Metallica: Some Kind of Monster

I don't know how they do it, but although Metallica lost me as a fan many years ago (sometime in the mid 90's), they still manage to release DVDs that are totally intriguing. "Cunning Stunts" was an intense concert movie that let you feel the energy of a Metallica gig, where even songs from "Load" and "ReLoad" sounded good. Now, "Some Kind Of Monster" is something even more special. Really special. As far as rock films go, this one is right up there with "The Kids Are Alright" and "The Last Waltz".

Joe Berlinger & Bruce Sinofsky are always there in time to catch the most important facial expressions, quotes and actions. The movie almost runs too perfectly, as if the whole thing had been scripted. The emotions of the band members and those around them seem so genuine, though, that it's hard to have any doubts about the movie's authenticity. It must have been a terrible stressing for the band - especially in a situation like this - to have cameras around them all the time. Throughout the whole movie you feel like you're in the room with one of the biggest rock bands on the planet and the cool thing is, that you really get a look behind the image, behind that Rock 'N' Roll dream. What you find are three guys that are just as unsure about themselves, their friendship and their career as everybody else is. Hetfield, Hammett and Ulrich try to be honest throughout the whole documentary and everybody comes across as a more or less normal person (Ulrich and his ego are more than just a bit annoying, though, and it's sad to see that the band still doesn't seem to have the tiniest bit of respect for their former bandmate Jason Newstedt, who had to put up with a lot of crap for almost 15 years). A whiny appearance by former band member/Megadeth frontman Dave Mustaine sticks out as the most moving/funniest moment. It really must suck to feel like he does, regretting everyday that you've been kicked out of one of the biggest bands on earth. Respect for such an honest statement in front of the cameras, though.

"Some Kind Of Monster" entertains for more than 120 minutes (and there's more on the DVD) without ever getting boring. The weird thing about this documentary is, that it's never about the music, but more about the process of a band recording itself. Whoever said that this one is a must see for Metallica fans, documentary fans and anyone in between got it right. It's more than your usual VH1 special. This one REALLY takes a look "behind the music" and a very exciting one at that.

I am a huge fan of early Metallica. They lost me, though, on the Metallica album (the black album, the first sign that they were turning into Spinal Tap). While this documentary is great film, I have to say that it just makes clear that Lars and James are utterly devoid of humor when it comes to themselves. At the film festival screening the theatre was filled with laughter as they revealed themselves to be petulant children who have a long way to go to reach maturity. Poor Kirk and the new guy, Rob Trujillo. There were only two times when Lars spoke really honestly in a way that didn't seem manipulative, and James never gave up anything real except when he was with his kids. The $40,000 a month counselor (he is not a trained psychiatrist or psychologist) was right out of Spinal Tap. FYI- the biggest cheers erupted after every Jason Newsted interview because he is just straight up, real, and honest. I wish him a lot of success because he seems to truly be all about playing music. Believe me, I applaud Metallica for being willing to let people see this truly great film, but as for Lars and James, lighten up for crying out loud. Therapy isn't only about expressing your feelings and expecting everyone to pat you on the back, it's also about learning to admit when you're wrong or being a jerk and laughing at yourself.

It's 2001. Metallica is making a new album and rents out space in the Presidio. Bassist Jason Newsted had left the band in frustration and starts his own band. The group is in therapy to work out their dysfunctional relationship. They continue to fight as front man James Hetfield leaves to enter rehab. Former Metallica guitarist Dave Mustaine explains the effects of his ejection from the group to Lars Ulrich and Kirk Hammett even with his subsequent success with Megadeth. After a year, James finally returns with new focus on sobriety and less time on the music. They slowly try to rebuild the band with new bassist Robert Trujillo.

This is a brave documentary from Metallica. They're showing many of the ugly struggles behind the scenes. It is personal and messy. The most compelling scene is Dave Mustaine's breakdown reunion. James and Lars' complicated work marriage with each other fills most of the rest of the movie. It's not necessarily a fun watch but it is interesting. It's probably much more compelling for Metallica fans but it's also a human story for everybody else.

Metallica is indeed one of the most successful heavy metal bands in existence. However, this documentary, Some Kind of Monster, also exposes them to be one of the most bereft. I will leave it to the readers imagination where bereft should be placed. This doco does not give a flattering portrait of the band members. Some Kind of Monster is absolutely unflinching in revealing the underlying psychological dynamics of the band. I give Metallica credit for exposing themselves on camera so brutally.

Much humour comes from the fact that as the band members characters are revealed. They often come off as a real life spinal tap. It is such, that an outsider, who had never heard of Metallica, might perceive this documentary as a mockumentary. Kirk Hammett comes off particularly as a good guy who is just not very clever. Stating that things work themselves out for the better or worse, but they work themselves out. Well duh... Also, after getting some creative lyrical input, all he can add is 'Your lifestyle determines your deathstyle.' Probably one of the dumbest lines that I have heard in a while. Even for a metal band.

