Escalón 29 Entrada al infierno

i think this movie had a lot of potential to be really scary, but unfortunately it's not. for some reason it just doesn't work till the final 30 minutes. for example in the beginning i got really distracted by the bad "fat" - make up of the red haired girl, and her weird shy/crazy acting. it's supposed to explain her character, but that's about the only explanation you ever get about her. and it was obvious from the start what's gonna happen to her. if you had more emotional access to her, i think that character could have gone down as a new icon in horror movies, cause - man - this Asian girl with weird red hair could scare the sh*t out of you. later in the movie, her "shy/evil" changes are actually very well acted.

the other two girls are not bad either. but most of the time i felt like watching some Asian version of an olson twins movie...

OK, the "ring - style" girl through the window will definitely not scare you. it has been abused in too many movies now, and is not done very well here. but still the final 30 minutes will give you a nice sense of unease and slight terror.

oh, and i dare you not to get haunted by the sight and sound when the blood starts tripping through the ballet shoes at the rehearsal - god, and that girl keeps smiling. hats of to that!

so, see it if there is nothing else on, but this is no "grude" or "ring"

Even fans of horror movies are sometimes in the mood for something a little lighter & this fits the bill. It's not gory or intense. The story is good, as is the acting. I've read a lot of comments about the lesbian tone to it, but it's just barely. I didn't see the first two before this one but I might check them out one night when I want something easy to watch. This movie would be perfect for something like a 13 year old girls slumber party or something like that. If there is a lesson to be learned from this movie, more so than be careful what you wish for, it's use conditioner. The main characters have such gorgeous hair it will make you sick!!

Two girls find their friendship ruined by envy and insecurity. When one of them is seriously injured and later dies, the WISHING STAIRS come into play. The story quickly becomes an all-out, supernatural horror fest, complete with a psycho killer, a ghost, and bizarre murders. This final installment in the GHOST SCHOOL TRILOGY is my personal favorite...

This film was a little frustrating in that it's very, very well done in terms of writing, acting, production design and cinematography, but is paced far too slow to manage any real "fright factor" as a horror/ghost story.

I'm well aware that Asian horror films tend to run at a much slower pace than American horror as a general rule, but in this case that "like watching paint dry" pace leaves what could have been a good, maybe even classic film as just "a well-done suspense drama with some light supernatural overtones." With an acceleration in pacing at roughly midway through the film, and the addition - there was a multitude of opportunities for it - of significantly more supernatural content, this would have been a rip-snorter of a horror film that could have made some real tracks in the American market both financially and critically.

Even though as a guy it takes an effort to warm up to the setting of a girls' ballet school, the story is very strong - even excellent - and makes the film worthwhile independently of the horror/supernatural factor, as a study of jealousy vs. self-confidence, subterfuge vs. honest effort, and irrationality vs. reason.

The one weakness I had a little trouble with was the mentally-handicapped student, Hae-Ju, who plays a pivotal role in the story - the fact that she could be present at the school at all. The idea of of a mentally handicapped student being enrolled in an elite and highly-competitive ballet school isn't plausible, unless academic admissions customs in Korea are significantly different than in America. Add to that the fact that she's quite overweight for a ballet student, to the point where, again, it's not plausible that she'd be accepted into such a school.

Those implausibility factors are puzzling in that they're unnecessary. Hae-Ju would have been more believable and a stronger character if she had been not mentally handicapped but simply unpopular, "nerdy," neurotic, or a combination of these, then had become progressively messed-up mentally as the tragic events and malicious treatment by her peers began to weigh on her. (There's some additional confusion that comes into play in the fact that Hae-Ju's character sheds, then regains weight fairly rapidly a couple of times as well as changes her hair color - again as intentional parts of the story - which when combined with scenes in dim lighting make it a little confusing at times to distinguish her from other students.)

Anyway, implausibilities aside, Hae-Ju makes the innocent wish for the dead girl she admired, So-Hee, to be returned to her, and the way the writers make that role play out is masterful: You're not really sure - and the film leaves it intentionally ambiguous - whether Hae-Ju has just completely flipped out and *thinks* she's So-Hee, or whether the spirit of So-Hee has actually merged with Hae-Ju, using her as her malevolent tool. In the hands of a lesser director that ambiguity would have introduced a mess of confusion to the plot, but in this case it not only avoids that trap but adds a nice depth of complexity both to the two characters and to the story as a whole.

