CALIFICACIÓN DE IMDb
4.9/10
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TU CALIFICACIÓN
Una reportera se despierta en una morgue y se convierte en miembro de los muertos vivientes, antes de jurar vengarse de la secta que la llevó allí.Una reportera se despierta en una morgue y se convierte en miembro de los muertos vivientes, antes de jurar vengarse de la secta que la llevó allí.Una reportera se despierta en una morgue y se convierte en miembro de los muertos vivientes, antes de jurar vengarse de la secta que la llevó allí.
Christina Ahn
- Beth
- (as Christina Stacey)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Lucy Liu stars as Sadie Blake, an intrepid reporter who comes a cropper when she pokes her nose too far into the world of a strange vampiric goth cult. None too keen to have their story told, they abduct the news-hound and suck her dry, dumping her body when finished.
But Sadie is a tough girl and refuses to just keel over. Instead, she joins the ranks of the undead, and sets out to get revenge on those responsible for her current state.
Director Sebastian Gutierrez presents a refreshingly different take on the whole vampire schtick with this low budget shocker that is both bloody and innovative (these vampires may lack fangs, but still pack plenty of bite). Great cinematography, an engaging story, and a decent cast all go to make Rise: Blood Hunter worth seeking out, although the gimmicky use of a non-linear storyline is a little unnecessary (so many films seem to use this idea these days).
A strong, sexy performance from Lucy Liu means that the film is never boring, although, at times, it does come across as a little too earnest for its own good. At times, Gutierrez strives so hard for an effectively moody atmosphere to suit his tale that the resulting gravitas detracts from one's enjoyment. Fortunately, Lucy Liu sees fit to shed her clothes at several points in the movie, so everything balances out nicely in the end.
If you love vampire films of all types, adore Gothic fantasy, or, like me, just want to see Ms. Liu in the buff, then Rise: Blood Hunter is recommended viewing.
But Sadie is a tough girl and refuses to just keel over. Instead, she joins the ranks of the undead, and sets out to get revenge on those responsible for her current state.
Director Sebastian Gutierrez presents a refreshingly different take on the whole vampire schtick with this low budget shocker that is both bloody and innovative (these vampires may lack fangs, but still pack plenty of bite). Great cinematography, an engaging story, and a decent cast all go to make Rise: Blood Hunter worth seeking out, although the gimmicky use of a non-linear storyline is a little unnecessary (so many films seem to use this idea these days).
A strong, sexy performance from Lucy Liu means that the film is never boring, although, at times, it does come across as a little too earnest for its own good. At times, Gutierrez strives so hard for an effectively moody atmosphere to suit his tale that the resulting gravitas detracts from one's enjoyment. Fortunately, Lucy Liu sees fit to shed her clothes at several points in the movie, so everything balances out nicely in the end.
If you love vampire films of all types, adore Gothic fantasy, or, like me, just want to see Ms. Liu in the buff, then Rise: Blood Hunter is recommended viewing.
The snoopy reporter Sadie Blake (Lucy Liu) is called by her nerd colleague Ethan Mills (Kevin Wheatley) that has deciphered a code and found an address in Koreatown from information of the Goth Tricia Rawlins (Margo Harshman) about a bloody cult. Sadie does not give attention to Ethan, but when she sees on the front page of the news that Tricia has been found dead in a dumpster in Koreatown, she decides to visit the address. She finds an abandoned house with a gruesome basement full of blood and she immediately drives to Ethan's apartment. She finds the place in a complete mess and is abducted by a stranger and taken to Bishop (James D'Arcy), who wants to know what Tricia has told her. Then, Bishop and his mate Eve (Carla Gugino) kill Sadie and they have a necrophilic threesome with her body. Later, Sadie awakes in the freezer of the morgue and sooner she realizes that she is a vampire and promises revenge to her sire.
