CALIFICACIÓN DE IMDb
6.7/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaAn insight on the gritty life of a bored male, Chelsea football hooligan who lives for violence, sex, drugs & alcohol.An insight on the gritty life of a bored male, Chelsea football hooligan who lives for violence, sex, drugs & alcohol.An insight on the gritty life of a bored male, Chelsea football hooligan who lives for violence, sex, drugs & alcohol.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Tony Denham
- Harris
- (as Anthony Denham)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A Fantastic Movie from start to finish, with brilliant acting, script, dialogue, poignancy and laughs. Danny Dyer proves that there is more to young British Actors that Jude "Pretty Boy" Law and Orlando "acts with his eyes" Bloom with a stirring performance as Tommy Johnston. The social critique is as prominent in the film as the football hooliganism, and the bathos that runs throughout is definitely a strong point. The Film is similar to Trainspotting in its feel and story-telling style, and the soundtrack expertly tries to give you the buzz the guys are feeling as they are marching towards a ruck. Scenes to look out for are the Junior Football Match, the 3rd Round Draw, and Rod Meeting his girlfriend's parents. Ultimately the film asks more questions about the society that breeds the need for arranged violence than the actual link to football, and ultimately leaves you on a high note after many lows during the film.
I would recommend this to anyone, not just football fans, but anyone who wishes to see a film out heterosexual male relationships, and the state of the British Male mindset in the year 2004.
Love It!!
I would recommend this to anyone, not just football fans, but anyone who wishes to see a film out heterosexual male relationships, and the state of the British Male mindset in the year 2004.
Love It!!
MY VERDICT: **/*****
The logic resulting in the production of this film is not hard to follow. The scathing social satire and searingly counter-cultural Trainspotting was a brilliant British film. The flash-talking, fast-plotted, gun-wielding, hard-brawling Lock Stock was a good British film. So why not combine aspects of both? Predictably, the result is a mess, but flashes of good film-making keep the viewer interested for the 1 hour and 20 minutes or so of football 'n' fights.
The opening sequence closely follows the Trainspotting format. A narrator, later we discover called Tommy, delivers his criticism on how we live our lives and how he has found excitement and meaning by flying right off the rails. The soundtrack moves from one Brit hit to the next as we are introduced to his gang in some snappy montages. Again, the Trainspotting skool of film-making isn't so much an influence as a screenplay, storyboard and script.
Soon, we get to know the gang, and learn that the love of their lives is violence, especially (but not exclusively) surrounding their football team, Chelsea, and particularly focused against their arch-rivals Millwall. I was preparing myself for some gruesome violence as geezers started drinking pints and looking for a fight. And then, the film ... just ... chickens out. A film which is supposedly about football violence should, um, contain some football violence maybe, but Football Factory becomes a film version of one of its thugs - all bluster and intimidation, and no bite. Supposedly hard-hitting action sequences have soap opera-like qualities. Never do we seem to see a fist connect in anger, or teeth shatter, or bones crack. Just some bad pantomime blood and incompetent camera-work. This inadequacy seriously undermines the film's impact - it fails to pump up the audience to the next big fight, and thus has no discernible pace. Just scenes, shots and cuts.
Instead, the focus of the film falls (rather disastrously) on the uninteresting, homogenous characters. With a sigh, I realized this wasn't going to get any better, and began to take mental notes of names, story lines etc so I could at least follow the plot. Tommy and Rod are the central duo, the thugs with brains, imagination, and perhaps the insight that will lift them out of this life. Bill is meant to be the ultra-nasty psycho - Robert Carlyle in Trainspotting was clearly what they were trying to emulate - but some unconvincing acting gives him all the terror of a particularly in-your-face door to door salesman. Zebedee is there for exposition on the cocaine-fuelled lifestyle that all youths supposedly lead (is this true? I was a teenager for years, and I never remember being offered cocaine.) There's also an organised violence ringleader, although I don't have to worry about his name because he brings absolutely nothing to the plot at all.