It's perhaps unfair or apples-and-oranges illogical to compare "Wishing Stairs" to an American-style supernatural thriller like "Sixth Sense," "Stir of Echoes" or "The Shining," but you can't escape the feeling while watching it that it would have vastly benefited from a marked intensification of pacing and supernatural content as the film progressed. There are some very well-done scenes, like where Jin-Sung finally is confronted by So-Hee's ghost in her dorm room, then in her dorm room closet, that nevertheless fall a little flat - they play out so slowly that the audience has ample time not only to guess what's likely to happen next, but to run through memories of similar scenes from other films and guess at a number of possible outcomes. If the idea is to scare the wits out of people, the scares should be paced rapidly (and artfully) enough to where the audience has no time to anticipate them, much less to mull over other possibilities. Because nearly all of the horror aspect of the film is so muted by the pacing, "Wishing Stairs" could be more accurately classified as "a suspense drama with supernatural overtones," rather than an out-and-out horror film.

Bottom Line: On balance "Wishing Stairs" is a well-made movie that's definitely worth the trip, but disappointing for fans of solid, squirm-in-your-seat fright fests.

Yun Jae-yeon, the first woman to direct a movie of the Yeogo Goedam series, faced a big challenge when making Wishing Stairs. It was Yun's debut, and the two leading actresses, Song Ji-hyo and Park Han-byeol, were newcomers at that time as well. Also, Yun had to meet high expectations because Wishing Stair's predecessors, Whispering Corridors and Memento Mori, had been very successful.

Just like all of the Yeogo Goedam movies, Wishing Stairs has a closed story of its own but plays with the same themes. Again, it takes place at a girls' school, this time a school of arts. There, the main characters, Yun Jin-seong (Song) and Kim Sohee (Park), are studying ballet. They are close friends, but their friendship gets challenged when they both enter a contest for a place to study at a Russian ballet faculty. Yun Jin-seong envies her more talented friend. She works hard but just gets scolded by the teacher, whereas Kim Sohee impresses everybody with her effortless skill; she looks like the sure winner of the contest. Yun's jealousy grows till the point that she even seeks supernatural help: Campus legend has it that there is a stair case on the campus which grants a wish when you reach its last step. But as Yun climbs the stairs, the viewer already knows that this is a bad idea. For folklore tells that wishes granted by a supernatural force often come with undesirable side effects, and Wishing Stairs confirms this.

Like the previous Yeogo Goedam films, Wishing Stairs isn't a real horror movie. The supernatural serves as a vehicle to accelerate a worldly tragedy. So the movie is less about horror and more about people feeling trapped because they are unable to become the persons they want to be. This idea is stressed by the third main character, Eom. Eom is an overweight outsider, and if the other students notice her at all, it's usually just to make fun of her. She tries to escape her misery by idolizing Kim Sohee, dreaming of being her friend or perhaps even being her.

However, it is also Eom (Jo An) where direction wasn't flawless. Unlike her character, Jo happens to be pretty and slim, so she was put in a fat-suit. The problem with that approach is that viewers always notice fat-suits, no matter how well they are made. This might not be a problem in comedies, but in this drama it is a distraction. Also, Jo's performance is sometimes at the border of slapstick, which doesn't do her tragic character justice.

Another distraction was the use of an incoherent flashback. It seems an obligation for Yeogo Goedam movies to employ flashbacks to reveal dark secrets of the past, so Wishing Stairs has one flashback as well. Without spoiling too much, it's about an act of sabotage. However, that small part of the plot doesn't roll out plausibly. It causes more confusion than insight and should have been deleted entirely.

But the strengths of Wishing Stairs outweigh its flaws. The acting of Song and Park is great. The movie has a high production value. And like its predecessors, it has a certain charm and unique mix of drama and horror to it. It is a tragedy of universal nature, so viewers can relate to it even if they don't happen to be Korean teenage girls (as is the case with this old bloke). Wishing Stairs is a worthy entry in the series, which makes director Yun's debut a real accomplishment.