CALIFICACIÓN DE IMDb
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Cuando el profesor universitario J.T. Neumeyer descubre un expediente policial en el que se esbozan los detalles de su asesinato, que tendrá lugar cinco días en el futuro, no pierde el tiemp... Leer todoCuando el profesor universitario J.T. Neumeyer descubre un expediente policial en el que se esbozan los detalles de su asesinato, que tendrá lugar cinco días en el futuro, no pierde el tiempo tratando de salvar su propia vida.Cuando el profesor universitario J.T. Neumeyer descubre un expediente policial en el que se esbozan los detalles de su asesinato, que tendrá lugar cinco días en el futuro, no pierde el tiempo tratando de salvar su propia vida.
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i did'nt mind this mini series.for a TV science fiction movie,it's not half bad.it kept me interested through out,and even riveted at times.the acting is very good in this movie.i'm not sure how accurate the movie is from a physics point of view,but so what,i enjoyed it.the basic premise is that physics professor J.T.Neumeyer(Timothy Hutton) discovers that he is murdered in 5 days(thanks to an anonymous tip from the future.so he must try to figure out who the murderer is and try to prevent his own killing thereby altering his destiny and maybe that of others.the whole thing involves theoretical time travel(sort of)in the present and in the future.i have to say,the ending caught me completely by surprise.i wasn't expecting it at all.i honestly thought this was a well done mini series.i'd give '5 days to Midnite' 8/10
I'm not kidding, this really hooked me; one could almost say that this ought to come with a warning, letting people know that this may very well grip them and their attention, and not let go until the final credits roll. From the first moments, this is interesting and engaging. The concept is not completely original, of course, but this is a good take on it, and I found myself surprised by most of the twists. This follows a physics professor trying to uncover the truth behind a police file that details his own murder, with the date being five days later. The plot keeps you watching, and there are unexpected developments that make sense. There's only one brief instance of obvious exposition, and apart from that, the story-telling is rather well-done. The cinematography and editing are great, with the one exception of the occasional "sluggish" time effect, which isn't always used well. This builds atmosphere and suspense well, and can be intense. It's exciting when it tries to be. The script is well-crafted and clever. Humor tends to be appropriate in tone and amount, though one person is pushed a little excessively as comic relief. The characters are well-written and credible. Dialog can be smart. The music is cool and fitting. Production design is excellent throughout. Special effects tend to look marvelous. The acting is convincing, every single performance, including the kid. Throughout, this is fairly well-done. The climax is well-done. It does, unfortunately, not completely live up to the incredible things that the audience imagines during the course of the show, but it wraps stuff up well. The DVD comes with trailers for this and three other things, as well as four informative and well-done featurettes. While I can't speak for any other version, the one I watched did not have nudity or language, and was in five episodes of about forty minutes each, so three hours and twenty is the full running time. I recommend this mini-series to any fan of science fiction-thrillers that deal with the idea of time and how set in stone the future is. Huh. The Sci-Fi Channel doesn't always suck. Before The Lost Room and this, I wouldn't have believed that to be possible. 7/10
After a fashion, I really enjoyed this miniseries from 2004, "Five Days to Midnight," starring Timothy Hutton, Randy Quaid, Kari Matchett, Hamish Linklater, Angus Macfayden, and Gage Golightly.
Hutton plays physics professor J.T. Neumeyer who, while visiting his wife's grave on the anniversary of her death, finds a briefcase with his name on it. Inside are news clippings that talk about his death five days from now. At first, he thinks it's a joke but ultimately believes it was sent by his brilliant but eccentric student Carl (Linklater) and perhaps is not a joke. With an 11-year-old daughter to care for, Neumeyer isn't about to go down without a fight.
Complications abound, including a secret his girlfriend (Matchett) has been keeping, and his brother-in-law's financial difficulties. Then there's the implication of actually changing the future - which Carl warns him can't happen.
Quantum physics is extremely interesting to me -- parallel universes and the like, time travel - unfortunately, there was not as much emphasis on this in the plot; instead, the focus seemed to be on making it into a detective story. Less interesting.
My big problem was the way the discs were set up. I watched the first disc, returned it to Netflix, got the second, and immediately realized I hadn't seen one episode. I found out I wasn't the only one this happened to - the discs separate the episodes, one hour each, rather than one episode, two hours.
Timothy Huttton was excellent, and all the acting was good - Hamish Linklater is always wonderful -- and all of the acting is good. Because of Hutton, you really get involved in the story and in this man's plight.
If you watch this, you'll have questions - there is an excellent post on the message board that explains it all.
