Mi nuevo jefe

Director/scriptwriter Paul Weitz was blessed with a top cast for his comedy/drama "In Good Company." Here's a film that in some ways resembles and is a bit of a genre successor to "The Graduate," that 1960s iconoclastic gem. Even the new songs complement the story in the same way Simon and Garfunkel's lyrics melded with the story line in "The Graduate." Dennis Quaid as Dan Foreman is in his early fifties, a contented manager of a sports mag's ad department. His home life seems almost too good to be true. He loves his wife, Ann (Marg Helgenbergen) and gets on well with his two teenage daughters. The older one, Alex (Scarlett Johansson, in another deep and convincing performance), has a tennis scholarship to a New York State public university where the tuition isn't exactly sky high. But she wants to transfer to New York University in Greenwich Village to study creative writing where the cost is very, very steep.

Almost before you can get into your tub of popcorn Dan is struck with multiple whammies. His magazine is taken over by a mega-corporate raider, Teddy K, and a new ad department honcho, Carter Duryea (Topher Grace), only twenty-six years young, bounces Dan from his executive office while also anointing him as his designated "wingman." Earnest, inexperienced, foppish, supercilious and dangerous in that special way the inept invariably are, he poses a real threat to Dan's future. And Dan is worried about his future because Ann announces she's having a change-of-life baby.

And then Scarlett meets Carter. You need me to tell you what Dan's next mid-life crisis will be? "In Good Company" could have been just a mildly amusing sitcom. The fast-paced acting and the excellence of the cast - especially Quaid and young (she's still a teen) Johansson - kept me glued to the screen for the whole showing. And I admit to being troubled by the issues underlying and scenes showing peremptory firings. There's some ambiguity here - is that the only way for a prosperous corporation to go? Dan's pain at losing long-time co-workers is deeply etched on his face but is he more sentimental and loyal than realistic? I don't know. From the vantage point of a tenured academic with lifetime employment I found myself dragged into questions that I think Weitz meant to raise. Well, he did anyway.

Small roles are well performed by David Paymer as one of Dan's subordinates and Selma Blair who briefly shows up in the beginning as Carter's new wife, Kimberly. I always enjoy seeing this fine actress but her talent is wasted in brief roles.

And Manhattan restaurants where I eat and stores where I shop are all over the well-shot scenes and that always makes me happy.

A very good film.

9/10

IN GOOD COMPANY (2004) ***1/2 Dennis Quaid, Topher Grace, Scarlett Johansson, Marg Helgenberger, David Paymer, Clark Gregg, Philip Baker Hall, Selma Blair, Frankie Faison. Better than anticipated comedy drama from filmmaker Paul Weitz about a middle-aged ad salesman (Quaid, never finer) who finds himself dispensable when his company is bought out by a corporate takeover, which involves a new boss, who's old enough to be his son (Grace continuing to be the Tom Hanks of his generation). Things get dicey when his daughter begins to see the young upstart as well as each one discovering something unique about their situation overall. Very funny and surprisingly warm screenplay covers all the bases until its seemingly pat final act. Bravo to the fine ensemble especially Johansson whose natural style is a breath of fresh air.

Director Paul Weitz's Best Screenplay; Topher Grace's Break-Out in Film (his first and best film performance to date); Scarlett Johansson continued her rapid ascent in film at only age 19, and Dennis Quad hits a home run in one of his most endearing and connected performances.

Ignore the trailer that fails to capture the subtle moments in the film.

This is a nearly perfect "little film" with a great story that draws you in with believable charecters, and first rate performances by every actor.

'In Good Company' takes one through the balancing of middle-age fatherhood and career (Quad), with heart, humor, and a positive family-first theme (without resorting to cliches or the "Hollywood" treatment). Safe for 12+ year olds, and identifiable characters and themes for adults.

Add in the perspective of a bright mid-twenties professional's (Topher Grace) search for happiness - meaningful career, love, a wife, starting a family, and a life-mentor/father-figure (Quad), while navigating the good, the bad, and the indifferent of corporate personalities, and interesct the two generations, and you have a film that engages one from beginning to end.

Soundtrack is wonderfully in sync with the emotions of the film.

Co-star Johansson is flawless in building upon her breakout 'Lost In Translation' and 'Pearl Earring' performances. This mid-2000 decade acting period was when she made her mark, rapidly ascending to stardom, and honing her acting skills in key roles when she was only 18 to 20 years old.

Johansson's character (Quad's daughter and Grace's love interest) is essential to drawing Quad/Grace towards their inevitable surrogate father/son relationship, and she does so perfectly, making every actor around her look good - why she didn't receive Best Performance In A Supporting Role nomination is perplexing, but probably due to her already highly-recognized performances over the previous 18 months - quite an impressive resume for a teenager.

A must-see film and one that is just as great the second and third time viewing it.

Greetings again from the darkness. Saw the Dallas premiere this evening of the newest from director Paul Weitz ("About a Boy" and "American Pie"). Weitz continues to show promise as a director, although again he struggles with poor pacing, even sometimes dragging the story line. Overall, this one will surprise as it is not as formulaic as the previews would lead us to believe. Dennis Quaid ("Far From Heaven", "The Alamo") continues his resurgence into movie stardom with another fine turn, this time as a middle aged ad salesman whose world gets rocked personally and professionally all in one day. Topher Grace ("That 70's Show") is the Yin to Quaid's Yang when he is introduced as his half-his-age, with no experience boss. Of course, it only gets worse for Quaid as his new, young boss falls for Quaid's college student daughter, Scarlett Johansson ("Lost in Translation" and "Girl With a Pearl Earring") AND his wife tells him she is pregnant - despite "being past all that". Johansson doesn't deliver the nuanced performance of "Lost in Translation", but Topher Grace will awaken many to his acting ability (check him out in "Traffic"). Philip Baker Hall, David Paymer and Marg Helgenberger are all fine in supporting roles and the great Malcom MacDowell is terrific in a brief cameo as a corporate big wig similar to Warren Buffett. Nice little story that provides a few touching moments and a couple of good laughs. This one should have decent box office appeal, while providing a Hollywood anomaly by displaying a well adjusted, happy family.

"In Good Company" is a mixed bag as a comedy drama. It definitely won't seem to be a hilarious film to most people, but apparently is to some. The drama is enough to have this film stand alone in that area - with some rewriting to get rid of some of the weak attempts at humor in the dialog. Perhaps some young people who have become so used to divorce in society, and dysfunction in families, can feel at home and see this as comedy.

I give it six stars for two reasons. First, the leads, especially Dennis Quaid and Topher Grace play their parts very well. Second, it takes a very good overall shot at the corporate business world. Not all big corporations are as hard-hearted as Globecom is in this movie. But most have become part of a new-age culture of business lingo that is obfuscatory, insensitive, and diverting - all to be able to hammer home profit and gains at all costs.

So, with some light humor and mostly distraught emotions and life drama situations, this film does a little number on the greed that seems to guide the business culture today. It does have a nice ending with some learning maturing of the male leads.