Cuando una rica familia de Los Ángeles contrata una bella ama de casa mexicana, la vida de todos da vuelta de manera alegremente alocada en esta comedia de modales y caos.Cuando una rica familia de Los Ángeles contrata una bella ama de casa mexicana, la vida de todos da vuelta de manera alegremente alocada en esta comedia de modales y caos.Cuando una rica familia de Los Ángeles contrata una bella ama de casa mexicana, la vida de todos da vuelta de manera alegremente alocada en esta comedia de modales y caos.
- Dirección
- Guionista
- Elenco
- Premios
- 5 premios ganados y 15 nominaciones en total
Ian Donovan Hyland
- Georgie
- (as Ian Hyland)
Cecilia Suárez
- Monica
- (as Cecilia Suarez)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This movie makes me cry every time. Perhaps the soundtrack does it's job, or the push-ins when the characters have their deep emotional revelations of the epitome of their personalities, but it's not what happens that makes me cry. It is the way the characters are relateable, not so much as the commonness of their ways, because they are very quirky almost to the extreme, but because there is a part of every person in each of them, or at least a part to strives to be. The language barrier just highlights the dialogue, as one watching tries to hear it from foreign ears and yet understands movements and emotions better than what is said. And that, I think, makes this movie perfect.
Gregory Nava's "El Norte" was a memorable journey into the Latino experience in white wealthy country. That masterpiece had a heartbreaking scene between the Latino maid and a washing machine. "Spanglish" merely hints to a similar moment between the Latino maid and a coffee machine. The "merely hinting" is at the heart of this painful comedy of manners. This is the journey of an observer not of someone who actually lived it. As a consequence he treats his own with an iron hand and the others with a romantic, heroic, fairy taleish sort of slant. Putting aside the potential seriousness of the story, the film is a moving, entertainment fantasy in the land of opulence and guilt. The borders here are not geographic but personal, the aliens are the natives. They become illegal in their own existence and step all over their own lives without noticing, trying to care, trying to be the best they can possibly be but without points of reference or enough substance for their acts to have any kind of real meaning. Tea Leoni gives a performance of such fearlessness that sometimes you feel she may jump out of the screen. Cloris Leachman is great as an alcoholic wise woman who doesn't want to be judged. Paz Vega represents the ideal Latin heroine in a wealthy American's story. She is beautiful and powerful and utterly unlikely. Adam Sandler is Adam Sandler and seems to stand passively between the blonder than blond world of his wife and the exotic gorgeousness world of his maid. I would like to know what happened to Paz and her daughter after leaving behind the chances to be or become like everyone else in the white wealthy country of make believe, or is that too much to ask.
When I heard the title and learned that Adam Sandler was in this movie, I had very low expectations. Boy, was I surprised. This is a wonderful film, not at all the low-level fluff film I expected. All the female actresses, young and old, are absolutely terrific, and Adam Sandler does a respectable job in a semi-serious role. The writing is very clever, and the film will elicit laughter as well as tears. I found my self still thinking about the movie the next day, something that all too often doesn't happen with today's highly forgettable films. One caveat: this is really a movie for teens and up, not a kids' movie. Aside from a bad word or two and a (hilarious) sex scene, the underlying themes are quite adult. Enjoy!
I saw Spanglish Saturday night (12/11/04). It was a preview and I haven't seen any critical reviews yet. I liked it enough to give it a 8 out of 10. It's a comedy with enough serious moments to give a person time to pause and think. Young girl emigrates with her mom from Mexico and settles in California. Mom (being in America illegally) settles as a housekeeper for Sandler and Leoni. She's baffled by the monied existence of the upper classes and how it effects her daughter. I thought that Paz Vega is excellent as the mom. Adam Sandler holds back and plays a compassionate father. Cloris Leachman is great and should be nominated for a Best Supporting Actress. The revelation to me is Tea Leoni. I thought that she was great as the waspish/blond mom/wife who feels that she's not getting enough respect at home.
Spanglish navigates between drama and comedy with a strong cast and moments that capture the complexity of human relationships. However, its narrative lacks a clear storyline, unfolding more like a mosaic of interactions and conflicts among its characters.
The story is narrated by Cristina, a 17-year-old girl, as a tender recollection of her mother, Flor. Through her Princeton admission essay, the film explores her family's immigration journey, adding layers of emotional manipulation to the narrative. Flor, who learns English to better connect with the family she works for, brings invaluable common sense to a household filled with chaos.
