after killing bad guys. Basically everything that can date Bond film very quickly is gone. I never expected international espionage to look the way it has in past few Bond outings and I'm glad someone had the balls to go back to the hard-edged nature of the series, last seen in Licence to Kill.

The longest Bond movie so far, at 145 minutes, but it breezes by even though it reigns in on the normally excessive action scenes and depicts spying a more 'mundane' and 'realistic' manner (or at least as true as the series has been so far). But the one-thing that bugs me about action movies, particularly the Bond franchise, is that they are, most of the time, childish male fantasies with an indestructible hero who has fun shooting up the place and beds beautiful women. I would like something new for a change but Casino Royale does have Bond get hurt and go through more pain than he has previously.

Daniel Craig got a lot of hassle over his casting as Bond but not only does he have his youth as an advantage (he's the first 30-something to be cast in the role since Lazenby), he's also pretty damn trim, has the intensity Brosnan lacked and is surprisingly loose in a role that usually requires actors to be stiff and unemotional. It's also good to a fresh face in the role and who cares if he is blonde? Or the shortest actor to play him so far? I would have preferred that composer David Arnold went too. They didn't seem to be holding back on the amount of regular production team members who got axed. Even Vic Armstrong didn't return. I've never liked Arnold's work on the movies and I hate to think of it as something that's now exclusively HIS baby.

Unfortunately, as good as this fresh start to the franchise was, all of the goodwill that director Martin Campbell earned was completely undone by the follow-up Quantum of Solace, which is not only the worst Bond film so far, but one of the worst action films, and one of the worst films overall, that I have ever seen.

If Craig and Co. ever get around to making another, they've got a LOT to make up for.

What a difference a great actor makes. Daniel Craig is superb as James Bond and parting from that point everything in it is enjoyable, frightening, thrilling just because we're with him. He conquered us from the word go. The initial chase is one of the best in film history and as soon as we get to know this new incarnation of the iconic Ian Fleming character, we're hooked. He's virile but there is room for ambiguity. He's elegant but as, the sensational Eva Green, points out is more acquired than inherited. More working class than even Sean Connery and that works wonders for Mr Bond. The script is more compact and organic. The locations are breathtaking and what else I can say? The series have been reinvigorated, rejuvenated and in one single stroke have secured that this franchise will live forever. A note to Barbara Broccoli, the producer, your father would be so proud. Congratulations!

Having just achieved his 00 status, James Bond is assigned to uncover a plot by tracking a bomber for hire. The mission could not go worse as Bond kills the man in an embassy in front of CCTV cameras. Removed from the mission by M, Bond nevertheless follows the only lead he has to Miami where he finds himself working round the edges of a plot by criminal Le Chiffre to invest his clients money in the stock market just before an engineered event should send shares in a direction favourable for him.

After the poor CGI and overblown (if fun) affair that was Die Another Day, the series was at risk of just throwing more and more money at the screen in an attempt to exaggerate and increase the Bond formula to keep fans happy. And, in fairness it seems financially to be working for them but this is not to say that the drastically scaled back feel of Casino Royale is not a welcome change of direction for the series, because for me it most certainly was. Opening with a gritty, short and violent pre-credit sequence, the film moves through a cool title sequence with a typically Bondian (if only so-so) theme song. The film then immediately marks itself out as a step away from the previous film by launching on a great action sequence that is as overblown as the series requires but yet is all the better for seeming real – no ropy Die Another Day CGI here. Casting free-runner Foucan was a great move and this sequence was the high for me. After this the film develops nicely with a solid plot that engaged me easily enough, with interesting characters along the way.

Of course this isn't to say that the series has suddenly put out an introspective character piece, because the world of Bond is all still here. So we have superhuman stunts, gadgets (albeit a practical self-defibrillator as opposed to a mini-helicopter) and the usual types of characters going the way we expect. Those expecting this self-styled "reboot" to provide a depth and emotion that isn't there will be disappointed but regardless this does the Bond formula well – fans will enjoy it and those that were turned off by Die Another Day will find it a welcome return to darker territory. With all the fanboys tired from bemoaning Craig, it is nice to actually see for ourselves what he can do and mostly he is very good. He convinces as a heartless killer and has the presence that suggests that he could do ruthless damage if he had to. I was a bit put off by how regularly he pouts but generally he brings a gravitas to the character that it benefits from. Green is a pretty good Bond girl and brings much, much more to the role than Berry did in the last film. Mikkelsen is a good foil for Bond and is given more interest by his lack of stature (he is essentially facing his last role of the dice in several ways). Dench is as solid as ever while Wright makes a shrewd move in a small character that offers more of the same for a few years to come.

