Empire Falls

I read the book in 4 days in anticipation of the movie coming on. I finished it the afternoon of the screening. Fell in love with the characters, could see the cast as the characters and was disappointed when it was over. I didn't want to it to end.

I though Russo did a great job of turning the book into a screenplay. Since I knew every person, and being a Yankee the town was real in my mind so I feel he carried it off beautifully. I noticed the negative comments I read were mostly from people who hadn't read the book, maybe that is why the big difference of opinion.

I thought the cast was excellent and pulled it off very well. Joanne's part was not a lovable character and she wasn't. Ed Harris was his usual top performance. As for Paul Newman he was MAX. Max was a selfish, worthless, retro bate and yet his presence made every one feel safe. I can't believe that at 80 years old he can still steal the show but he does.

David and Charlene were not used enough but like I said I didn't want the story to end or to leave the town. If this became a weekly series I would be happy.

Dennis Farina was perfect in his part, and Helen Hunt accent or not was the uptight, frustrated, unhappy woman to a "T". Been there and got the tee shirt.

James Minty was played to perfection. I hated and felt sad for him in the same breath. The pain in his eyes matched the hopelessness of Cindy's frantic need for love.

Grace and Charley could not have been played any better. Mrs. Penn and Mr. Hoffman are real. They don't act they just are. THe entire cast was just about perfect.

I don't read much anymore but I would if I knew of another book of this caliber. Thank you Paul Newman for bringing to my attention.

Watch the movie, read the book. You can't loose but you sure can fall in love.

It took me weeks to read the book, which, for me, is unusual. It wasn't that I didn't like it; to the contrary, I couldn't believe how terrific it was. But I could not put my finger on why it was taking me so long to read, until I reached the final third of the book: I simply did not want it to end. I had come to know the characters so well, through the deftness of Richard Russo's prose, and had come to like (at least most of) them, that I couldn't bring myself to say goodbye.

Such was my reaction to HBO's film version of this great American novel.

Others here have praised the production, so I'll only add my brief thoughts: The cast, from the main players to the secondary characters, is uniformly excellent, with one or two exceptions. It was thrilling to see Joanne Woodward back on the screen, but she interprets the role with a softness that, in my opinion, was entirely absent from the actual character she was portraying. So, a point or two off there. Otherwise, the acting was brilliant.

The screenplay adhered very closely to the novel, but some key dialog was disappointingly missing. I recognize that a 400+ page book, to be translated to film, requires editorial discretion. Still, a few things were lost that should have remained.

While the first half takes its time to establish characters and relationships, the second half feels rushed, and the ending definitely so. I couldn't help but feel that something was left on the cutting room floor. But then again, I didn't want it to end in the first place.

Because I am such a fan of the book, I was eager for my wife to see the movie (she hasn't read the book). So, I had a lot invested in the hope that they wouldn't screw it up. When the final credits rolled, I looked over at her, and her tears were flowing. "I didn't want it to end," she said quietly.

And neither will you.

Although everyone should read the book - it will pull you in and you'll know the real Maine and the people who live there - this film is the next best thing. The script is amazingly deft, the acting is brilliant, and the production design and values are beautiful and true to the source. Paul Newman completely embodies Miles'incorrigible father and never fails to light up the screen while completely exasperating you - like he must do to everyone who comes in contact with him. Ed Harris portrays Miles as the complex and very subtle person with a thoughtful quietness that lets you know both why people are drawn to him as well as gives you clues why he keeps these same people at a perceptible distance. The rest of the cast members are just as distinguished in their roles. (The talent quotient is unbelievably high!) As amazing as this production is on just about every level (except for the music, which is irredeemably cheesy but fortunately mostly unobtrusive) credit must be given first and foremost to Richard Russo for writing characters so real and so complex and nuanced, and dialogue that is realistically elliptical that the real pull of the movie is not waiting to see what happens, but in getting to know the characters better. These are all ordinary people and what makes them interesting is not what they do, but those subtle things that make them who they are. This is why the mini-series format was perfect. It gives the viewer the opportunity to get to know Empire Falls. My only wish is that at some point one could see this on the big screen. Certainly the mythical town of Empire Falls (and the real town that it represents) is an important character and IT'S crowded on the small screen.

Dan Plante

Empire Falls is a remarkably intelligent piece of work, so very different from most mindless Hollywood films today. The smooth blend of comic and tragic with satiric overtones was brilliant. The easy transition from past to present reminds us all of the interdependence of child and parent, and the poignancy of different types of love. It reminded me of what films used to be capable of portraying in an era before mindless special effects took the place of human drama. The cast and crew should be commended for their artistic integrity in not succumbing to the current trend in the entertainment industry to cater to the lowest common denominator. I hope some Hollywood producers think about the fact that film can be thought-provoking, and not just a series of electronic jolts.

Empire Falls was a clear indication that there are still actors and actresses out there, and there are stories to be told without resorting to egregious remakes of old television series. If film is to be a viable part of culture, it needs to stimulate the mind of the viewer, and this film does that by creating complex characters who come to life on the screen. The issues of ambition and failure and love and hate pertain to us all, and the range of ages of the characters allowed for a wide identification. Empire Falls is a shining example of what the entertainment industry is capable of producing when it sets its mind on portraying the reality of the human condition with all of its weaknesses and strengths.

As a recent immigrant to Maine myself and not having read the novel, I was keen to see this movie.

Well acted and observed, with a wonderful performance by Paul Newman as the absentee patriarch, this film offers astute insight into thwarted aspirations and the dynamics of small-town USA. Ed Harris' portrayal of the proud all-American hero is excellent. The ensemble cast is well balanced and the performances real.

An excellent story (clearly as it is based on a Pullitzer prize winning novel) with an entirely unexpected twist (perhaps not fully explored if I have to be a little critical) it was a wonderful way to spend 3.5 hours.

Recommended to those who enjoy under-stated but 'real' movies.