In brief, the plot follows the gang on the buildup to a particularly bruising clash - Millwall versus Chelsea, and particularly how Tommy begins to get cold feet about his thuggery and starts considering his options. This isn't helped by some heavy-handedly (almost bludgeoningly) symbolic dream sequences. I quite liked the film-making device of giving no warning or visual clues to as what was a dream and what wasn't. It's not put to an ultimate good use though, much like the rest of the handful or so of original ideas in the film. I like the dope-smoking old men though.
So is this worth viewing or not? Certainly, it's got more to chew on than another awful CGI-overkill-marathon like Van Helsing or Catwoman. But don't expect it to truly open your eyes to another world, or indeed, still be with you a month later.
The logic resulting in the production of this film is not hard to follow. The scathing social satire and searingly counter-cultural Trainspotting was a brilliant British film. The flash-talking, fast-plotted, gun-wielding, hard-brawling Lock Stock was a good British film. So why not combine aspects of both? Predictably, the result is a mess, but flashes of good film-making keep the viewer interested for the 1 hour and 20 minutes or so of football 'n' fights.
The opening sequence closely follows the Trainspotting format. A narrator, later we discover called Tommy, delivers his criticism on how we live our lives and how he has found excitement and meaning by flying right off the rails. The soundtrack moves from one Brit hit to the next as we are introduced to his gang in some snappy montages. Again, the Trainspotting skool of film-making isn't so much an influence as a screenplay, storyboard and script.
Soon, we get to know the gang, and learn that the love of their lives is violence, especially (but not exclusively) surrounding their football team, Chelsea, and particularly focused against their arch-rivals Millwall. I was preparing myself for some gruesome violence as geezers started drinking pints and looking for a fight. And then, the film ... just ... chickens out. A film which is supposedly about football violence should, um, contain some football violence maybe, but Football Factory becomes a film version of one of its thugs - all bluster and intimidation, and no bite. Supposedly hard-hitting action sequences have soap opera-like qualities. Never do we seem to see a fist connect in anger, or teeth shatter, or bones crack. Just some bad pantomime blood and incompetent camera-work. This inadequacy seriously undermines the film's impact - it fails to pump up the audience to the next big fight, and thus has no discernible pace. Just scenes, shots and cuts.
Instead, the focus of the film falls (rather disastrously) on the uninteresting, homogenous characters. With a sigh, I realized this wasn't going to get any better, and began to take mental notes of names, story lines etc so I could at least follow the plot. Tommy and Rod are the central duo, the thugs with brains, imagination, and perhaps the insight that will lift them out of this life. Bill is meant to be the ultra-nasty psycho - Robert Carlyle in Trainspotting was clearly what they were trying to emulate - but some unconvincing acting gives him all the terror of a particularly in-your-face door to door salesman. Zebedee is there for exposition on the cocaine-fuelled lifestyle that all youths supposedly lead (is this true? I was a teenager for years, and I never remember being offered cocaine.) There's also an organised violence ringleader, although I don't have to worry about his name because he brings absolutely nothing to the plot at all.
In brief, the plot follows the gang on the buildup to a particularly bruising clash - Millwall versus Chelsea, and particularly how Tommy begins to get cold feet about his thuggery and starts considering his options. This isn't helped by some heavy-handedly (almost bludgeoningly) symbolic dream sequences. I quite liked the film-making device of giving no warning or visual clues to as what was a dream and what wasn't. It's not put to an ultimate good use though, much like the rest of the handful or so of original ideas in the film. I like the dope-smoking old men though.
So is this worth viewing or not? Certainly, it's got more to chew on than another awful CGI-overkill-marathon like Van Helsing or Catwoman. But don't expect it to truly open your eyes to another world, or indeed, still be with you a month later.
"The Football Factory" is a Crime movie in which we watch football from a different perspective. Our main character is a male man who has a boring life. Although he is a hooligan and lives in a violent and hostile environment full of drugs and alcohol.
I liked this movie because I believe it shows the truth of football from the sight of hooligans. It shows the truth that no one wants to admit and believe that it exists. The interpretation of Danny Dyer who played as Tommy Johnson it was very good and also the interpretation of Frank Harper who played as Billy Bright.
Finally I have to say that I watched "The Football Factory" after I watched the "Green Street Hooligans" movie. So, unwittingly I made a comparison between these two movies and I believe that "Green Street Hooligans" is better. In my opinion you have to watch first "The Football Factory" and after the "Green Street Hooligans" because with this way you will be more satisfied.