Overall then this is not the brilliant, flawless film that many have claimed, but I completely understand why it has been greeted with such praise. Sat beside Die Another Day, it is a wonderfully dark and brooding Bond with great action replacing some of the CGI and gadget excesses of recent times. Those upset at his blue eyes are best left fuming on the net, because Craig is a great Bond – capable of being dark with the violence and offering the potential for more if the material comes to meet him. A refreshing film with the bond formula in place but with a dark and comparatively restrained tone that makes it realistic enough to get into while still existing in the spy fantasy world.

James Bond is back and he is alive and well. Any questions about Daniel Craig's worthiness are thrown out almost immediately as we are handed a film filled to the brim with exquisite action and explosive emotion. I squirmed in my seat with delight as I have not done since I was a child. What "Batman Begins" did for that franchise, "Casino Royale" does, and more, for Bond. For a while it seemed that he might not be able to well exist outside the confines of the cold war, but here we are given an entirely modern Bond with enough nods to the original that we can't be too upset. Maybe it's because this is the last novel yet to be filmed in the traditional Bond manner and it is Ian Fleming who has stolen our hearts not this incarnation of the super spy. However I like to think that someone actually just got their act together and concentrated on the film itself as opposed to who they could get the most product placement money out of. Congratulations. James Bond will live on for at least one more generation, and maybe forever. Great set pieces and one of the best chase sequences not involving cars ever put on screen, blended with beautiful locations and even more lovely women add up to the perfect cocktail with the twisting story line acting as the lemon peel in the martini, holding it all together. Many will come out saying that this is the best Bond film ever and I can not rightly say they are wrong at this point. Only time will tell that tale. However every fan can be assured that this ranks amongst the very upper crust of Bond movies, and Craig is no Lazenby. He lends a harsh wit and a thuggish charm to the character and by the end he's no longer the new guy, he is Bond, James Bond. A masterpiece of popular film-making and the movie we have been waiting for all year. See it early and often as it is sure not to diminish upon reviewing.

Anyone who has followed the James Bond series over the last four decades knows that the new Bond has changed... In "Casino Royale," 007 do not identify himself with the classic words, "Bond. James Bond," and instead of playing Chemin-de-Fer or Craps, he plays Poker and he doesn't care whether his vodka martinis are shaken or stirred nor he drinks a Smirnoff vodka, or a five-star Hennessey, or a Dom Pérignon'52... He never pauses to take a finger of Caviar… He never enjoys a good cigar and is less preoccupied with matters of sex…

But he is a more trained Bond, a cold-hearted killer improvising, modifying, and overcoming, uttering to M in one decisive moment his most significant line, "So you want me to be half monk, half hit-man!"

In taking the part, Daniel Craig completely inhabited the character of the super agent 007… There is something empathetic about him and something human…He so lets you in behind his blue eyes and into his emotional life…

His opponent is the villain banker Le Chiffre (Mads Mikkelsen) who tries to get rich in supplying funds for terrorists… To continue doing so, Le Chiffre wants to win back his losses in a no-limit showdown Poker game with $115,000,000 in chips at Casino Royale in Montenegro…

Ivana Milicevic plays Le Chiffre's Bosnian bodyguard who nearly eliminates our hero… Valenka is harmful but not pure evil as her boss…

Simon Abkarian is the middleman Alex Dimitrios involved with Le Chiffre, who knew where to put his hands on weapons and people who could use them… He works with anyone who has money…

The Italian actress Caterina Murino (Solange) reveals her sexy side as the frustrated woman so upset in her marriage…

Jeffrey Wright plays the undercover CIA agent Felix Leiter 'bleeding chips at the poker tournament;' and Giancarlo Giannini plays the 'contact' Mathis…

Eva Green is Bond's love interest Vesper Lynd… Green and Craig have electric chemistry on screen together… Vesper's character seems ambiguous, impudent and complicated… One night—slumped in the shower fully clothed, radiating inner beauty—her quiet look is capable to melt Bond's cold heart and free his doubtful mind… In another, she disconcerts him with her pretty 'Algerian love knot.'

"Casino Royale" lacks the fundamental technology exhibition which plays an important part in any Bond films... The traditional "James Bond Gun Barrel Sequence" and the "James Bond Theme" disappeared… The only thin bit of continuity is Judi Dench's fifth return as the cool, scheming chief Lady M…

Directed by Martin Campbell, the movie has it all: spectacular locations from Prague, London, Miami and Nassau— and amazing actions involving the superb Aston Martin DB5 coupe in a high-speed mountain chase; a rush to stop a fuel tanker at Miami Airport; a combat with an Ugandan terrorist; a pursue in a four-wheel bulldozer; a breathless foot chase across highest cranes; and an unexpected climax in one of the buildings on the canals of Venice