CALIFICACIÓN DE IMDb
6.2/10
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TU CALIFICACIÓN
Una profesional de Manhattan es cortejada por un joven pintor, que resulta ser también el hijo de su psicoanalista.Una profesional de Manhattan es cortejada por un joven pintor, que resulta ser también el hijo de su psicoanalista.Una profesional de Manhattan es cortejada por un joven pintor, que resulta ser también el hijo de su psicoanalista.
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- 1 nominación en total
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Opiniones destacadas
I was initially reluctant to watch this film but my girlfriend wanted to check it out. After seeing it I must admit that the film did surpass my expectations - primarily since I felt that it was not really a "chick-flick" per se. The film tends to center around the guy 100% of the time. Call it a "guy-flick" from a woman's perspective. While I'm not at all a Meryl Streep fan, I felt that she carried the movie for the time that she was on the screen. Uma Thurman can't help but be the stunningly beautiful Uma Thurman that she always is. Without spoiling anything, I think that the ending was perfectly real compared to most romantic comedies that have been released in the past. This film was one of the more pleasant surprises for me this year. At the very least it will make for a great DVD rental if you're a guy who is as reluctant to see it as I was originally.
"Prime" has a number of things going for it that many romantic comedies these days lack. It features a new permutation on the old mistaken-identity plot: 37-year-old divorcée Rafi (Uma Thurman) starts dating carefree 23-year-old David (Bryan Greenberg), neither of them realizing that he is the son of her therapist Lisa (Meryl Streep). There are moments of real wit, the love story is charming without being sentimentally cloying, and the film takes a pleasingly mature, realistic approach to romance.
However, "Prime" also makes many wrong turns along the way. It's never sure how deeply it wants to explore the serious issues raised by its plotage differences in relationships, inter-religious dating (David is Jewish), and the ethics of Lisa continuing to be Rafi's therapist. Sometimes, it treats these themes with seriocomic intelligence. At other times, it ignores them in favor of sitcom humor involving David's jerky best friend or Rafi's gay co-workers.
"Prime" eventually becomes David's story, focusing on how dating Rafi helps him mature. But this often seems like the wrong choice. Cheerful David is the least conflicted of the three main characters, and Greenberg, while a competent actor, doesn't have Thurman- or Streep- level charisma. Thus, even though this clearly wasn't the intent, many David-centered scenes feel like padding. The best parts of the movie are the scenes between the two actresses: Streep's awkward, pained reactions as Thurman glowingly describes her new boyfriend are priceless.
However, "Prime" also makes many wrong turns along the way. It's never sure how deeply it wants to explore the serious issues raised by its plotage differences in relationships, inter-religious dating (David is Jewish), and the ethics of Lisa continuing to be Rafi's therapist. Sometimes, it treats these themes with seriocomic intelligence. At other times, it ignores them in favor of sitcom humor involving David's jerky best friend or Rafi's gay co-workers.
"Prime" eventually becomes David's story, focusing on how dating Rafi helps him mature. But this often seems like the wrong choice. Cheerful David is the least conflicted of the three main characters, and Greenberg, while a competent actor, doesn't have Thurman- or Streep- level charisma. Thus, even though this clearly wasn't the intent, many David-centered scenes feel like padding. The best parts of the movie are the scenes between the two actresses: Streep's awkward, pained reactions as Thurman glowingly describes her new boyfriend are priceless.
In spite of most negative comments submitted to IMDb, Ben Younger's "Prime" is an interesting look at a mismatched pair in this story. It also raises ethical questions about when does a therapist has to decide what is best for a patient. Ben Younger whose film debut was "The Boiler Room", has a keen eye for the situation he is presenting in this film that seems to be perceived as a "chick flick", but that otherwise is a funny take on how love can make a person blind to reality.
Rafi, the lovely woman at the center of the action, has gone through a painful divorce. Is she ready for another deception? No, she is much stronger now, and with the help of Lisa, her therapist, she will know better how to deal with anyone that might try to play with her feelings.
Enter David, the young hunk of a guy, who likes what he sees when he meets Rafi, casually, one night while waiting to go in to see a film at Cinema Village. Indeed, Rafi is all what any young man could wish for. Not only is she gorgeous, but as it turns out, she is a bit older. But does that matter at all? No way!
Lisa is Rafi's therapist. In fact, she is a bit surprised to find that Rafi has fallen for a younger man. She advises her to take a chance and see where it goes, but be careful not to be hurt again. The only thing is she has no clue it's her own son who is involved in the romance.
