Piel misteriosa

MYSTERIOUS SKIN – REVIEW 7/6/05

In his new film Greg Araki uses a prudent ploy to snag and reel you in: having the visuals effusively speak and the screenplay divulge the least amount of information necessary to keep the story evolving. Words can only reveal so much, while Araki's images display an almost unbearable amount of visceral material, exploiting vibrant color, alluring texture, dark and light, the brooding and harrowing eyes of Joseph Gordon-Levitt, and the handsome modesty of Brady Corbet.

The film resonates on a level of rawness unseen and unfelt since Cuesta's "L.I.E." or Solondz's "Storytelling." The film is jarringly penetrative and pervasive: the visuals in your mind play over repeatedly and the disconcerting but intellectually uplifting feeling "Mysterious Skin" infuses lies active long after you leave the theater. The film is not easy to digest. Seeing that there is pervasive sexual exposure between adults, as well as between adults and kids (though discreetly handled), this film will repulse many viewers. This film also had to be made.

Neil (Gordon-Levitt) and Brian's (Corbet) story starts in the early 1980s when they are only eight-years-old. Neil's little league baseball coach initiates a sexual relationship, of which (most likely to the consternation of several audience members) Neil actually recounts a rosy-colored remembrance: he enjoyed it. Brian that same year describes how his perpetual and mysterious string of blackouts and bloody noses began one rainy night after a baseball game.

The story moves forward to when Neil and Brian are at adolescence's conclusion. We discover that Neil has grown up to be both gay and a hustler, while asexual Brian's free time is taken up seeking the source of and resolution to his insoluble physical ailments. Brian soon deduces that aliens abducted him and meets a fellow abductee, Avalyn (Mary Lynn Rajskub), with whom he finds ephemeral solace.

Neil and Brian's story act in parallel, moving forward and backward over time, but never disjointedly. Neil eventually moves to New York, while his pining friend Eric (Jeff Licon) actually befriends Brian and an endearing friendship ensues. Neil's (unappeasable) pursuit of everlasting male love ends in the most unlikely of places: back home. Brian's pursuit of the truth leads him to, predictably, Neil. Araki exquisitely handles the ending (not divulged here) with the appropriate effusion of tendered emotion by the two main actors (warning: though the film's trailer subtlety gives away the finish).

I cannot give enough plaudits to the two male leads. A long way from "3rd Rock", Joe's sensuous flirtations and dynamic eyes mate well with Brady's tranquil, naive, yet profound, disposition. Brady's last scene with his character's father, as well as the climax, demonstrates his aptitude and assured longevity as an actor (beyond "Thunderbirds").

"Mysterious Skin" evidences many matches made-in-heaven: from film and director to material and actor to music and film. The film is entirely amoral, but not immoral. It is also a difficult film to watch. Many will cast it aside as tripe and trash (along with other morally relative films), but those fortunate enough to engage themselves in the movie's discussion will revel in it long after the credits' close.

I have a feeling that most of the reviewers here have not read the text of "Mysterious Skin" by Scott Heim. Doing so would be most helpful in viewing this film.

Out of sheer luck, I happened to find a screening in Las Vegas, almost a year after the initial release, having finished the book only one day before. It was an interesting experience from the start.

One got the feeling of stepping into an adult cinema, instead of a semi-mainstream release. I was surrounded by sprinkling of older guys watching an NC-17 matinée. A first for me, for sure. The movie captures the feel of the book spot on. Director Araki should be commended for staying so close to the text. Hardly anything was left out and what was deleted did not detract from the storyline in the least.

Heim's novel deals with subject matter that most people would prefer to deny exists. But back here in the real world, it does. On screen we see the sensualization of an 8 year old boy, along with his sexual fantasy. Not for the squeamish, but Araki communicates this brilliantly without diluting the message. Most people would shy away from a story that has an 8 year old boy having an orgasm as he watched his mother have intercourse, but Araki does not. And somehow he makes it okay.

Hats off to the boys cast as the young Neil and Brian. Chase Ellison captures the emotions of his character very well. He captures the darkness of Neil McCormick incredibly, and translates perfectly from the written page. We sense the confusion turning into acceptance and then, desire. It made me squirm in my seat. George Webster as young Brian is great.

I can't imagine a lot of actors lining up to play the boylover coach, but Bill Sage does very well. In the story, his role doesn't seem like a pure predator, but clearly he has devices at work. He's in the right place at the right time.

Joseph Gordon-Levitt is a marvel is this film. There was a genuine quality to his character, an aloofness that comes with knowledge at an early age that is hard to put into words. Brady Corbett successfully brought his youthful character along, and I think his interactions with the other characters is spot on for someone who had had an experience like his.