I liked this movie because I believe it shows the truth of football from the sight of hooligans. It shows the truth that no one wants to admit and believe that it exists. The interpretation of Danny Dyer who played as Tommy Johnson it was very good and also the interpretation of Frank Harper who played as Billy Bright.
Finally I have to say that I watched "The Football Factory" after I watched the "Green Street Hooligans" movie. So, unwittingly I made a comparison between these two movies and I believe that "Green Street Hooligans" is better. In my opinion you have to watch first "The Football Factory" and after the "Green Street Hooligans" because with this way you will be more satisfied.
The Football Factory is movie about football (soccer) fans. Since they seem to be more interested in fighting than in actually watching the games this is certainly no sports film so don't let the title fool you. It's also based upon a novel that I haven't even heard of, but that could perhaps be because I'm in Sweden.
The Football Factory is a very episodic movie. Mostly it works, but sometimes I felt like I wanted to spend more time with main character Tommy Johnson or that they should at least had focused on fewer characters. Sometimes I felt that a scene was working really well, but the story quickly focused on other things. As I said, more often than not the episodic feel works fine, but not all the time.
As in almost all English movies the acting's great. From minor characters to main characters... they feel real. I especially think the voice over sounds very authentic: it's Tommy speaking, not actor Danny Dryer reading.
I think this is a good movie, it's rather violent and upsetting at times, but also funny and entertaining.
The Football Factory is a very episodic movie. Mostly it works, but sometimes I felt like I wanted to spend more time with main character Tommy Johnson or that they should at least had focused on fewer characters. Sometimes I felt that a scene was working really well, but the story quickly focused on other things. As I said, more often than not the episodic feel works fine, but not all the time.
As in almost all English movies the acting's great. From minor characters to main characters... they feel real. I especially think the voice over sounds very authentic: it's Tommy speaking, not actor Danny Dryer reading.
I think this is a good movie, it's rather violent and upsetting at times, but also funny and entertaining.
Football violence is a horrible thing. Period. What "The football factory" shows us is a bit of reasoning behind why, seemingly normal go out and beat the crap out of each other because of a game with 22 guys and a ball. The truth is, it has nothing to do with the game. How the team actually does really doesn't matter, as long as you get to play your rivals because it's about togetherness and escaping the dreariness of everyday life. In a sick a twisted way of course, but it's the only way for these guys. The movie itself goes by at a million miles an hour and gives us characters that seem both believable and real, and a really touching story of a friendship that has lasted through the ages. The main character Tommy is a really interesting one: He knows he's on the path to destruction and through visions of his own demise, he realizes that it's all going to hell and that he (along with the other hang-arounds) are along for the ride. It's a movie that is definitely worth an hour and a half of your time and you Americans should praise yourself lucky that at least you got one thing right: You know how to behave at sporting events (hell, at NFL games they have barbecues out in the parking lot where fans of the opposing teams eat and hang out together. Just imagine that at a Tottenham-Chelsea or Roma-Lazio game!)
¿Sabías que…?
- TriviaA showing of the movie in Malmö, Sweden led into a brawl in the cinema between supporters of rival soccer teams Malmö FF and Helsingborg IF. The movie was banned from cinemas after the brawl.
- ErroresWhen Tommy and Billy leave the massage place and Billy gives Tommy the Viagra, Tommy is carrying his jacket. But in the next shot, when he is walking through town, he does not have it.
- Citas
Tommy Johnson: What else are you gonna do on a Saturday? Sit in your fuckin' armchair wankin' off to Pop Idols? Then try and avoid your wife's gaze as you struggle to come to terms with your sexless marriage? Then go and spunk your wages on kebabs, fruit machines and brasses? Fuck that for a laugh! I know what I'd rather do. Tottenham away, love it!
- ConexionesFeatured in The Real Football Factories: London (2006)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Фабрика футболу
- Locaciones de filmación
- Surrey Quays Station, Surrey Quays, Londres, Inglaterra, Reino Unido(The Chelsea firm leave the station - externals)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 1,228,003
- Tiempo de ejecución1 hora 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What is the French language plot outline for The Football Factory (2004)?
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