Dai zek lo

Johnnie To supernatural film with some Buddhist elements. Two-part movie: first part they are catching Indian murderer, second-part reveals Big past and the secret behind Sun-Ko

First part 9/10 Second part 5/10

I'm sitting her slack jawed and wondering what in the hell these people were smoking or ingesting when they made this off kilter little film. To say that this film is unique is an understatement.

A body building ex-monk who dances as a male stripper and who can see the future gets mixed up with a police woman going after a killer. Mix in some laughs, comic book villains, some very bloody deaths, some serious action, discussions of the nature of the universe and predestination; shake well and perhaps, just perhaps you may get an idea of what this film by Johnnie To is like. Then again you may not since this film operates in its own orbit, going from pillar to post on its own crazy course.

Its a flawed film, thats so incredibly quirky that it never really seems to pull it all together. Normally not pulling it all together will kill a film, but here you don't really mind simply because it simply being different than pretty much any other film ever made. Its not a bad thing, unless you're looking for a movie that you're going to want to watch more than once.

If you want to see a movie thats certainly unlike any other film out there this film is for you. But be warned its bumpy and imperfect and you may hate yourself for liking it in the morning.

I did not expect the depth that this film mines when buying tickets yesterday for "Running on Karma" starring Andy Lau. In fact, when it began, I cringed wondering how campy it could possibly be. This first impression quickly transformed as some special effects were artfully used to convey that I was in for fast and thought-provoking ride.

The violence in the film stops just short of being gratuitious. In fact, it is quite purposeful and well done. As a whole, the film has a little of everything that attracts me: the supernatural, special effects, humor, love story and surprise, surprise, an actual heartfelt message that provides the viewer with 'the big picture' on life. I wanted to give the flick an 8.5/10 but opted for the 8 since this system does not take half points.

By the way, seeing this film is Hong Kong has the added effect of illustrating one of the film's points: there are many layers to our day-to-day 'reality.' This may not have such a strong effect for the viewer who lives elsewhere.

I feel that the plot is excellent: A Buddhist monk who is able to "see" past choices that lead to present day Karma. This was an excellent plot but... They should have made it more of a love story, i.e. a strong attachment by the viewer between "Big" and the police woman. And somehow it should have had a clearer ending. the plot had a potential for a great movie. Also it would have been nice to have a good ending. There were some interesting things in the movie...For example, the director certainly understood something about karma as explained by buddhist. I recalled in the movie when the monk says that the Japanese soldier is a different person than the policewoman, but that she is carrying his karma. That is an interesting distinction from the Hindu explanation of karma.

A lot of comments have been made about the gimmick of Andy Lau's body suit but I think the director intentionally used it. Much of the film is metaphorical and symbolic. The movie artfully provides a story that is richer for its indirectness. Just as Daai Chek Liu fights the form of his would be self, and prevents the triggering of a new karmic thread through a potential revenge/ justifiable killing of Sun Ko, the body suit may in fact symbolize the effort that many people put into developing the unimportant/ ineffectual aspects of their lives. In the first part of the movie, none of his highly developed skills or extrasensory perception can avert the eventual course of karma; and only in the second part, when he forgives Sun Ko, is he successful in making any difference.

His shedding of his over-developed physique during this journey is perhaps symbolic of his return to simply pursuing "the only thing that Buddha taught" (per his soliloquy after he resolves the conflict with his alter ego). If you watch carefully, everything you need to understand the story is right there; but it's not obvious. There are many places where the director has only sown the seed for further inquiry. I could go on; but suffice to say it's not a movie that can be fully appreciated without at least some analysis on the part of the audience :) In the end, if your interpretation even makes you think about the laws of nature, the meaning and purpose of your life, that's what matters, and is perhaps what the director/ scriptwriter intended.