The Grid

the grid is fabulous -- beautifully written: Raza to Emily "Sex like love is an act of devotion," beautifully acted -- wonderful television. Go TNT! By the way, I believe that Raza Michael's name is Piter Marek. The casting is diverse as are the locations. The Grid could have very easily been a theatrical movie, albeit, it would have had to be shorten. But that is why television is great, especially when it is allowed to be great. TNT but together an intelligent piece of entertainment. The characters are very well drawn out. We are already seeing the many different shades of people that live in this vast world of ours. The Grid lets us see that not everyone of a particular culture or ethnicity is bad. And please Raza Michaels is Piter Marek.

What a pity to write in all that long distance control of on-the-spot special forces operations via voice and monitor. Can you imagine hard-arsed Delta and SAS troopers taking direct orders from pushy females watching monitors from several thousand miles away? Especially females that keep on falling in love with their operatives all over the place? And Julie Margulies was straight out of a Hollywood daytime soap - the bitch-maneater, on top of the job, ruthless, uncompromising... Hair never out of place, cute hats, purposeful big-shoulders walk. Puhlease! And why superimpose dozens of subtitles without giving viewers time enough to actually read them. There's a rule about this and it's based on basic intelligence: subtitles are there to be read - if you don't want to give enough time to read them, then simply refrain from using them at all. Who was the brain behind this? Despite all, The Grid was very well made and deserved something a whole lot better in the acting and directorial department. Shame.

This was a powerful series. Well-acted, Well-written. I disagree with people who say Julianna Margulies was out of her element, her character Merrin was just the type of woman you want in the government tough, smart, and strong-willed. Dylan McDermot was good as the Special Agent in-charge of New York's Joint terrorism taskforce. My favorite character was Jemma Redgrave's Emily Tuthill. Jemma was an actress I had never seen before she gave a very powerful performance especially toward the end in her scenes with the actor who played Reza, the CIA analyst turned field agent. Anyone that feels that Emily and Reza's scenes were out of place in a serious drama, I say well love, intimacy, and the beginnings of a strong relationship can be born under stranger circumstances.

In terms of Screen writing the strongest character relationship were the scenes between Maren and under mentor Former Secretary of State Jay Aldrich played by Robert Forester. When Aldrich describes Maren as being cool under pressure and well suited for chaos, the audience gets the feeling that Maren was both highly trained and well suited for her position but, written as well as it was, it also communicates that Maren's skills are both battle worn and still highly effective.

The DVD is reasonably priced at 14.00 dollars or so on two discs, with great extras about film and actor's discussing the mindset needed to work in Counterterrorism, buy this powerful miniseries. I would call this a must for anyone interested in Counterterrorism work for the government. I realize that television dramas like "The Agency" and "The Grid" are fictional and not really how working in Counterterrorism is, but "The Grid" made the journey both mildly realistic and entertaining.

At least it gets one interested in learning about the subject matter from non-fiction sources. To begin I suggest reading "Against All Enemies" by former NSC Manager Richard A. Clarke.

An interesting joint venture between BBC, Fox and TNT. The problems of international cooperation between security agencies loom large in the mini-series (shown in three parts by the BBC). But they also seem to have affected the production itself. The first two parts were exciting, despite having to keep tabs on fast-moving events across the globe and track a number of one-dimensional characters.

The final section tried to give some more flesh to these characters - and that's when the problems started. The two 'leads' (at least their names came up before the title) were pathetic, with wooden acting, embarrassing dialogue and trashy sentimentality. Who are Dylan McDermott and Juliana Marguelis and how did they get the leads? They are handicapped even further with silly names - Marin and Max Canary, though not as silly as Tom Skerritt's "Acton Sandman"!

The 'minor' actors, notably Bernard Hill - superb as a grizzled security chief showing Skerritt what real acting is all about - along with Piter Fattouche, who triumphs over the disadvantage of being cast as the "good Moslem" and Jemma Redgrave, who was absolutely brilliant as a troubled British security agent. But the final part had too much of the Americans, presumably to justify the Fox/TNT money, and it fell away sadly. So the high opinion I had of The Grid after Part two was drastically modified by the end of Part three, confirming my belief that I do not want to see IMDb reviews from reviewers who have only seen part of a series.

I'll start by saying that I definitely enjoyed the first episode. The two hours pretty much flew by. I highly recommend this to anyone.

However, there are a few glaring flaws:

With two exceptions, virtually all the main characters are young and beautiful. , they are all supposed to be highly seasoned veterans in extremely high

positions within their respective agencies, Yeah, right.

At least most of them are terrific actors. The one GLARING exception is Julianna Margulies. She was fine in her TV role as a nurse, and I liked her a lot in "Elysian fields." However, she is PAINFULLY miscast in this series. She's so non-believable (not to mention wooden) that everytime she was on-screen I got jolted out of the action with a blaring

reminder that I was watching a tv series. Awful. Maybe she's battling a drug addiction or alcohol, who knows....

OK, but other than the above, the premier episode was terrific. Excellent

cinematography, excellent screenplay, editing, etc. Also, as others have said, the "bad guys" aren't presented as one-dimensional. Rather, both sides of the conflict are presented with equal respect, and that's really something. There's a lot in this series to make you think.

HIGHLY recommended.