Detective

It is amazing the level of actors that stooped to act in this badly written movie. The plot idea has value, but 1. the dialogues were terrible, and 2. the audio production was horrible with background music almost drowning out the actors. Interesting concept, but be prepared to be disappointed.

It took many hours to get through this predictable detective story. With a strong heavy weight cast, it still seems endless with many scenes that were just too long. Is this the writing? Directing? Or acting? Tom Berenger in the lead role as the detective out to solve the crimes, seemed to be going around in a daze, not sure what was happening around him. When he is faced with truths, his face doesn't change expression. I usually like this actor, but not in this. Cybill Shepherd wasted in a thankless role as the wife he left behind. Not much for her to do. Too bad. More of her could have made the story at least exciting. Annabeth Gish, just was bad casting. Not much going on there. One expression throughout the movie. No one cared. Veteran Charles Durning also wasted in a nothing role. Don't see much of him. Sean O'Bryan and David Atkinson, to this viewer turned in the most interesting and challenging roles. Good acting and energy sadly lacking from the others. But, please a four hour movie? It has to have something to hold interest. I welcomed the commercials just to get a break.

Tom Berenger plays Malcolm Ainslie, a former priest turned detective, and he has one big case on his hands. A madman is killing elderly residents in gruesome fashion and his actions seem to be somewhat borrowed form The Book of Revelations. As a former priest, Ainslie might just prove to be the perfect one to solve the case.

Mixing in Ainslie's troubled personal life, Detective has a good story throughout it's running time. I can't help thinking this could have been even better had it not been a Hallmark presentation. There's no gore here (but plenty of opportunities) and the suspense seems to watered down somewhat, especially during the climax. It's totally got that TV feel to it, but director choirs are well handled by David Cass, a seasoned television director.

The cast is mostly good. Tom Berenger is good as Ainslie, handling all aspects of the character well. Cybill Sheperd is fine as his wife but Annabeth Gish is completely stone-faced all the way through. It's fun to see Charles Durning but his role is a small one.

Had this movie gotten the theatrical treatment it could have been one hell of a thriller. Sourced from a good book by Arthur Hailey, it really cries out for better production values and some bloody set pieces. Still, it's quite good all the same.

As usual with many movies, the "Sound Engineers" on this film should never work again. There was "background music and sound effects" where none should be and it was much too loud covering up the actors.

This movie reminds me of the reports I'd write in college that had to be ten pages on a subject I did not even remotely care about. The result was always 2 pages of substance with 8 pages of rambling crap that added absolutely no value to the final product. Was I a poor student? Yes, and I have the attention span of a hummingbird on crack so maybe I'm missing something here. It's 8:58pm where I'm at right now, and I swear this thing started six hours ago (no control over the TV). I glance up once in awhile to see another pointless conversation with some more cliché dialog. The actors aren't bad - they just have nowhere to go. It's a one hour episode of a cookie cutter crime show that's been stretched out like a Caramello. There should be an "end now" feature on modern cable systems that allows viewers to instantly turn any slow snore-fest into a disaster movie. Hit the blue button and in flashes an asteroid. Hit green and out comes a lava flow. Aliens on red. For now, I guess I'm stuck with the +/- option on my channel control - not that I have any control.