Shameless

unbelievably well thought out drama. the grim setting against a council estate in manchester is juxtaposed brilliantly with the warmth of the characters, who are fantastically well-acted. the story lines are well thought out and the issues well-observed. and it's so bloody funny. i've never been taken by soaps, every one has left me cold apart from shameless. but this here, this is eastenders for a new generation. quality quality quality. so much so that it has inspired my first (and no doubt last) post on this forum. two last points: do not listen to the one negative review. look at his/her profile. every review out of hundreds is negative. does this person not have anything better to do that sit about whinging about things? secondly, great to see some American shameless fans. there are some out there that 'get it'. spread the word my friends. and to the big American corps... by all means take the name and the concept and do your own thing with it. that's just more money in channel 4's pocket to keep on producing masterpieces such as this. i salute you channel 4.

Once in a while, there comes along a TV drama series that makes you glad the medium was invented. A series that makes you glad to be alive; a series that breaks your heart that you have to wait a whole week to see the next episode. Shameless is such a series.

The Gallagher family consists of dad Frank and his six children (their mum apparently abandoned them years ago). Frank spends most of his time out drinking, only returning to the family's council house on a run-down Manchester estate when he's dragged home comatose by the police in the early hours of the morning. The result is that the six kids more or less bring themselves up, with the eldest - 20-year-old Fiona - acting as the token mum.

From all this, it should make for depressing viewing. But the beauty of Paul Abbott's semi-autobiographical drama is that it's not even remotely depressing. The six Gallagher kids, their friends and neighbours form an extended family where everyone loves and supports everyone else; and the result is bawdy, rude, but above all uplifting, heartwarming and fun. The performances are uniformly excellent and to single anyone out would be unfair. The first episode does a wonderful job of introducing the large cast of characters - not just in a cursory way either, but in sufficient depth to make you care about this assortment of misfits enough to want to tune in next week to see what befalls them next.

This is what TV should be. Watch it.

I've seen every episode, accepted the downturn in quality (you have to, it's inevitable standards will fall after 9 years… ) but still enjoyed most of it. The finale was OK, nothing more than that. They whitewashed Franks character; growth would have been OK if they hadn't tried to do it within the space of a third of an episode…

… and as much as people felt like the supporting characters were unnecessary, they still deserved a proper send-off. The series might have started off about the Gallaghers, but it wasn't always like that, and the last episode shouldn't have pretended any different… It all felt a bit rushed. You have a whole series to say goodbye, and yet you leave the majority of your wrapping up 'til the last episode? Just saying, i've seen the winding down of televisual institutions done better, before. If i hadn't been prepared for the last episode before it aired, i might not have guessed it had reached the end.

From the very first episode you will be drawn into the lives of each of the principal characters - warts and haloes and all. Each is fully realized with a light and dark side, shown incrementally and alternately through their actions and their reluctantly expressed concerns. The story lines are both outrageous and – once you spend a few minutes with this family – absolutely believable, and move at an enervatingly brisk while gratifyingly even pace. I'm so glad I found out about it when Series II had already completed, and could enjoy it from episode 1.1 through the end of series II. While it seems evident that Series III will commence with casting changes, this production is so incredibly well planned (unlike most U.S. series - Lost, I'm looking at you) that the story arc girds you quite well for even fundamental shifts, and instills great anticipation. The show addresses immediate, on-the-ground social issues like complacency vs. poverty, avarice vs. honor, cheating vs. work (and stealing vs. profit), lust vs. love, and 9 times out of 10 the virtuous parts of humanity are exemplified and enjoyed (but always with the other side engaged and/or confronted in the process). That 10th time is where Frank comes in. Paul Abbott is a brave artist, a brave man, and a brave son. Never has such a reluctant father been so well-realized and so generously presented. Now. When do we get Series III?

I'm not a great authority on this, as I hardy watch TV any more. If they came up with more stuff like this, I would be addicted to the Box. Fantastic script, characters and acting and the funniest, freshest British made comedy I've seen since Spaced and (to a slightly lesser extent) The League of Gentlemen.

Although I come from the north of England and lived in Manchester for two years and therefore, through direct association, find I can relate very naturally to this humour, it must surely transcend 'northern' taste and appeal, in the same way that Phoenix Nights did, to absolutely anybody who sees it.

It's no wonder Channel 4 are taking the unusual step of running the whole series again, as I think media interest/hype came too late this time round. It's the only British thing to come remotely close to challenging the HBO stable (6ft Under/S.A.T.C) stuff that has attracted TV's biggest plaudits in this last 4/5 years. I think it will go down as being an important landmark in British comedy broadcasting and gain cult status for years to come.

Commissioning a series two is a must - it was just hitting full speed last night with the closing episode of this first run.