The question of ethics come into play as Liza agonizes she is not doing the right thing with her patient, something that has to be worked with her own therapist. Not only that, but Lisa, as well as her Jewish family expects David to stay within his own when he picks the girl he will marry.
"Prime" is light and works well because of the work of the three principals. Uma Thurman is the ideal actress for playing Rafi. Not only is she a gorgeous woman, but she is an actress who never gives a false note in the character she is portraying. Meryl Streep is also at her best in playing the therapist. Bryan Greenberg plays David with ease and makes him comes alive.
In spite to have gone to see the film without any expectation, we found the film light and entertaining thanks to Ben Younger's direction.
Rafi, the lovely woman at the center of the action, has gone through a painful divorce. Is she ready for another deception? No, she is much stronger now, and with the help of Lisa, her therapist, she will know better how to deal with anyone that might try to play with her feelings.
Enter David, the young hunk of a guy, who likes what he sees when he meets Rafi, casually, one night while waiting to go in to see a film at Cinema Village. Indeed, Rafi is all what any young man could wish for. Not only is she gorgeous, but as it turns out, she is a bit older. But does that matter at all? No way!
Lisa is Rafi's therapist. In fact, she is a bit surprised to find that Rafi has fallen for a younger man. She advises her to take a chance and see where it goes, but be careful not to be hurt again. The only thing is she has no clue it's her own son who is involved in the romance.
The question of ethics come into play as Liza agonizes she is not doing the right thing with her patient, something that has to be worked with her own therapist. Not only that, but Lisa, as well as her Jewish family expects David to stay within his own when he picks the girl he will marry.
"Prime" is light and works well because of the work of the three principals. Uma Thurman is the ideal actress for playing Rafi. Not only is she a gorgeous woman, but she is an actress who never gives a false note in the character she is portraying. Meryl Streep is also at her best in playing the therapist. Bryan Greenberg plays David with ease and makes him comes alive.
In spite to have gone to see the film without any expectation, we found the film light and entertaining thanks to Ben Younger's direction.
I happened to catch the second half on HBO one night. I saw the entire movie a few nights later. I could easily watch it through again -- I was really drawn into the movie. I had to look it up on IMDb just because I was thinking about it so much.
There's a lot of negative reviews here, much more than the movie deserves. Movies are like people -- some you despise, many leave you indifferent, and some just really *click*. My roommate came back from "Saw III" hyper and proclaiming it the "BEST movie EVER!!!" -- I can guarantee you he wouldn't care for this. "Prime" also doesn't have any of the typical emotional manipulations found in your average rom-com. It makes do with much subtler if still dramatic material. For example: the meeting between Rafi and David is low-key, slightly awkward, nothing like, say, the Ferris wheel scene in "The Notebook". Ryan Gosling threatening suicide to get a date is certainly entertaining, but it also leaves me slightly detached, too aware this is a story for my viewing pleasure.
"Prime" is the anti-"Grease". There's nothing STYLIZED about it; no fairy-tale ending. If you can do with such accoutrements you'll be sucked in, especially if you can relate to the very upper-middle-class New York viewpoint that permeates it. Another reviewer was quite insightful in comparing it to "Annie Hall".
As for the relentless disparagement of Bryan Greenberg in the male lead: you've got to be kidding me!!!! He doesn't play the role the way, say, a young Al Pacino would play it. His persona is understated, relaxed almost to the point of passivity, slightly unsure, sarcastic and naive and vulnerable all at once. Completely believable as a 23-year-old who would appeal to and be attracted to a 37-yr-old divorcée. A more typical male lead his age wouldn't be dating Uma Thurman, he'd be charming Natalie Portman or Jessica Alba. Take the scene where he's trying to connect with the stoic doorman -- I totally cracked up and at the same time couldn't help but admire how true-to-life it felt. Everything about that scene bespoke an upper-middle-class 20-something living with his grandparents and lacking direction.
Not to mention that the intimacy between Rafi and David felt so natural that I felt convinced that Uma and Bryan had something off-screen during filming. The way they looked at each other, shared each other's space... the lust didn't seem acted, I'll put it that way.
To Ben Younger: despite all the people out there who don't get it, there are some of us who do. You really did an amazing job, and I doubt I'll ever forget "Bubbe" knocking herself with that frying pan... Lol.