The low-paced "Rise" is a different vampire movie, with sex, blood and naked women. The screenplay discloses the plot in a non-linear chronology, but there is no unexpected twist or any part difficult to be understood. I expected some surprise regarding Sadie's savior Arturo, but this character has been completely forgotten after his short but important participation. The end gives a hint to a possible sequel and in this case and if Eve told the truth to Sadie, Arturo might have an important role replacing the evil Bishop as the leader of the cult that worships sex and blood as the greatest pleasures of mankind. I have never seen Lucy Liu undressing so many times like in "Rise", but the nudity situations are not free exploitation, being suitable to the context of the sexy story. My vote is seven.
Title (Brazil): "Rise"
The low-paced "Rise" is a different vampire movie, with sex, blood and naked women. The screenplay discloses the plot in a non-linear chronology, but there is no unexpected twist or any part difficult to be understood. I expected some surprise regarding Sadie's savior Arturo, but this character has been completely forgotten after his short but important participation. The end gives a hint to a possible sequel and in this case and if Eve told the truth to Sadie, Arturo might have an important role replacing the evil Bishop as the leader of the cult that worships sex and blood as the greatest pleasures of mankind. I have never seen Lucy Liu undressing so many times like in "Rise", but the nudity situations are not free exploitation, being suitable to the context of the sexy story. My vote is seven.
Title (Brazil): "Rise"
Despite its unwieldy, off-putting title, Rise: Blood Hunter (aka simply Rise) isn't as terribly cheesy and disgusting as I imagined it would be. A reporter (Lucy Liu) wakes up in a morgue's body drawer and discovers she's been changed into a blood-seeking, human-chomping immortal, or something, and rather than gleefully embrace her new self she decides to track down the evil bastards who put her in that condition, making her a sort of avenging angel for all those who have been similarly wronged.
Sadie Blake (Liu) is a sexy, classy young lady who's just written a front-page story about teen goth clubs. One of her coworkers, the nerdy computer stereotype, tracks down a phone number that one of the teens handed to Sadie - turns out it's not a phone number but the first in a series of clues that leads to a website devoted to some weird bloodsucking cult. Sadie, of course, thinks the story's over and goes on a quickie vacation to Mexico with her sister, but when she returns, you guessed it, her coworker's dead. Sadie follows clues like a good little Nancy Drew and winds up getting kidnapped (several times) and killed (several times), all to figure out who or what's behind everything.
The story jumps around a lot, flouting the conventions of time as we know them; things simply don't happen in the exact order we'd expect them to, which clouds Sadie's motives and intentions quite a bit. Is she good? Is she even human? After all, once she's been attacked by the vampire people, she's not exactly the picture of health, and she's gotta eat to survive. Is her ultimate goal of revenge enough to offset the unpleasant facts? It helps that there's a typically hissable bad guy, Bishop (James D'Arcy). He's eternal, of course, and he kills and mutilates and rapes for the sheer joy of it. There are no moral or ethical quandaries with this guy. Plus he has an effete, brandy-swilling British accent, making all the more unctuous and slimy. (Well, he's slimy also because he's often covered in someone's blood.) Now, granted, this isn't a pleasant, sedate movie to watch. It's full of gore and guts, although not so much as, say, a movie like Saw or Hostel. It's still not for the weak of stomach. You might remember how, in Kill Bill, The Bride traveled all over to wipe out those who'd wronged her - but the film didn't show us this in the order in which each avenging occurred, did it? So you'd see Uma Thurman wander over to Viveca Fox's house not knowing if she'd already visited Lucy Liu. Well, you would know, of course, if you picked up on the subtle hints, and that's exactly how it is here. At one point, Sadie runs into alcoholic, world-weary cop-with-a-conscience-and-a-cause Clyde Rawlins (a fantastic Michael Chiklis) and mutters something about having seen him before. And if you watch the movie closely, you see exactly where. It's as if there are no coincidences in the movie, and I think that works in its favor.
