Entre besos y tiros

Shane Black is a fine writer and his screenplays for Lethal Weapon, The Last Boy Scout, and The Long Kiss Goodnight bristled with witty dialogue, great characters and deftly handled action scenes. Kiss Kiss Bang Bang, his directorial debut, also shares these attributes, but suffers from a convoluted plot and a script so overloaded with witticisms and clever asides that the viewer soon feels overwhelmed by the sheer intensity of the experience.

Robert Downey Jr. plays a low-life criminal who inadvertently becomes a potential movie star whilst escaping from a heist gone wrong (on the run, he stumbles into an audition and gets the part). However, things take a turn for the worse when he goes undercover as a private-eye (in order to gain first hand experience necessary for the role) and witnesses a murder...

Kiss Kiss Bang Bang is an ambitious debut — several complex plot threads intertwine and an ingenious narrative links scenes - but despite his best efforts, Black loses control of affairs and the film spirals out of control. Despite my best efforts at keeping up, I just couldn't follow the storyline. It doesn't help matters that half of the lines are spoken in a chaotic scattershot manner and the other half are mumbled, making staying abreast of the story nigh on impossible at times. There are probably many moments of pure genius in Shane Black's script - it's a shame that I missed a lot of them.

The parts of the film that I did manage to follow and understand are actually very good. Kilmer and Downey Jr. work well together and share some incredibly funny scenes, there are some genuine 'classic' moments (Downey pissing on the corpse in the shower is hilarious) and the manner in which the story unfolds is, at times, inspired. If Black hadn't been trying so damn hard to be so clever with his words and had concentrated more on telling the story, this may have been a real gem.

Although the film closes with all loose ends neatly tied up, I suffered the majority of the running time baffled by proceedings and struggled to keep up with the sharp prose that flows thick and fast from the word go.

Maybe this is one of those films that would benefit from an immediate second viewing in order to catch all the bits I missed first time round.

Shane Black's films seem to have a very unique sense of humour about them. They don't always work for me but they often contain either very clever humour that makes you smile inwardly, or there will always be a couple of moments of genuine laugh out loud humour along the way. 'Kiss Kiss Bang Bang' is probably the funniest thing I've seen from him.

The film is very self-aware. It is not afraid to break the fourth wall with its narration. I'm not always the biggest fan of narration but it works reasonably well here. In particular because the story is pretty darn complex, so it is good to have a guiding voice that can clear the odd thing up.

The film is boosted by a great cast. Robert Down Jr. And Val Kilmer were perfectly suited for their roles. Kilmer in his prime was such a treat to watch. I had a good time with this one. 7/10.

I didn't expect much from this at all, but it turned out pretty good. Think of a Raymond Chandler murder mystery, updated to a sort of modern and enormously... self-aware buddy film-noir. Yes, a buddy-movie, film-noir, murder mystery, crime-thriller, all rolled into one hip modern self-referential update, packed with amusing references to all the clichés of the genres depicted. Before you can even think about the next cliché in the film, it grabs it, makes a mockery of it and proceeds at break-neck pace.

Petty thief Harry Lockhardt (Downey) is a lovable loser who accidentally winds up in the movie business, auditioning for the part of a private detective. Val Kilmer plays the real private eye, Perry Shrike (half the fun is picking the right name!) who has to learn him the trades of the business, but soon they both wind up in a murder mystery with so many twists and turns (and bodies), it'll make your head spin.

Downey and Kilmer seem to have the time of their lives, but not to the viewer's expense. Perhaps a bit too clever for it's own good with so many "clever" plot turns, that I was lost in the end, but perhaps I'm not as clever as I wish to. And I must say, Michelle Monaghan! Wow! She really gave one sexy performance! It derails a bit in the end and goes so wildly over the top with shaggy-dog jokes, ridiculously stupid bad guys and buddy-clichés, it makes Austin Powers look like a straight-faced classic. But as a whole very entertaining, with snappy dialogue, clever writing, and enjoyable performances. Just lots of fun.

Camera Obscura --- 8/10

A lucky mistake shifts out-of-luck criminal Harry Lockhart (Robert Downey Jr) from the gritty streets to glossy showbiz in L.A, landing him a part in an upcoming film. Another mistake then shifts him from actor to private detective, and this is where Val Kilmer comes in and things start to go wrong, more wrong and unbelievably wrong until they've snowballed into an enjoyable detective mess -- all to impress failed actress Harmony (Next big thing: Michelle Monaghan).

Shane Black's directorial debut 'Kiss Kiss Bang Bang' is a comic film noir. Even in the dazzling opening credits using a montage of contrasts of red, black and white, it is evident that this is no run-of-the-mill crime story, but a viciously entertaining ride from scene 01. What makes it so special is that it mixes equal doses of humour and crime like a $15,000,000 blender, pouring out a balanced end product and glazing it with a clever narrative coating by Robert Downey Jr. Black also sprinkles some rapid-fire dialogue onto his product, which is facilitated by the comedic chemistry between Downey and Kilmer. Some of the lines, gags and images are truly laugh-out-loud worthy. Everything else is nice, but forgettable.

Its only problem, as far as I can see it, is its paper-thin plot. It does not seem believable; it is complex, dizzying and not nearly as involving as it would like to be. So back to formula on that one, and Kiss Kiss Bang Bang would be a near-perfect comedy-thriller.

7.5/10

I'm not sure whether or not I like this film. On the one hand, I enjoyed watching it and I respect the fact that it's tried to be a little different; but on the other hand, Kiss Kiss Bang Bang reminds me too much of the guy at the buffet who fills his plate and doesn't end up eating it all. The film is a comedy, a thriller, a murder mystery, an action flick; a character study and a crime film, all rolled into one. It would be hard for any film to take this cocktail and spin it into a coherent piece, but to it's credit; Kiss Kiss Bang Bang almost succeeds; but cracks begin to show where the story is concerned, as the film clearly makes the conglomeration of genres it's central point, and it's too easy to get confused. The film is based on a collection of stories by Brett Halliday, and it follows a petty thief who stumbles into the top flight of Hollywood by chance, and soon finds himself part of a murder investigation after witnessing a car speeding into a lake. The investigation includes a gay detective named 'Gay Perry', and his former childhood sweetheart, Harmony.

The cast is one of the film's main assets. Director Shane Black is always happy to show off his main star, who has finally made his way back into 'A' class movies after some...errr...time out. Downey is a talented actor, and it's through him that the film gains most of its vitality. He is joined by Val Kilmer, who is a lot better than I thought he would be in the role of the gay detective. Michelle Monaghan rounds off the cast, and holds her own against the two bigger name male leads. Shane Black is most famous for his action films, including credits for the Lethal Weapon series and Arnie vehicle; The Last Action Hero, but like the film's main lead; Black has had some time off recently, and this film marks his comeback. Some people were relieved to see the Predator co-star back in action...I cant say I share the sentiment, but all in all; I'm glad that he has finally made his directorial debut with this film. On the whole, this will appeal to people who like their films to be quirky and offbeat. The mock-noir style bodes well with Downey's witty performance, and the film is constantly entertaining; even if it doesn't always hit the mark dead on.