Chisholm '72: Unbought & Unbossed

Shirley Chisholm's run for the 1972 Democratic Presidential ticket will never be a textbook case on how to run and win an election. But it does demonstrate how far determination, in overcoming insurmountable obstacles, can go in striving towards a goal. These alone are noteworthy lessons that can be uncovered in this historical and informative documentary.

Because of the fact that she was a woman (and black at that), this in no way prevented Shirley Chisholm from seeking the Presidency in 1972. In fact, that she managed to stay in the race as long as she did, with at least a dozen other Democractic candidates, including front runners Muskie, Wallace, and McGovern, meant that she stayed true not only to her constituents, but also to herself.

With her lippy and bold, Martin Luther King-like, impassioned vocal deliveries, Chisholm gradually won-over voters to her candidacy, and likewise scores several political talking points with its movie-viewing audience. Without the use of a narrator, it is through selective interviews with the key campaigners, strategists, politicians, and commentators of the era, that we get an undiluted, behind-the-scenes viewpoint into the financial, racial, sexual fireworks and political machinations of the era, that can taint even today's politics.

However, it is the film's vibrant colors and really bouncy and funky soundtrack that really transports you into the heart and soul of this historic 1972 election that, at the same time, helps keep you genuinely interested in the dynamic politics examined by this special, unique documentary. Overall grade: B+.

A documentary film about one of the endless and countless failed attempts at attaining the presidency wouldn't normally catch my attention. But I bought this one on a whim a couple years back and finally decided to watch it today. It turns out that Shirley Chisholm wasn't your typical politician out there vying for control of the country. I don't mean that in the sense that she was both black and female (though it certainly factored significantly in 1972), but in a purely ideological respect. She didn't have much interest in the standard nonsense, the buying and trading of votes, and totally rejected the notion that you should support anyone but who you believed in. In her world, there were no compromises for the greater good, there was just the good and that's that. It's that purity of approach which has made it impossible for anyone with a similarly deep conviction and honesty to ever be elected to the highest American office.

From a documentary film perspective, it's the content and not the direction that makes "Chisholm '72" stand out. The approach is clean and well-researched, and everyone of importance gets their chance to speak. That doesn't necessarily give it enough strength to stand out to anyone not personally interested in the subject matter, but it was enough to draw a casual observer like myself. This film really captures Shirley Chisholm in her all her glory as the total antithesis of modern politics.

Shirley Chisholm did not take the easy road. The film doesn't really go into her motivations, so we don't now why she took on the double whammy of being not just black, but female at a time the country, even the nascent feminists, were trying to wrap their heads around what it meant to have equality of the sexes.

We don't see that she had much of an organization, but the congresswoman from Bed-Sty had some aides and she traveled. Surely she needed financing to pay for the plane tickets, the hotel rooms an the salary, but it is not explained to us how she got it. The footage, both archived and contemporary, shows her with an immense amount of dignity and calm. Her uninhibited and justified comments after she is double-crossed by an old friend shows us another side. Her reflections during an interview for the film inform us that she didn't want to be remembered as the first black woman to do what she did, but rather someone who tried to make a difference. There wasn't a long line after her doing what she did. The laudatory film shows that there wasn't much future in it, even 32 years later in 2004 when Carol Mosley Braun tried it.

CHISHOLM '72: UNBOUGHT & UNBOSSED is an excellent documentary about a fearless lady and her bold campaign for the nation's top political office. Rather than wait for the "right time," Chisholm stepped into the presidential race in 1972 as not only the first black person, but also the first woman to mount a serious presidential campaign. She also did it on her own terms.

While she failed to win the nomination (that went to Sen. George McGovern, who eventually lost to Richard Nixon), she did incredibly well given the substantial obstacles that she faced. If one were to compare her bid to Carol Moseley-Braun's 2004 bid for the same job, it is all the more impressive. So much so in fact, that you wonder if Moseley-Braun even bothered to study her campaign. If she did, one would think that she would have fared much better.

Unlike Moseley-Braun, Chisholm did not try to downplay the fact that she was a woman or that she was black. To her it was a badge of honor. If anything, Chisholm's campaign had tremendous symbolic value. It served as a test of the "American Dream." The question that the campaign seemed to ask was not so much could a black woman win, but would she be taken seriously as a candidate. The viewer can make that determination after watching this film.

The documentary combines historical and contemporary footage to effectively give the viewer a sense of the political environment that Chisholm found herself in. For those unfamiliar with the campaign, it may bring a few surprises.

The director wisely allows the participants to speak for themselves. This includes interviews with former Congressman Ron Dellums, author Octavia Butler and Chisholm herself.

Overall, CHISHOLM '72: UNBOUGHT & UNBOSSED is a powerful documentary. Chisholm's outspoken nature is a refreshing alternative to the sanitized and overly cautious political candidates that dominate the political landscape today. Irrespective of your political affiliation, this provocative film will stay with you long after you've left the theatre.

Shola Lynch is apparently so obsessed with the overarching message of a black woman running for the presidency in 1972 that she fails to see the need to present any real idea of what Shirley Chisholm stood for. We are more than 45 minutes into the film before the first film clip of Chisholm taking a stand on an issue is shown, opposing the Vietnam War.

The relevance of any candidate for the highest office in the land is their platform and positions. Late in the 1800s, Victoria Woodhull ran for the presidency largely on a platform of free love, and was largely ignored both at the time and by history. By securing over 150 delegates, Shirley Chisholm was clearly relevant and influential historically, but that message is lost in this film, which can never decide what it wants to be. Is the film a how-to on grassroots politics, a celebration of defiance and newfound power, or a record of the campaign? By not choosing a direction, the film flounders badly. You can sort of tell what it WANTS to be, but it never achieves it.

Perhaps I (a white male) am disappointing Shola Lynch by not caring in the slightest that a candidate is black or female, either in wanting Chisholm to succeed, or in wanting her to fail based solely on those two qualifications. As a hypothetical voter in 1972 (which is the proper assumed role of any viewer of the film), I am left with little or no idea what the key issues of the day were, or where Chisholm stood on them. Therefore, how am I to decide if I would back this candidate or even partially agree? If I agree with enough of a candidate's positions, I would back them even if they were a rainbow hued left-handed albino Martian.

Chisholm was a black female running for the Presidency in racially and politically charged times. Yippee-skip. By not clearly demonstrating what Chisholm stood for, and by presenting a muddled mishmash of themes, this film ultimately fails. If it is meant to be a tribute to an important and overlooked historical figure, it also fails. Not because of the relevance or irrelevance of Shirley Chisholm, but because this documentary fails to DOCUMENT. I can only hope that the biography channel will take in interest in Chisholm, so I can actually find out the critical information this film does not adequately present.