Hilos: un viaje de amor y vínculos

I watched this movie at the Norwegian International Film Festival, and I was totally blown away. The atmosphere, world and characters this movie introduces you to feels so incredibly unique and extraordinary.

The most brilliant thing, however, is the fact that instead of editing out the strings, or pretending that they're not there, they use the strings as a sort of...lifeforce.. If somebody looses their head-string, they're dead. This simple fact made the world seem even more real, and suddenly made the puppets into something living.

If I had to say anything negative about this movie at all, it's the fact that since the mouths of the puppets aren't moving when they're talking it's a bit difficult to get into at first. I found myself confused in the beginning as to whom it was that was talking, but I guess this is just the nature of movies that use puppets like these.

I couldn't recommend this movie any stronger than I do. Pray that this gets a US distributor, because as of now it's not picked up.

With an inherently traditional, however nearly perfectly executed plot, and a visual style that justly deserves the attributes "fantastic" and "mythical", Strings is a very singular experience. Be it the dark, allegorical story, the fleshed-out characters or the technical sophistication, the movie is a necessary viewing for fans of fantasy and animation movies.

Overall 7/10

My full review here: https://goo.gl/6uzPyr

For all those who say "I'm too old for puppet theater" I can only say "Think again".

The story might not be the most original (though it is leaps and bounds more complex and consistent than most of the actual blockbuster) but the directing and effects are simply beautiful.

The original part in the film is indeed that the puppets know of their strings and live and play with them. As another commenter says, the film does not try to hide the strings, but it does hide the puppeteers. Part of the mystery of the film is where the strings come from (and here you have several great shots and effects).

I can only recommend the film, but I doubt it will run in too many big cinemas (I saw it in the Edinburgh Filmhouse)...

In the world of modern films showing you the realistic nature of violence, this film is a peaceful moment for your soul, allowing you to see the beauty of life. The story is neither complicated, nor exciting, but it's not a drawback. You can feel just by looking at the puppet whether he or she is "good" or "bad", and you can guess how the tale will end. We see a true tale, in an enchanted world of small details and simply-big thoughts: tears are rain, strings are life-force, freedom can be reached, loved ones are connected. We are falling into the screen, into this fantasy world, smilingly. People need tales. (Zita)

I happened upon this film the other night, fresh (!) back in Phuket from Burma. Tired though I was, and the film was perhaps a quarter of the way through, I was absolutely mesmerised by it.

First, I was trying to guess the actors' voices. Second, I was captivated by the – don't laugh – "acting" skills of the marionettes.

Granted, there were no facial expressions, no morphing/animatronics/etc but still there was a warmth to these carved blocks of wood. BTW I was brought up watching Gerry Anderson (Thunderbirds, et al) and now realise that I have retained a soft spot for filmic puppetry.

Perhaps that is part of the attraction of the film for me, the fact that it is reminiscent of half a dozen long-forgotten puppet programmes – generally from Eastern Europe, as I recall – shown during the school holidays when it was probably raining.

Gentle – despite the violence in the story – moving and entrancing.

Watch it if you can – through child's eyes.