Hilos: un viaje de amor y vínculos

Strings" is quite a unique and interesting movie going experience. This just happens to be one of those movies I had never heard of before that I ran across doing research, and decided to give it a shot. My biggest problem with Strings is that the puppets do not move their mouths, which made it a little hard to follow as the dialogue as it switched back and forth between characters. Once your able to get past that - this is really a beautiful little film.

A little over-dramatic but with some pretty high production values, "Strings" is unlike no movie you have seen before. The cinematography, voice overs, and set designs are well done and very pleasing to watch and to listen to all throughout.

One thing I enjoyed about "Strings" was the how the actual strings were incorporated in the movie. There is no effort to hide them. In fact, the strings themselves are part of each characters actual being, reaching all the way up in to the sky with the "head" string being the strongest and most valuable. Cut the head string, and your dead! Get a little to playful, and you might get tangled and need some help getting undone! Interesting little concept.

Strings is a fantasy story about a King who commits suicide, leaving the thrown to his son. When his son is lead to believe by his evil uncle that some outside rebels are responsible for his death, he seeks out to find them and avenge his father. In the process he goes on a magical journey, learning about life, love, war, and the fact that people and things aren't always quite what they seem.

"Strings" is a film that stands on its own two feet- apart from anything else out there. All in all, it's a very impressive piece of work- and a good family oriented film.

Recommended!

The whole concept of strings interested me from the start, I'll admit i have a strange fascination with puppets anyway from somewhere unknown, i think probably Fraggle rock and that sort of thing which was re-established when i saw 'being john Malkovich' with the beautifully worked string puppets.

but anyway the whole concept of the strings being part of the puppet i found really enthralling, like they weren't quite in control of their own movements as we feel we aren't. the mystical scenes of the sky with strings in looked awesome.

the opening scene really captures your attention and you feel so much empathy towards the king that you forget he is a piece of wood and treat him as human from the start.

i was really intrigued with the explanations of birth and death and think they really added to make the universe seem believable.

on the whole the story was kind of predictable but in a classical fantasy way really worked in the new context. the design of all the surroundings was breathtaking, i think this would be great for kids also, despite the lack of happiness within the story

For all those who say "I'm too old for puppet theater" I can only say "Think again".

The story might not be the most original (though it is leaps and bounds more complex and consistent than most of the actual blockbuster) but the directing and effects are simply beautiful.

The original part in the film is indeed that the puppets know of their strings and live and play with them. As another commenter says, the film does not try to hide the strings, but it does hide the puppeteers. Part of the mystery of the film is where the strings come from (and here you have several great shots and effects).

I can only recommend the film, but I doubt it will run in too many big cinemas (I saw it in the Edinburgh Filmhouse)...

I happened upon this film the other night, fresh (!) back in Phuket from Burma. Tired though I was, and the film was perhaps a quarter of the way through, I was absolutely mesmerised by it.

First, I was trying to guess the actors' voices. Second, I was captivated by the – don't laugh – "acting" skills of the marionettes.

Granted, there were no facial expressions, no morphing/animatronics/etc but still there was a warmth to these carved blocks of wood. BTW I was brought up watching Gerry Anderson (Thunderbirds, et al) and now realise that I have retained a soft spot for filmic puppetry.

Perhaps that is part of the attraction of the film for me, the fact that it is reminiscent of half a dozen long-forgotten puppet programmes – generally from Eastern Europe, as I recall – shown during the school holidays when it was probably raining.

Gentle – despite the violence in the story – moving and entrancing.

Watch it if you can – through child's eyes.

In the world of modern films showing you the realistic nature of violence, this film is a peaceful moment for your soul, allowing you to see the beauty of life. The story is neither complicated, nor exciting, but it's not a drawback. You can feel just by looking at the puppet whether he or she is "good" or "bad", and you can guess how the tale will end. We see a true tale, in an enchanted world of small details and simply-big thoughts: tears are rain, strings are life-force, freedom can be reached, loved ones are connected. We are falling into the screen, into this fantasy world, smilingly. People need tales. (Zita)