Still, it IS just a revenge flick, albeit one with vampires and a kick-ass crossbow. Liu is very, very good - she's not the screaming, hands-in-the-air type of heroine, but she's also not the balls-out gut-stomping Lara Croft type, either. Remember, Lucy Liu is petite; she doesn't automatically have this intimidating screen presence, so she uses what she has and makes the most of it. In her case, I'd have to say it's her eyes, flashing terror or courage in.... well, in the blink of an eye.
So despite some predictability, the movie does work, thanks to Liu and the novelty of the disjointed sequencing. There are quite a few chills, and the plot doesn't stray too far from its main revenge thread, thus simplifying matters.
Sadie Blake (Liu) is a sexy, classy young lady who's just written a front-page story about teen goth clubs. One of her coworkers, the nerdy computer stereotype, tracks down a phone number that one of the teens handed to Sadie - turns out it's not a phone number but the first in a series of clues that leads to a website devoted to some weird bloodsucking cult. Sadie, of course, thinks the story's over and goes on a quickie vacation to Mexico with her sister, but when she returns, you guessed it, her coworker's dead. Sadie follows clues like a good little Nancy Drew and winds up getting kidnapped (several times) and killed (several times), all to figure out who or what's behind everything.
The story jumps around a lot, flouting the conventions of time as we know them; things simply don't happen in the exact order we'd expect them to, which clouds Sadie's motives and intentions quite a bit. Is she good? Is she even human? After all, once she's been attacked by the vampire people, she's not exactly the picture of health, and she's gotta eat to survive. Is her ultimate goal of revenge enough to offset the unpleasant facts? It helps that there's a typically hissable bad guy, Bishop (James D'Arcy). He's eternal, of course, and he kills and mutilates and rapes for the sheer joy of it. There are no moral or ethical quandaries with this guy. Plus he has an effete, brandy-swilling British accent, making all the more unctuous and slimy. (Well, he's slimy also because he's often covered in someone's blood.) Now, granted, this isn't a pleasant, sedate movie to watch. It's full of gore and guts, although not so much as, say, a movie like Saw or Hostel. It's still not for the weak of stomach. You might remember how, in Kill Bill, The Bride traveled all over to wipe out those who'd wronged her - but the film didn't show us this in the order in which each avenging occurred, did it? So you'd see Uma Thurman wander over to Viveca Fox's house not knowing if she'd already visited Lucy Liu. Well, you would know, of course, if you picked up on the subtle hints, and that's exactly how it is here. At one point, Sadie runs into alcoholic, world-weary cop-with-a-conscience-and-a-cause Clyde Rawlins (a fantastic Michael Chiklis) and mutters something about having seen him before. And if you watch the movie closely, you see exactly where. It's as if there are no coincidences in the movie, and I think that works in its favor.
Still, it IS just a revenge flick, albeit one with vampires and a kick-ass crossbow. Liu is very, very good - she's not the screaming, hands-in-the-air type of heroine, but she's also not the balls-out gut-stomping Lara Croft type, either. Remember, Lucy Liu is petite; she doesn't automatically have this intimidating screen presence, so she uses what she has and makes the most of it. In her case, I'd have to say it's her eyes, flashing terror or courage in.... well, in the blink of an eye.
So despite some predictability, the movie does work, thanks to Liu and the novelty of the disjointed sequencing. There are quite a few chills, and the plot doesn't stray too far from its main revenge thread, thus simplifying matters.
I saw the trailer of this a while back and thought it could be one of those sleeper hits, as it had a relatively good premise and I've always been intrigued by vampire films, so when I saw it on the shelves I thought I'd give it a go.
As the film was overall a disappointment for me, I won't put any spoilers in this review. I will say however that from the outset, the sequence of events are disjointed and make for confusing viewing. The film tries to be too clever throughout and ultimately ends up being hard to follow. For a vampire film, it doesn't really give much background to the whole vampire genre as most do and adds to the confusion as to who is who and what is what. Apart from Lucy Liu's character, there is no back story or build up to the antagonists, everything just happens randomly, which makes it an effort to keep track of things.
