Terror en Amityville

The Amityville Horror was much better than Boogeyman but still not the best this year. I enjoyed both The Ring Two and Cursed, among others, a little bit more. Don't get me wrong, Amityville had some genuinely creepy parts, along with some unintentionally funny ones.

George & Kathy Lutz (Ryan Reynolds & Melissa George) unexpectedly find their dream home at the deal-of-a-lifetime price. In fact, it seems to good to be true. George asks the realtor the catch. She exclaims that there were some murders in the house but that did not deter the Lutz's. Their reasoning being that it would be impossible for a house to cause people to kill.

Shortly after moving in, George experiences some strange developments in his health and attitude. Also, their daughter, Chelsea ( Chloë Grace Moretz), makes a new friend who her parents assume in imaginary. These are perhaps some of the creepiest parts of the movie, when the imaginary friend, Jodie (Isabel Conner), becomes visible to the audience and sometimes the cast. The scene with the insanely hot but pretty unlikeable babysitter, Lisa (Rachel Nichols), was pretty good.

The director, Andrew Douglas, did a good job by showing little differences in George's attitude and demeanor once he was out of the house. Ryan Reynolds also did a good job of portraying this to the audience. He has come a long way. Melissa George could also leave her mark in Hollywood if the right roles come along for her. I was pretty impressed by her performance almost as much as Ryan's.

While not the best of it's genre, The Amityville Horror has it's place amongst horror movies. It is worth seeing, as you can do much worse if you do not do your homework. 8/10

"Houses don't kill people. People kill people."

The film debut of the then eight-year-old Chloë Grace Moretz is a remake of the 1979 film of the same name. This is an average "haunted house" horror, based on true events. Decently done and moderately entertaining, it stands out only with the performance of little Chloë, and especially the scene on the roof, which is the only thing that remains etched in my memory even after five years.

6/10

A remake of the film by the same name from 1979, which was based on Jay Anson's book about a supposedly "true" haunting, Amityville Horror begins in familiar territory by showing us Ronald DeFeo, Jr. (Brendan Donaldson) murdering his family. A year later, newlyweds George (Ryan Reynolds) and Kathy Lutz (Melissa George), with three kids from her previous marriage in tow, buy the vacant house at a steal, although they hesitate a bit once they learn why it's so cheap. Strange occurrences begin not long after they settle in. George becomes increasingly impatient and hostile, daughter Chelsea (Chloe Moretz) begins seeing the dead DeFeo girl, and so on. The film recounts their very brief but tumultuous stay at the home the Lutz's believed would be their dream home, but which turned into a nightmare.

After seeing the remake of The Texas Chainsaw Massacre (2003), which had the same production team, principal scriptwriter and visual effects team, and which I loved--I gave it a 10--I was completely psyched for the Amityville Horror remake. After all, unlike my view of the original Texas Chainsaw Massacre (1974), which I also gave a 10, I think the 1979 Amityville has more than its share of problems. I like the original in spite of that, but producer Michael Bay and crew had plenty of opportunity for improvement. Unfortunately, although some aspects of this remake are better in my view, it suffers from a host of new problems. Like the first, the assets are good enough to transcend the flaws so that it squeaks by with a very low "B", or an 8.

In my view, there are two primary problems, with at least one a bit ineffable. The more effable problem is that relative newcomer director Andrew Douglas (his previous effort was 2003's relatively little-known documentary Searching for the Wrong-Eyed Jesus) instructs cinematographer Peter Lyons Collister to shoot the film using way too much close framing. I repeatedly felt the urge to take a couple steps back so I could better discern the action, the settings, the staging of scenes, and so on.

The second problem lies more in the realm of writing and editing--the film just doesn't seem to flow right. The transition from scene to scene often feels almost arbitrary. Even though Reynolds does a great job in his transformation as George Lutz (and the acting is superb all around), there was a sense of buildup in the original that this remake is missing. Further indicative of the transition problems, although seemingly minor, is the fact that the date, or the day of the Lutz' stay at the home, is sometimes given as a title and sometimes not. It seems like they just forgot to add the day titles for half of the scenes. Overall the final cut gives an impression of being hastily put together.

And that's a shame, because there is a lot of potential here. The house itself is impressive, as it needs to be, and the overall style of the film is nicely atmospheric. I was also impressed with the production design by Jennifer Williams, which among other assets tends to have the period setting spot-on. For example, I was a huge Kiss, Alice Cooper, etc. fan during this era (and I'm still a fan). Williams has a number of Kiss and Cooper images in the film. She very carefully ensures that none are anachronistic.

Even though scriptwriter Scott Kosar disappointingly expressed a lack of enthusiasm for Anson's book and the original film, he reintroduces a number of elements from the book that work well, but which were left out of the original film. He also introduces new scenarios that in some cases are among the best material of the film--such as a breathtaking sequence on the roof of the home, and the extension of the mythology behind the "haunting". He also greatly improves on sequences such as the babysitter. But on the other hand, he inexplicably changes core elements of the story, like the kind of being that Jody is.

Anyone frustrated with the typical horror style of the later 1990s and early 2000s may find this remake troublesome. As one might expect with Michael Bay producing, Douglas is encouraged to use "MTV-styled" cinematography and editing. There are a number of extended techniques that have become somewhat clichéd in recent years. Douglas has characters do that fast headshaking movement ala Jacob's Ladder (1990). There are sections shot in a cinema vérité style. There are instances of quickly changing film stocks and processing methods, and so on. Even though I usually love all of that stuff, and I'm actually a fan of Bay's work, I have to agree that it's not exactly the most natural fit in this case. But for me, it's not something I would subtract points for either.

Maybe the most surprising fact is that this version of Amityville Horror is so close, structurally, to the original. There is nothing here that is a big surprise, and anyone who has seen the 1979 film a number of times will know exactly what's coming next, or close enough to it. Whether this is positive or not depends on your opinion of the original film, and just how highly you cherish originality for its own sake. Big Amityville fans and big haunted house film fans will probably enjoy the film enough. Everyone else should approach with more caution.

I never saw the original so cannot compare them. However, I thought this was a solid horror film with a few good jump scares and a few inspired original sequences. The haunted house could have been creepier for me and didn't feel very atmospheric. A pet peeve of mine present here is how relatively intelligent people in horror movies do what they're told by supernatural agencies just because they're told to do so. Regarding performances, the mother was quite warm and believable. Ryan Reynolds the lead did pretty good for one of his first dramatic roles but unfortunately his sculpted perfect shaved physique detracted from the performance. I don't expect a building contractor to look like a male model or olympic swimming athlete. The kids were OK except the youngest one who seemed a bit fake like in those TV commercials. It's worth a rental, probably not buying unless it's cheap.

Rating: 6.5 out of 10

I liked it. Here's what to watch for:

1) Best actor: "Lisa the BabySitter". Even if the film this isn't your cup of tea, stick around to catch a glimpse of babysitting-2005 courtesy of Ms. Lisa! She's great. Ryan Reynolds (a Jason Lee lookalike) in truth gets the best actor award for his macabre transformation. He's good!

2) Most unusual moment: When the family tries to elude danger one dark and stormy night like the Von Trapps on a hot, wet roof. The scene conjured up images of the Sound of Music for me, swapping out the nasty Nazis with a Lizzie Borden-like ax man.

3) Economy: One priest gets the job of four (from the original) done. When the priest is played by master character actor "Philip Michael Hall" what would you expect.

4) Scary: ... has it's moments. Nothing unique and original . . . but Director Andrew Douglas gets the job done for newcomers to the horror genre. Enjoy.

All in all, it's a 6 out of 10. Better than the original. Truly.