There's a lot of negative reviews here, much more than the movie deserves. Movies are like people -- some you despise, many leave you indifferent, and some just really *click*. My roommate came back from "Saw III" hyper and proclaiming it the "BEST movie EVER!!!" -- I can guarantee you he wouldn't care for this. "Prime" also doesn't have any of the typical emotional manipulations found in your average rom-com. It makes do with much subtler if still dramatic material. For example: the meeting between Rafi and David is low-key, slightly awkward, nothing like, say, the Ferris wheel scene in "The Notebook". Ryan Gosling threatening suicide to get a date is certainly entertaining, but it also leaves me slightly detached, too aware this is a story for my viewing pleasure.
"Prime" is the anti-"Grease". There's nothing STYLIZED about it; no fairy-tale ending. If you can do with such accoutrements you'll be sucked in, especially if you can relate to the very upper-middle-class New York viewpoint that permeates it. Another reviewer was quite insightful in comparing it to "Annie Hall".
As for the relentless disparagement of Bryan Greenberg in the male lead: you've got to be kidding me!!!! He doesn't play the role the way, say, a young Al Pacino would play it. His persona is understated, relaxed almost to the point of passivity, slightly unsure, sarcastic and naive and vulnerable all at once. Completely believable as a 23-year-old who would appeal to and be attracted to a 37-yr-old divorcée. A more typical male lead his age wouldn't be dating Uma Thurman, he'd be charming Natalie Portman or Jessica Alba. Take the scene where he's trying to connect with the stoic doorman -- I totally cracked up and at the same time couldn't help but admire how true-to-life it felt. Everything about that scene bespoke an upper-middle-class 20-something living with his grandparents and lacking direction.
Not to mention that the intimacy between Rafi and David felt so natural that I felt convinced that Uma and Bryan had something off-screen during filming. The way they looked at each other, shared each other's space... the lust didn't seem acted, I'll put it that way.
To Ben Younger: despite all the people out there who don't get it, there are some of us who do. You really did an amazing job, and I doubt I'll ever forget "Bubbe" knocking herself with that frying pan... Lol.
This is a situational movie. People get into and out of interesting situations and you might be amused by it, feel romantic or feel bad, but this does not define the romantic comedy genre as I see it. You don't watch this movie to feel good about the romantic endeavors that litter your brain but are almost never real, nor do you watch it to laugh at what is going on.
I especially liked the fact that Uma Thruman didn't play the role of the stupid blonde that she got in some of her latest movies and also that the movie tried to capture reality more than fantastic situations that no one can relate to and that always end in happy ending.
Mix Jewishness, visits to the psychologist, divorcées in the fashion business having gay friends and dating younger guys and you get ... New York. :) Well, this is a good movie. A lot of the clichés one would expect in a New Yorkish movie are broken or not existent and the ones that are left are well blended into the plot.
There isn't much to say about the plot that wouldn't spoil it, so I will not say anything. Uma Thurman plays well, Merryl Streep is always a good actress, but in this movie manages not the be annoying as well, which I think is a step up for her. My wife asked me to keep it, so I guess if I enjoyed it and also did she, then it's a winner all around.
I especially liked the fact that Uma Thruman didn't play the role of the stupid blonde that she got in some of her latest movies and also that the movie tried to capture reality more than fantastic situations that no one can relate to and that always end in happy ending.
Mix Jewishness, visits to the psychologist, divorcées in the fashion business having gay friends and dating younger guys and you get ... New York. :) Well, this is a good movie. A lot of the clichés one would expect in a New Yorkish movie are broken or not existent and the ones that are left are well blended into the plot.
There isn't much to say about the plot that wouldn't spoil it, so I will not say anything. Uma Thurman plays well, Merryl Streep is always a good actress, but in this movie manages not the be annoying as well, which I think is a step up for her. My wife asked me to keep it, so I guess if I enjoyed it and also did she, then it's a winner all around.
¿Sabías que…?
- TriviaRafi is 37 years old; Dave is 23. This may be a joke on the movie's title, as 37 and 23 are both prime numbers (i.e., numbers that are divisible only by themselves and by 1). In real life Uma was 35, Bryan was 27
- ErroresIn the final scene, the door windows at the restaurant are covered with snow/frost but no other windows have the same condition including other buildings and cars.
- Citas
David Bloomberg: I'm 23.
Rafi Gardet: No, you're not. I don't believe you. Let me see the license... Oh, my God! You're a child. Taxi! I have t-shirts older than you.
- ConexionesFeatured in At the Movies: Episode #2.41 (2005)
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Detalles
Taquilla
- Presupuesto
- USD 22,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 22,827,153
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,220,935
- 30 oct 2005
- Total a nivel mundial
- USD 67,937,494
- Tiempo de ejecución1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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