Deborah (Téa Leoni), meanwhile, is a neurotic woman going through an identity crisis after losing her job as a commercial designer. While her behavior often crosses the line-like when she buys her daughter Bernice smaller-sized clothes to "encourage" her to lose weight-Leoni manages to make Deborah humanly endearing, even when she constantly oversteps boundaries. Her lack of consideration gives Flor an opportunity to shine with her intelligence, while Bernice and John (Adam Sandler) eloquently express their indignation, allowing the audience to draw its own conclusions.
Adam Sandler delivers a surprisingly authentic performance as John, a chef hailed as the best in America by The New York Times. While one might expect his character to be a perfectionist tyrant with anger issues, John turns out to be a sweet and genuine man-reminiscent of the lovable characters Sandler is known for. His moments with his daughter Bernice, portrayed with freshness by Sarah Steele in her film debut, are heartfelt and stand out as some of the most memorable in the movie.
Though Flor is endearing as a mother and central figure in the story, Paz Vega's character occasionally feels unreal in her reactions. Some of her decisions seem overly idealized, which detracts slightly from the credibility of her role in such an intimate and human context.
Despite its gaps in plausibility, Spanglish remains compelling, mainly because of the emotional connection it fosters between its characters and the audience. While it's not always a cohesive story, its ability to depict the ups and downs of family life and cultural tensions makes it a worthwhile journey.
The story is narrated by Cristina, a 17-year-old girl, as a tender recollection of her mother, Flor. Through her Princeton admission essay, the film explores her family's immigration journey, adding layers of emotional manipulation to the narrative. Flor, who learns English to better connect with the family she works for, brings invaluable common sense to a household filled with chaos.
Deborah (Téa Leoni), meanwhile, is a neurotic woman going through an identity crisis after losing her job as a commercial designer. While her behavior often crosses the line-like when she buys her daughter Bernice smaller-sized clothes to "encourage" her to lose weight-Leoni manages to make Deborah humanly endearing, even when she constantly oversteps boundaries. Her lack of consideration gives Flor an opportunity to shine with her intelligence, while Bernice and John (Adam Sandler) eloquently express their indignation, allowing the audience to draw its own conclusions.
Adam Sandler delivers a surprisingly authentic performance as John, a chef hailed as the best in America by The New York Times. While one might expect his character to be a perfectionist tyrant with anger issues, John turns out to be a sweet and genuine man-reminiscent of the lovable characters Sandler is known for. His moments with his daughter Bernice, portrayed with freshness by Sarah Steele in her film debut, are heartfelt and stand out as some of the most memorable in the movie.
Though Flor is endearing as a mother and central figure in the story, Paz Vega's character occasionally feels unreal in her reactions. Some of her decisions seem overly idealized, which detracts slightly from the credibility of her role in such an intimate and human context.
Despite its gaps in plausibility, Spanglish remains compelling, mainly because of the emotional connection it fosters between its characters and the audience. While it's not always a cohesive story, its ability to depict the ups and downs of family life and cultural tensions makes it a worthwhile journey.
¿Sabías que…?
- TriviaThe chefs and cooks used in the kitchen scene are actual Le Cordon Bleu students from the nearby cooking school in Pasadena, California.
- ErroresWhen Deborah is picked up by Mike - The Realtor (played by Thomas Haden Church) and he backs his Audi out of the driveway, there is no license plate on the car. In the next shot, it suddenly has one.
- Citas
Flor Moreno: Is what you want for yourself to become someone very different than me?
- Créditos curiososNo actors were mistreated in the making of this film.
- ConexionesFeatured in HBO First Look: The Making of 'Spanglish' (2004)
- Bandas sonorasHistoria de un Amor
Music by Carlos Eleta Almaran
Lyrics by Carlos Eleta Almaran
Performed by Luis Miguel
Courtesy of Warner Music Latina
By arrangement with Warner Strategic Marketing
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- How long is Spanglish?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 80,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 42,726,869
- Fin de semana de estreno en EE. UU. y Canadá
- USD 8,817,853
- 19 dic 2004
- Total a nivel mundial
- USD 55,470,154
- Tiempo de ejecución
- 2h 11min(131 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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