Call Me: The Rise and Fall of Heidi Fleiss

Whomever had the bright idea to cast Jamie-Lynn DiScala as the notorious Hollywood madam deserves to be fired on the spot. The girl is hot? yes. Can see act? No Her attempt are laughable and her refusal to disrobe leads the director to have the most obvious body double I have EVERY witnessed. This barely passes muster as a TV movie, the "unrated" version is beyond laughable.Steer clear, this film blows harder the the real Mrs. Fleiss did when she was getting started.

Eye Candy: Most of the time when you see Jamie-Lynn DiScala naked it's a body double (I know BOOO!!), but the first time when she dances for Robert Davi you can see a nip slip, not much I know but the best you gonna get; also Emmanuelle Vaugier shows her ass

My Grade: D-

Jason Stewart's first big role is nothing short of amazing. I can't believe he hasn't accumulated a larger body of work at this point in his career. His radio production talents notwithstanding, this fine young actor is geared to take the lead for the next generation. Think Brando in Streetcar Named Desire, except with more gusto. Think Nicholson in The Last Detail, but with more unpredictability. Think Neil Patrick Harris on Doogie Houser, but thinner. However,the moles on his face steal the show. The depth, heart, and sincerity they bring to his persona are one to grow on. Rumor has it that he will be connecting the dots for facial tattoo purposes for a future roll in the next Hannibal Lecter film.

Of all the made for television movies I've ever watched, this was one of them. Jamie-Lynn DiScala gave a performance worthy of this film. She showed her range, moving from the known quantity of Meadow Soprano to the sleazy world of satisfying Hollywood players. But even still, this movie was all about Jason Stewart. Slap another mole on that boy. "Ivan, Ivan! Just a couple, please!" When I heard that line, I truly believed he was a paparazzi. Now it doesn't even matter that I didn't really see any photographers themselves, so I couldn't point him out. But all I needed was to hear that line. Perhaps we are better off having not seen him, but the outside of that nightclub came alive when JStew shouted. Well done, phone-slap.

Wild child Heidi Fleiss goes from party girl to queen of Hollywood commercial sex - but the careless house-of-cards soon starts to wobble. Based on an over-reported true story.

Money. Sex. Power. Like cherries on a one armed bandit when they line up you should give a decent pay-out. Here, however, they barely give out a profit.

For a start sex on the mainstream screen is all about foreplay, tease and aftermath rather than the act. The power soap operas like Dallas and Dynasty used sex with far more effect than these producers because they knew the audience could fill in the blank between the bedroom door and next morning themselves. Here we are forced to watch a coupling only being performed for financial gain. There is no before and no after. Nothing has changed. We learn nothing. Does the fact that big money is being exchanged add anything or change anything? Is it any more dramatic (or different) from what goes on in a motel room on the wrong side of town?

Jamie-Lynn Sigler was good (as the questioning daughter) in the Sopranos, but that was an undemanding role. Here she plays a complex women who is supposed to be smart and yet at the same time very dumb. Well dumb if not going to jail is one of your high priorities in life. She also mixed selling drugs with selling sex - one of the golden no-no's. She all but painted a cross on her forehead. Add her refusal to pay bribes/inform to the police and you have a perfect "how not to do it."

Nick Bloomfield's documentary was far more interesting as it played her life as unscripted comedy and tragedy. A bizarre version of the American dream where being famous and being infamous are pretty much the same. I am all for the legalisation of prostitution, but if these are the people that are going to benefit then maybe things are not so bad as they are...

This came on a late night on U.S.A. and I immediately noticed Jamie-Lynn DiScala from the Sopranos so I decided to watch. I was rather surprised to see her in a role like the one she had in this. Had a nice little plot that kept me tuned in, had some really sexy scenes for a movie that comes on USA...

Very reminiscent to Boogie Nights and Blow, Jamie-Lynn holds her own as a cut-throat businesswoman in a surprisingly flashy movie - for a TV movie, this one DOES contain some nudity and heavy drug use.

nice movie about the high class prostitution rings from the eyes of a young woman - Lynn DiScala's character was nicely developed throughout the movie and she brought Heidi Fleiss's story to life cool, decent stuff 8/10