Can we change the future, and if we do, what are the implications? Are the past, the present, and the future occurring at the same time? If we try to change it, are we doomed to the same fate even if the circumstances change? Movies have been asking these questions for years. "Five Days to Midnight" also deals with the future sending us messages. It's all fascinating -- I just wish there had been more of it.
Hutton plays physics professor J.T. Neumeyer who, while visiting his wife's grave on the anniversary of her death, finds a briefcase with his name on it. Inside are news clippings that talk about his death five days from now. At first, he thinks it's a joke but ultimately believes it was sent by his brilliant but eccentric student Carl (Linklater) and perhaps is not a joke. With an 11-year-old daughter to care for, Neumeyer isn't about to go down without a fight.
Complications abound, including a secret his girlfriend (Matchett) has been keeping, and his brother-in-law's financial difficulties. Then there's the implication of actually changing the future - which Carl warns him can't happen.
Quantum physics is extremely interesting to me -- parallel universes and the like, time travel - unfortunately, there was not as much emphasis on this in the plot; instead, the focus seemed to be on making it into a detective story. Less interesting.
My big problem was the way the discs were set up. I watched the first disc, returned it to Netflix, got the second, and immediately realized I hadn't seen one episode. I found out I wasn't the only one this happened to - the discs separate the episodes, one hour each, rather than one episode, two hours.
Timothy Huttton was excellent, and all the acting was good - Hamish Linklater is always wonderful -- and all of the acting is good. Because of Hutton, you really get involved in the story and in this man's plight.
If you watch this, you'll have questions - there is an excellent post on the message board that explains it all.
Can we change the future, and if we do, what are the implications? Are the past, the present, and the future occurring at the same time? If we try to change it, are we doomed to the same fate even if the circumstances change? Movies have been asking these questions for years. "Five Days to Midnight" also deals with the future sending us messages. It's all fascinating -- I just wish there had been more of it.
My overall reaction is that I feel like I completely wasted five hours of my life watching this miniseries. While there were a few red flags in the beginning, the writing seemed to be carrying the movie. First, the red flags: the director had an extremely annoying habit of throwing in slow motion in places where it was completely out of place. Actually, there's almost never a reason for slow motion. Directors and writers don't normally write "This scene is done in slow motion" into the script. If the action in the take appears to be incredibly lame during the editing, they'll try a slow motion effect before throwing the scene away. So the high frequency of slow motion shots is a give away that the director is a hack.
** Spoiler Ahead **
Other than the director's attempt to sabotage the movie, the writing was very good for the first 4 hours and 50 minutes. It wasn't typical Sci-Fi fare, but a seemingly well crafted murder mystery. The twist was that the victim was investigating his own murder. Not bad. But there was no mystery to the ending. It was the equivalent of having the cavalry ride in at the last minute, only dumber. There was no attempt to clean up the loose ends. No attempt to explain how the professor escaped his destiny. It might have been modestly satisfying if there was an attempt to explain how the future benefactor knew that a single bullet would be needed at the last moment.
Not since Steven King's "The Stand" was there a more disappointing ending to a promising story line.
** Spoiler Ahead **
Other than the director's attempt to sabotage the movie, the writing was very good for the first 4 hours and 50 minutes. It wasn't typical Sci-Fi fare, but a seemingly well crafted murder mystery. The twist was that the victim was investigating his own murder. Not bad. But there was no mystery to the ending. It was the equivalent of having the cavalry ride in at the last minute, only dumber. There was no attempt to clean up the loose ends. No attempt to explain how the professor escaped his destiny. It might have been modestly satisfying if there was an attempt to explain how the future benefactor knew that a single bullet would be needed at the last moment.
Not since Steven King's "The Stand" was there a more disappointing ending to a promising story line.
I thought that I had a better review for this mini-series, but it looks like I may have shut it away in the trash vault. So, for just this one I am going to give you the short, short version of what I witnessed. 5ive Days to Midnight was one of those classic mini-series that probably did very well while on television in keeping the suspense high and the anticipation even higher, but when it transferred onto DVD it didn't succeed as well. When one has the opportunity to watch this series from beginning to end within the course of one day, the excitement and momentum slowly decreases. Let me be more exact.