As for the acting, I find it a shame that Lucy Liu continues to make films that don't really challenge her. She spends most of this film looking either in distress or moody, oh and naked. Having seen her in Kill Bill and her earlier turns in Ally McBeal, Rise & Ecks vs Sever really don't do her justice as an actress. The vampire contingent here are pretty poor too, with James D'Arcy playing a poor mans version of every other bad vampire we've seen before (notably Stephen Dorff in Blade). Michael Chiklis is at best, mediocre, looking like he did this when short of a few bob, in his spare time from filming Silver Surfer.
Overall, another addition to the growing number of mediocre vampire-themed films. I would avoid this if I were you, but if Lucy Liu (+ a few others) prancing about naked and lots of blood tickles your fancy, then give it a go.
As the film was overall a disappointment for me, I won't put any spoilers in this review. I will say however that from the outset, the sequence of events are disjointed and make for confusing viewing. The film tries to be too clever throughout and ultimately ends up being hard to follow. For a vampire film, it doesn't really give much background to the whole vampire genre as most do and adds to the confusion as to who is who and what is what. Apart from Lucy Liu's character, there is no back story or build up to the antagonists, everything just happens randomly, which makes it an effort to keep track of things.
As for the acting, I find it a shame that Lucy Liu continues to make films that don't really challenge her. She spends most of this film looking either in distress or moody, oh and naked. Having seen her in Kill Bill and her earlier turns in Ally McBeal, Rise & Ecks vs Sever really don't do her justice as an actress. The vampire contingent here are pretty poor too, with James D'Arcy playing a poor mans version of every other bad vampire we've seen before (notably Stephen Dorff in Blade). Michael Chiklis is at best, mediocre, looking like he did this when short of a few bob, in his spare time from filming Silver Surfer.
Overall, another addition to the growing number of mediocre vampire-themed films. I would avoid this if I were you, but if Lucy Liu (+ a few others) prancing about naked and lots of blood tickles your fancy, then give it a go.
I would not call this your normal fantasy vampire story. It doesn't depict the normal horrors of the vampire world as we normally see or hear about from vampire movies or stories. It's a bit slow and tame for a vampire movie but has a lot of big named movie stars like Lucy Lu and Marilyn Manson that add some interesting character elements to the film. Lucy gives her character a very sexy feel, though her character's mind is set on revenge she still gives in to the softness of human feelings of loss and regret. Manson's part I thought was very different, I like it because we know him as a very different person and this role was nothing like anything we know. I credit him for playing something totally refreshing. Though the part might just seem like he's playing a kick back guy running a bar, it was not expected. That's what you want from actors, someone who can play several different roles and be convincing. The film over-all has it lulls; I don't think it would have done well in the theater. It has a potential to do well, if a few unnecessary scenes were removed from the film I think it would be really good and would come together better. As it stands I found it just a tad bit slow.
¿Sabías que…?
- TriviaThis was Mako's last live action film. TMNT: Las Tortugas Ninja (2007) used recorded dialog Mako had performed making it a voiceover role.
- Errores(at around 43 mins) When the detective is first shown placing photographs on his wall, there's already a picture of Harrison's bloody wheelchair wheel at the top. However, that crime scene is not discovered until several minutes later.
- Citas
Sadie Blake: Death is different now
- Créditos curiososThe persons portrayed in this motion picture are not intended to portray or represent any particular individual at LA Weekly.
- Versiones alternativasThe film was released in two versions: an R-rated version running 98 minutes and an unrated (completely reedited) version running 122 minutes.
- Bandas sonorasKeMo Thera-P
Written by Jonathan Hylander, Raymond Gurrola, Sean Johnson and Joseph Hylander
Performed by E>K>U>K
Published by JWCT Songs (BMI)
Courtesy of Pulse Recording
by arrangement with format
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Rise: Blood Hunter
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 114,306
- Fin de semana de estreno en EE. UU. y Canadá
- USD 59,371
- 3 jun 2007
- Total a nivel mundial
- USD 2,850,927
- Tiempo de ejecución1 hora 37 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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