Critics will say that this film glorifies pedophilia. I disagree. I think it shows the effects of pedophilic relationship on different people, and how they react to it. It is a slice of life, albeit a very dark one, that does occur each and every day. Approach with caution and an open mind.

As a movie lover and social worker, I was really moved throughout this film - for most of this film - by the subject matter and by the powerful portrayal and production of these characters. Overall, this is a highly rated movie and one can only wonder at the mentality of persons in Australia who pushed for the banning of this film. This is a realistic account of the affects on the victims of child abuse and tells a compelling story of their plight. But don't expect a happy ending; there is some resolution but you know the battle continues and their struggle to overcome will go on. (I'm getting emotional again just thinking about the last scene.) I work with young people (15-25) who have been abused, often by their own parents, and placed into the care system. However, I have had clients who have then been abused in care as well. It is hard to reconcile such young people but gaining justice is quite central, as is a belief they are accepted and worthwhile human beings. Because they may have been sexually aroused during the abuse they can often feel guilty and to blame. They often internalise these feelings and depending on their personalities they will implode against themselves (drugs etc) and/or become de-sensitised to certain feelings and take risks. The boys in this film portray these two dichotomies and they do it very well. 10 stars.

Araki has abandoned the nihilistic day-glo world of L.A teens to create his first truly great film. Indeed, by any standards, this film is magnificent. It follows two boys; one of whom was abused as a child and the other who believes that he was abducted by aliens' from childhood to their troubled later lives. The film has a visual beauty that pulls the viewer in even though the subject matter is both difficult and painful. The director pulls no punches in confronting the viewer with the horror of the situation but neither does he exploit it for tabloid style sensationalism. From the superb performances, the excellent and intelligent script, through to the inspired direction and stunning 'shoegazer' soundtrack this is a splendid film. I left the cinema deeply moved by what I had seen and can now only hope that Araki continues to work at this level of quality. Something quite special and a work of art

"Mysterious Skin" is a movie that I heard very little about. Never saw the trailer, never saw a poster nothing. Until one day I was just looking up movies online and I came across this film. I looked up the website, watched the trailer, and said I want to see this. So I didn't get around to it when I lived in California since it came and went very quickly however the film did show up in a little theater about 5 miles from my house so I figured I have to check this film out and so I did.

"Mysterious Skin" is the story of two boys Brian (Brady Corbet) and Neil (Joseph Gordon Levitt). Brian can't remember what happened to him when he was younger but he knows something bad happened. Neil on the other hand remembers every second of what happened and has let that take control of his life. The story continues to show Brian as a nerdy kid trying to find out what happened to him and Neil turns into a hustler. But in the end the horrifying truth comes out and their lives are changed forever.

When this film ended, I just stood there and said wow that was really messed up and I felt depressed. The story is so raw and graphic. I don't think I saw anything this graphic since I first saw "Irreversible" a few years back. The movie feels so real and the events that occur to these two kids seem so common in today's society. I think it really hits home and that's why this film works so well.

The lead performances by Brady Corbet and Joseph Gordon Levitt are terrific. Both are extremely believable and well acted. It's nice how they each played a character so different from one another. After watching Levitt in this film, "Manic" and "Latter Days," I am pretty convinced that the guy is one hell of an actor although he needs to stick to the independent films. And the same thing goes for Brady Corbet who starred in my favorite film two years back called "Thirteen." Also I feel it's necessary to comment on Michelle Trachtenberg here who played Neil's partner in crime Wendy. I really don't like Mrs. Trachtenberg probably because I saw her in the god-awful "Euro Trip" and in "Buffy" however in this movie she was pretty good. I think she played the supporting role well.

Gregg Araki was both the writer and director on the film. I must say the man knows how to make a graphic and disturbing film. The movie at times is hard to watch because of how disturbing some of the scenes are. I haven't seen any of Mr. Araki's other films but I have been reading online and have heard that this is his masterpiece. I can't really say that I liked the film because this isn't a movie you come out of and say oh yea that was wonderful! You kind of come out of the theater saying man that was really f*cked up, kind of like the movie "Thirteen" although this movie is much more graphic. It's a great work of art as far as film goes and tells a deep and disturbing story well. The thing like I mentioned above that makes the film work is that this type of stuff happens in the world today which again is why "Thirteen" worked. It's shocking and disturbing but it's only that way because it feels and seems real.

In the end, I think it's a really good movie with powerful performances and a great story. The movie is not for the weak hearted. I myself felt a bit disturbed by the film. The subject matter isn't very happy and neither is the story. The film is extremely graphic and raw. Some of the more disturbing scenes seem to run on for a long time which means that the film is working on its audience. I can't really pick a target audience for this film but if you like movies that are real and raw then you should check this out. This is a great movie that I think many would not be able to handle but for the few who can I think it really delivers.

MovieManMenzel's final rating for "Mysterious Skin" is a 9/10.