The main 'issue' that this doco reveals is that Metallica needs to ride off into the sunset.The three band members are burnt-out and only really making their music for money. All of the bandmembers have moved on and grown up from the angst ridden, angry twenty-somethings that they once were. Hetfield is now trying to be more of a family man. Lars Ulrich is more into art and seems more like he wants to be a dealer rather than a drummer. Even Kirk Hammett, who is the peacemaker in the band looks like he needs to move on. All of these guys would probably be happier if they called it a day and went their separate ways. It would also be easier on their fans, who by my quick glances at amazon, are not happy with Metallica's latest release.

It is not until they hire a new bassist, Danny Trujilo, that a new life in the band seems to appear. The band complains about showing up for practice, for coming up with music. They complain about having to be in a studio. Excuse me? These guys are making millions and they are complaining about having to spend some time in the studio? Oh to be a rock star with over 500 guitars! This lack of enthusiasm only adds to my theory of burn out.

Metallica illustrate how far they are now removed from their macho roots by hiring a therapist. Former bassist, Jason Newstead puts it best by saying how lame it is that they can't sought it out themselves. However the ego's of Hetfield and Ulrich are absolutely rampant and probably need some control through negotiation. Also, their producer is to obsequious to really confront their unbridled self indulgences.

Ulrich is possibly the most irritating man in rock. He absolutely rails against napster. But he also owns an impressive art collection that is worth millions of dollars. The hypocrisy is terribly confronting. This is revealed when he sells the paintings and gets drunk as they are auctioned. Because of Ulrichs grandstanding soapbox routine about napster. The inherent decadence of this scene totally annoys the viewer.

Ulrich talks, talks, talks and then talks some more. He pontificates pointlessly on the beginning and ending of art. Managing to completely sound pretentious. His father also steps in to state that their work just isn't much cop. Absolutely infuriating him! But the thing is he never actually says anything. Vapid, manipulating and annoying. But then Hetfield is a total control freak. The struggle for control of the band is a constant issue between these two characters. The funny thing is that because they are both such control freaks, they accuse each other of having major control issues.

The therapist himself doesn't really seem to do anything except be very serene with being paid 40,000 dollars a week. It is even revealed that he intends to move from his home and set up a base with Metallica. It is plainly obvious that the therapist has observed a major cash cow just waiting to be milked. Eventually the band remove him, but without some major group therapy work first.

What is also interesting is when Dave Mustaine shows up as part of the therapy. A whiny Mustaine bleats about how he was thrown out of Metallica. This is nonsensical because although Megadeth are not as successful as Metallica, they still have sold 15 million albums. When I was a teenage their was always someone wearing a Megadeth t-shirt! What is even more nonsensical is that Mustaines assertion that they are number two. Hey! Maybe back in the eighties Dave! The therapy session between Dave and Lars is never really resolved. Dave moans about being kicked out and Lars is so egocentric, he is incapable of caring.

What is more telling about these guys is the world that they live in. For instance, they are asked to appear on M.T.V's ICON at the end of the doco. They are given a standing ovation in a small M.T.V music studio. This endless adulation that they receive obviously does these guys no good. It is just a reminder to the viewers how artificial the worlds are that celebrities live in.

Overall, this is a very good doco that cuts right to the heart of Metallica. If you are a fan you should definitely see it. If you are not, you should still see it. It is a fascinating look into the lives of Rock Stars and how they are not as bulletproof as they would like to think that they are. As a docu it is excellent and really gives you the 'real' Metallica. 9 out of 10.

The debate over whether or not Michael Moore's `Fahrenheit 9/11' should be called a `documentary' won't be heard hovering around Joe Berlinger and Bruce Sinofsky's (`Brother's Keeper,' `Paradise Lost') `Metallica: Some Kind of Monster' because it is a documentary, an accurate rendering of the rock group's long struggle to create its latest album, `St. Anger.' Although sex and drugs play no role in the film and the groupie adulation is almost non present, making even the most out-of touch viewer skeptical, the battle of frontman James Hetfield with alcohol and the group with dysfunction has the feel of authenticity. We are left with a business partnership reviving its product.

By engaging `performance-enhancement coach' Phil Towle for $40,000 a month, Metallica puts its money where its mouth is-a serious effort to preserve the magic of a group that sold 90 million albums, so much a product of delicate personality bonding that the full time therapist had a real challenge to preserve the indefinable chemistry. Beside Hetfield's demons, drummer Lars Ulrich's Napster battle takes energy from the group, so Towle is probably a small investment in its survival. If heavy metal is not your thing, seeing this group psychodrama would be worth the admission.

Not seeming to fit the overall clinical activity of the film is a scene of Ulrich selling his art collection. Critic Ed Gonzalez gives an insightful explanation:

`There's a moment in the film where Berlinger and Sinofsky force a fascinating correlation between the paintings that hang in Ulrich's home and the music the band makes, calling attention to the relationship between art and the spectator and the way that art is consumed. This scene has absolutely nothing to do with the psych sessions between Metallica and Towle, and it's a great one.'

This kind of organic unity makes it a documentary of artful proportions. I still prefer classical and folk music, but I have to admit to a new interest in a musical genre I can share with my musician grandson Cody.