The Ghouls

I recently watched the low-budget film The Ghouls (2003) on Tubi. The storyline follows a broke man in the media who is trying to capture activity on tape that he can sell for his big break. When he discovers something is eating the homeless, he thinks he's found an avenue for success but faces significant risks trying to capture the creatures eating people...

This film is written and directed by Chad Ferrin (Night Caller) and stars Trent Haaga (Slice), Timothy Muskatell (Jurassic City), Gil Espinoza (High School High), and Tiffany Shepis (Victor Crowley).

This movie was pretty entertaining for a film made on a $68,000 budget. The storyline is reminiscent of C. H. U. D. and executes the horror elements fairly well. The opening stab scene and eating sequences are outstanding and well executed. The gore in this film is surprisingly good. Unfortunately, the acting ranges from mediocre to bad, and the main character is quite annoying. The cinematography also reflects its low-budget nature. The highlight of the film, beyond the gore, is a kid with down syndrome who steals the show in every scene he's in.

In conclusion, The Ghouls suffers from its low budget but has some worthwhile scenes. I would score it a 5/10 and recommend it only to horror enthusiasts.

THE GHOULS review

It's hard to fully immerse yourself in the latest low budget trend of DV filmmaking. Unless painstaking measures are taken to mimic the cinematic conventions of film, like depth of field and the crispness of the image, one can easily lose focus on the story and be distracted by the the quality of the picture, which is more along the lines of a cop corralling a perp or a father getting kicked in the balls by his kid. However, Chad Ferrin's latest offering (I saw his first film UNSPEAKABLE at Sundance in 2000) uses the DV format not in an aesthetic gimmick (like BLAIR WITCH) but to further the dread and grit of his subject matter...for what it's worth I was appalled and enthralled...and it scared the shit out of me.

THE GHOULS follows a down-on-his-luck video muckraker (Ferrin sets up the main characters moral decent in a shocking prelude that will be a true litmus test for any viewer...not giving anything away but if you can survive the opening moments, you're in for a ride) as he prowls the streets, a stringer looking for a lead to both pay the bills and support his crank habit. To be frank, our protagonist Eric (Timothy Muskatell) is a piece of s**t that Travis Bickle would scoff at; We see him drown his sorrows in drink after coercing a man to murder while he shoots the "exclusive" footage, moments before the cops burst in. Yet with the over-saturation of media bloodhounds also scanning the street looking for a good lead and a juicy shot to sell, our hero is mostly plopped in a bar booth, killing brain cells and wallowing in his inner pain.

Nice horror in-joke: Cast as the TV news producer who sometimes buys Eric's footage but mostly berates our hero, Joe (DAY OF THE DEAD) Pilato is in fine form and, with Ferrin being an obvious Romero fan, gives the actor great lines and exploits Pilato's ability to make the word "fuck" seem evil again, like it was when you weren't allowed to say it in public when you were a kid.

However, things change suddenly as Eric drives into the depths of Downtown L.A. one lonely Christmas eve, where he stumbles upon a gruesome, cannibalistic murder that happens right before his eyes in an alleyway, and from here the film goes full tilt boogie. Using his camera and the help of another video freelancer/"vulture" (Trent Haaga, who is by and large one of the best actors in the low-budget horror scene right now and used effectively as both comic relief and the "young sage competition" cliche), Eric returns to the scene of the crime to hopefully capture another murder, which could be the shoot of his career, but of course, like every good horror film, our hero is pulled into the darkness...and comes face to face with THE GHOULS, and himself.

Honestly, I don't want to give anything else away mainly because when I was watching this, it was hard to take in, especially since the main character is so unlikable. But as the plot progresses he is faced with strange phone calls at night, bodies piling up around him as well as his own demons. Plus, the film boasts the most disturbing performance from a Down's Syndrome actor EVER.

On that note, along with Pilato mentioned before, all of the performances are effective in a low-key way. There is little "acting" here, mostly reacting and silence that says so much. Haaga is great as the "sidekick" but doesn't use the usual trappings to illicit a laugh; rather he serves as a humorous light is the depths of scum that surround this film

The film, shot on digital video, looks very good for it's limitations, and Ferrin knows where the camera needs to go to feel "real", and once the film gets into gear I never once got taken out of it because of the medium. However, the sound design and the sets, for example the ghoul's lair and the cavernous pipelines and sewer systems, are AMAZING, especially after finding out there were mostly created and not found locations! The sound effects, which most filmmakers either take for granted with "scare stings" or neglect all together, make this film SCARY. The makeup effects are also effective and are a notch above TROMA quality but Ferrin is not afraid of a little splatter (thank god).

I wish i could say something negative to balance out this review but I was very happily surprised with this. When I heard Ferrin was doing a digital feature, I was dismayed because I tend to not have the ability to enjoy a film on video unless it has an obvious contextual reason. Yet THE GHOULS inspired me to say "fuck film" and tell a story with whatever you have available, and Ferrin scares and disturbs with great style.

Independent fear-maker Chad Ferrin's, low-fi, high die, superlatively-splattery, gut-swingingly grisly subterranean snuff sensation 'Cannibal Dead: The Ghouls' is certainly not for sensitive Sally's, timorous Timothy's, or the frequently faint of fart! Something far worse than a City Load of septic sewage fulminates evilly beneath the mean streets of L. A. And preternaturally perverse paparazzi Eric Hayes (Timothy Muskatell) shall certainly grue the day he deigned to opportunistically film these deranged denizens of the dark that cavort cannibalistically upon the ferociously flayed flesh of all those who foolhardily descend into their diabolically dank domain! Old school ghouls, sinister splatter mad-hatters, gruesome gore gourmands, morbidly-minded morgue maniacs, grisly graveyard gawpers, and brain-dead zombie freaks will dig gravely upon the gloriously ghoulish, salaciously sick-headed shenanigans of Ferrin's locomotively lurid, voluptuously visceral, deliriously dismembering blood feast! Like Gorefather H. G Lewis hungrily buzzed on high grade hydroponic hemp, this moonshine mental, membrane-slinging murder movie is the snuff of low budget legend!!!

Yea so apparently the DVD case has misled viewers into expecting yet another living dead infected bloodbath filled with gore as we have seen many times on land sea and air and has left the viewers unsatisfied with what they saw. I saw this on crackle....for free...I don't remember exactly what the description was but I didn't let that effect my opinion. The movie is obviously very low budget however that seems to add something to finished product which is not another simple zombie attack but an insight on the lower class types and their lifestyles in the city......with some flesh eating ghouls thrown in. I was entertained.

First and foremost, the distributors fooled me. The box implied that this was a large scale zombie movie and that there would be a handful of survivors in a ravaged city. This was simply not the case. However instead of being angry as would generally be the case, I was taken aback. This movie is no zombie fest, but it was a very dark and thought provoking movie. I was pondering it long after the very odd and fitting credits rolled. Ghouls, is about a sleazy paparazzi reporter who makes his pseudo-living by filming scenes of crime, murder, and tragedy. The gruesome sights never bother him until he finds himself on the receiving end of the horror. Ghouls come in two varieties here: the flesh-eating type and the social type. There are some powerful themes running throughout this gem, largely about the media but also some other ideas, like smoking, identity and overall moral standings in our society. I had some trouble warming up to the "hero", but I realized we aren't meant to like him. You might pity him, sympathize with him, even feel concern for him, but you never truly like him. Much better than I would have expected, but this IS a thinking movie-goer's zombie film, action isn't the real point. If you're thinking about buying this solely to see scads of the undead, look elsewhere.