El Vuelo Del Fénix

An oil rig in the Mongolian Gobi Desert is getting shut down. Captain Frank Towns (Dennis Quaid) and co-pilot A.J. (Tyrese Gibson) are flying Kelly Johnson (Miranda Otto), her crew and the equipment back to Beijing. Elliott (Giovanni Ribisi) is a mysterious stranger who catches a ride. The plane crashes in a sand storm. Men die and supplies dwindle. There's no way to walk out. There is unlikely to be any search parties. Aircraft designer Elliot has an idea to build a new aircraft out of the wreckage but Towns opposes it.

It's a remake of the 1965 movie. The premise has always been a bit ridiculous. The problem is that it's played for real. The unlikely scenario keeps diminishing the excitement. There are a few good actors and there is a bit of good tension among the group. I don't like Gibson and a little conflicted about Ribisi. The movie is generally forgettable.

Remake season is usually from May-August, yet for some reason Flight of the Phoenix is coming out in December, right before Oscar season. From what I saw tonight, there were maybe 15 people in the theater for a 7:50 Friday evening showing (opening night). What could Fox have been thinking? A big budget blockbuster while we're waiting for The Life Aquatic with Steve Zissou or The Aviator to come out? Does that make any sense? Well, anyway, Phoenix certainly doesn't deserve a December release (April, maybe?), but it's still pure, simple escapist entertainment. Thankfully, it didn't try to be anything more (in fact, Dennis Quaid's character made fun of the inspirational talks in the movie), allowing it to be something to see on a boring Friday night.

When an unsuccessful oil drill is abandoned in a remote place in Asia, Frank Towns (Quaid) and others are sent to fly them back to civilization. However, there's one extra person on board, Elliott (Giovanni Ribisi), causing the plane to be overweight and crashing in the midst of a gigantic random storm. Things get hairier when they realize that help probably won't come. However, Elliot mentions that he designs airplanes (of course), and now they're hell-bent on rebuilding their plane (dubbed "The Phoenix"), while going through tough weather, low supplies, bandits, and interpersonal relationship hardships.

One almost expects Jerry Bruckheimer's name on this-it's mindless fun, with any plot being stupid, any special effect being fake, and any characters being underdeveloped. The fate of this movie, in my opinion, was in the hands of director John Moore, who last made Behind Enemy Lines a hit for Fox. During the so-called "action" scenes, Moore switches over to hand-held camera (as if he tries to get the audience to get into the movie-makes us think that a situation like this could happen in real life?) and really makes the movie disjointed at those few points. However, some of the shots are pretty fantastic looking, but at other times, it's completely false CGI. I mean, it's terribly fake-and some critics have been saying that the special effects are great? It's most obviously some backlot with fake sanddunes everywhere. And yet, somehow, Moore manages to keep interest for the two hours, and, more importantly, makes it fun to watch. When you have characters just randomly be introduced (like that person of unknown Middle Eastern descent and the black guy with an eyepatch), you realize that the plot is not important, and you focus on having fun.

I've seen a few ads that talk about the "HUGE" plot twist, and although the twist at the end was pretty good, it's not really noteworthy. However, there was something about Ribisi's character-and the way he played it-that made me really like him. He's like the bad guy in movies where you want the bad guy to win (although he's not really a bad guy here). Quaid does a pretty good job here, about what's required. His character, and all the others, fulfill the stock characters. We have the All-American pilot, the hot, smart woman (who's also sassy-add an extra point), the black guy, a black guy with an eyepatch (a disability AND an extra minority-five extra points), a person from a place that we currently hate (Middle East (actually two-Britain-wow, Flight of the Phoenix is raking up the point)), the computer nerd. And that's just the character clichés. There's boatloads more, but you'll be able to guess them as they come along.

Flight of the Phoenix will probably bomb at the box office. I suppose I can see why-you don't have enough advertising, you bomb. But Flight of the Phoenix is a true popcorn movie if there ever was one. Once you've gotten everything in the Netflix catalogue, try this one on for size.

My rating: 6/10

Rated PG-13 for some language, action and violence.

Before the TV series Lost made being stranded after a plane goes down hip, there was the Flight of the Phoenix. This is a modern remake of the 1965 original, and we follow a group of misfits who must play on one another's strength, and one man's ability to think out of the box, in order to make it out alive.

Dennis Quaid plays cocky pilot Frank Towns, who together with his co-pilot AJ (played by Tyrese Gibson), are tasked to fly a group of oil-riggers out of their just-closed outpost in the Gobi desert. Led by a lady called Kelly (Miranda Otto), this group of men seemed close to that ensemble lined up in Armageddon.