The first three episodes were great. It was this beautifully mixed bag of drama and sci-fi that I know the Sci-Fi channel has a firm grip on. It kept me guessing and wondering what would happen next. I couldn't quite figure out exactly how all the pieces were going to fit together and it was enjoyable, then you put the second disc in and watch the final two episodes and everything going for this film goes down the toilet. The final two episodes are nothing but filler and the ironically planned confusing ending. I felt that these final two episodes just did not react well with the first three, there seemed to be something genuinely missing from all of this. It was as if the creators had the horse running at full speed at first, then allowed it to gallop into the final lap. It lost momentum, speed, and thrill when the second disc hit my DVD player.
The acting was decent with Quaid proving why the "TV" niche is his best friend. Hutton could have done a bit better, portraying this struggling victim to this predestined crime, but instead I think he realized this was "television" and went with some sub-par skills. While the acting was just average all around, I was o.k. with that, it was the story that I was hoping to get most of my strength from. Sadly, the story was good, but not great. There were huge, gaping plot holes that just were never covered or corrected. When you are doing a time traveling film like this, you need this to make a coherent statement. It is like writing a paper without using any punctuation, you don't know where to stop or end and it ends up a jumbled mess. That is what happened with the final two episodes, the jumbled mess caught up to the creators and there was only one way to stop it clichés and unoriginality.
Overall, I was impressed to begin this series, but by the end, I had lost it completely. The fourth day is nothing but filler, and that set the mood well off for the final day. What began as this very interesting time travel drama/murder/mystery eventually turned into a regular program that you could find on any station. Something happened, and as we the viewers may never know, those involved do. I suggest to everyone checking out the first disc while leaving the second behind. If you need to know how it ends, forget about it. The first three days will leave a better taste in your mouth than the final two days, and overall you will feel better (even if you don't know how it ends!)
Grade: *** out of *****
The first three episodes were great. It was this beautifully mixed bag of drama and sci-fi that I know the Sci-Fi channel has a firm grip on. It kept me guessing and wondering what would happen next. I couldn't quite figure out exactly how all the pieces were going to fit together and it was enjoyable, then you put the second disc in and watch the final two episodes and everything going for this film goes down the toilet. The final two episodes are nothing but filler and the ironically planned confusing ending. I felt that these final two episodes just did not react well with the first three, there seemed to be something genuinely missing from all of this. It was as if the creators had the horse running at full speed at first, then allowed it to gallop into the final lap. It lost momentum, speed, and thrill when the second disc hit my DVD player.
The acting was decent with Quaid proving why the "TV" niche is his best friend. Hutton could have done a bit better, portraying this struggling victim to this predestined crime, but instead I think he realized this was "television" and went with some sub-par skills. While the acting was just average all around, I was o.k. with that, it was the story that I was hoping to get most of my strength from. Sadly, the story was good, but not great. There were huge, gaping plot holes that just were never covered or corrected. When you are doing a time traveling film like this, you need this to make a coherent statement. It is like writing a paper without using any punctuation, you don't know where to stop or end and it ends up a jumbled mess. That is what happened with the final two episodes, the jumbled mess caught up to the creators and there was only one way to stop it clichés and unoriginality.
Overall, I was impressed to begin this series, but by the end, I had lost it completely. The fourth day is nothing but filler, and that set the mood well off for the final day. What began as this very interesting time travel drama/murder/mystery eventually turned into a regular program that you could find on any station. Something happened, and as we the viewers may never know, those involved do. I suggest to everyone checking out the first disc while leaving the second behind. If you need to know how it ends, forget about it. The first three days will leave a better taste in your mouth than the final two days, and overall you will feel better (even if you don't know how it ends!)
Grade: *** out of *****
¿Sabías que…?
- TriviaThe events in the mini-series take place Monday, 7 June 2004 through Friday, 11 June 2004. The show premiered on the SciFi Channel (USA) on Monday, 7 June 2004 and consecutive episodes were shown each night through Friday, 11 June 2004 roughly following a real-time schedule. The fourth episode (with events ending at or slightly past 3.55am according to the script) was actually first shown at 9.00pm on Thursday, 10 June 2004, so the series did get ahead a bit. Additional date-specific product placements (for instance, a poster for La batalla de Riddick (2004), playing in theaters at the time, as seen on a slow pan at the university outside Neumeyer's office) and current popular culture references (for example, a reference to the popular show, CSI: Crime Scene Investigation (2000), airing at the time on network TV) in conversation help reinforce this setup.
- ErroresIn the fist part of the mini-series, J.T. Neumeyer promises his daughter that they will look for Orion with her new telescope. He is shown looking at Orion's Belt a little later that night. Orion's Belt is only visible from Washington in winter evenings, not June.
- ConexionesReferences CSI: Crime Scene Investigation (2000)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- 5 Days to Midnight
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 42min
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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