On a routine flight out of the desert, they encounter a humongous sandstorm, which Towns underestimates, and ended up with a broken plane in the middle of the desert. Well, you should know the rest, it's the usual distrust turned into camaraderie building opportunity, as the troupe gathers to build a new plane (hence called the Phoenix) by salvaging parts from the rubble. Sandstorms, electrical storms, and nasty nomads stand in their way, and it's kinda fun to see how our survivors overcome these challenges on their road to freedom.

Perhaps what appealed to me was how this film was shot. My eyes were constantly glued at how it made the desert so enchantingly sexy. The special effects too were great, from the sandstorm, to the usage of effects to bring out the whole "what-ifs" scenario. Slow motion techniques were used sparingly, but nonetheless effectively.

And I just got to raved about the music. You wouldn't think that Outkast's Hey Ya would make it to the film, but it did. But what takes the cake is the awesome use of Massive Attack's Angel during the entire scene when the group approaches a gang of nomads. Wow. I dig that song, and to witnessed it being used in that sequence, totally blows me away.

Don't expect too much from the plot, as it's as simple as it can be, with of course, some plot holes thrown in. Questions like food and water will ring throughout the movie, but I suppose one can gloss over the fine details and accept that they had enough to tide them through.

The Code 1 DVD contains deleted and extended scenes, and one almost 45 minute long making-of documentary titled the "Phoenix Diaries". It's one extremely detailed look at the making of the movie, without using too many footage from the final product.

I've not seen the original, before you ask, but I do know of it, and quite frankly I'm sick fed up of remakes. Yet there was something that attracted me to this story, the cast was one. A nice multi-national crew featuring Dennis Quaid, Hugh Laurie and Tony Curran, and the fact that it's a very simple story with nothing other than desert and cast to deal with. It kind of gave me the feeling of a slightly larger Ice Cold in Alex.

Unfortunately I was watching it on Sky and at my parents, that means no surround sound and the picture was cropped, damn Sky. However we didn't seem to lose much of the feel of the movie.

The cinematography value here is high. The movie looks great, it does seem as though they have high production values. The opening sequences with the plane flying over sand dunes are superb, and then when it hits the storm the effects are excellent and it's at that point the action really kicks in, before that we were introduced to the varied multi-national characters and their initial roles. The crash sequence is well filmed and edited and builds the tension superbly, all the shots here are believable, and have you on the edge of your seat. After this the action really dies down for most of the movie, only restarting at the end, when the believability also flies out the window in favour of Hollywood action.

Quaid is very good in this movie, an actor who I wish we really did see more of. The rest of the cast is an interesting ensemble from Curran to Kevork Malikyan, and it works well. I know that when I see a lone Scotsman in a movie it usually grates like hell with me, partly because they are usually played by Americans, but also because it just doesn't seem to fit, here it does because the entire cast is a mishmash of people. It really does feel like a group of remote oil workers.

The plane designer, played by Giovanni Ribisi is a terrible character, slimy, loathsome, and someone that you would expect to be a serial killer. Ribisi plays him really well, and through the movie the tension is built in a series of near clashes between characters, until the final clash which turns into a satisfying climax for the character and the movie.

Disappointingly the ending is very formulaic and makes all the Hollywood bells and buzzers flash and bleep, therefore making the Studios and their misinformed test screenings happy. Through the movie a band of vicious Nomads are mentioned, and a small clash occurs between some characters and a Nomad scouting party, but apart from this they are pretty much useless and are merely a very poor tension building device. This is surprising when the rest of the tension building moments are so much better formed.

That said, there are some idiotic moments where you just cannot believe the characters and the decisions they are making, never mind some of the outcomes. My father was almost shouting at the screen in despair.

All said it is an entertaining and effective movie, just suspend your disbelief concerning the reality of the situation after the crash, and grit your teeth through the Hollywood ending, and you've got yourself a good movie.

An instantly forgettable - a film that rewards no one with renewed viewings. I got the impression no one cared about this film - certainly not the actors and all the tech stuff was thrown away . So how do you build a plane out of a crashed one ? That bit was skimped over but if so, where was the film's plot ? There was no love interest, no real threat (except at the end when the 'Nomads' lined up on a horizon in the way I think I have seen in many Westerns). Everyone phoned in a performance on this movie and it should have been scrapped on the runway.

I trust everyone will be tempted to see the original 1965 film.