Las crónicas de Narnia: El león, la bruja y el ropero

I thought this a very well done film indeed. I will say the film looks just splendid, especially the scenes in Narnia, with beautiful snowy sets (some looked as though it had come from the LOTR trilogy). However, some of the scenes looked as though they had been computerised, such as the scene with the children and beavers running across the ice. There were also some attempts to put some humour into the story like the professor's line "ah yes, the weeping one" in reference to Lucy and the beavers especially, but because the director had taken liberties to make the story darker, the humour didn't quite work. However there are a number of positives, like the spirited performances of the children, Georgie Henley especially, better than Sophie Wilcox's rather goofy portrayal in the 1988 series. James McAvoy is charming as Mr. Tumnus, and Liam Neeson was majestic as Aslan. But the acting honours go to Tilda Swinton as the White Witch, even with her calmness she dominates the screen, in a sometimes chilling portrayal as the character. The film was fairly faithful to the book, but the added scenes and dialogue failed to engage as much. All, a flawed but enjoyable film. 7/10 Bethany Cox

This enjoyable story produced by Walt Disney Pictures is based on C.S Lewis books. It begins during German air raids over London in WWII. The Pevensie four children(Henley,Keynes,Moseley and Poppewell) are sent to live at the country house of eccentric teacher Kike(Jim Broadvent). Meantime they're playing hide and seek, Lucy encounters a strange wardrobe that lead the snowy land of Narnia . There, she finds a sympathetic but coward faun(James McAvoy). Later she returns at home and the others don't believe her at first, but soon are convinced. Then, all of them go throughout the fantastic world with fauns and centaurs and where animals speaking, a beaver( voice by Ray Winstone), fox(voice by Rupert Everett) and furthermore the Father Christmas(James Cosmo). This magic land with perpetual winter is ruled by the nasty White Witch(Tilda Swinton). But the children are the chosen ones, according an ancient prophecy, and they team up with Aslem, the mighty Lion and real king of Narnia , fighting to defeat the evil witch in an epic finale battle.

The pic is a magic story with rip-snorting adventures, exciting fantasy, sensational scenarios and good feeling. Plenty of action and emotion and with an incredible battle scenes similar to ¨Lord of the Rings¨. Provide enough amusement to keep the chat rooms humming until the epic ending comes out. In spite of overlong runtime and the difficult of adapting, the film still managing to keep a quick enough pace for those unfamiliar with the lengthy literary and highly detailed work by C. S. Lewis. This two and a half hour movie stays closer to the original work than any of the former efforts, mostly animated. The film displays a colorful and evocative cinematography by Donald McAlpine. Musical score fitting perfectly to the action-adventure by Harry Gregson-Williams. The motion picture is marvellously directed by Andrew Adamson, he's the director,producer, writer of ¨Shrek¨ trilogy. Rating : Above average and worthwhile seeing . It's a very likable adventure-fantasy and enormously appealing for kids, adolescents and all family.

So says Mrs. Macready to the children, but thankfully they do not listen in the book, or in the movie, which is perhaps most notable for clinging so closely to the original. My kiddos and I have been enjoying the Narnia books over the past several months, and they are big fans of them; so they were naturally drawn to the movie too, which I hadn't seen before. Lucy steals the show in both media, and all of us thought she was the best acted; as the youngest, of course, she guides the others with her imagination, which is validated by "the Professor" before all four siblings take the plunge into the closet. Probably the most striking scene is not Aslan's death, but Lucy's initial encounter with the faun, Tumnus, in which not only the wonder between the two but also the tension and potential menace is given its space. In fact, the Christianizing elements which are often pointed out by Lewis's critics and supporters take a clear back seat in the movie, which instead chooses to go even further than the book in "classicizing" Narnia with figures from Greek mythology, from centaurs, griffons, and satyrs fighting for Peter to the minotaur general and cyclops fighting for the Ice Queen. Both my son and daughter pointed out that virtually the only added scenes were London being bombed, at the very beginning, and the parallel vision of griffons "bombing" the Queen's army with rocks before battle was engaged.

A wonderful movie. The characters are beautifully made from a well chosen characters. The CGI and special effects are top notch. The centaurs, beavers, trees, tigers, bears, fox, all are taking. Oh! yeah, they are talking. The creators have done an excellent job in bringing out the emotions, the lip sync, and the body language of various animal, very well. The White Witch was scary as hell. The final battle sequence was spectacular. I was amazed with the battle sequence.

Aslan's character was the best. I love the way the Lion talks, walks and emotes. It's simply amazing.

Amazing direction. Amazing music. Excellent make-up. Amazing editing work. A very good adoption of the Narnia series. Very funny movie too. Worth watching.

Adam Adamson's film adaptation of C. S. Lewis' first entry in his classic Narnia Series starts off awkwardly like a combination of the "Wizard of Oz" and "Lord of the Rings." The filmmakers spend too much time early on trying to be cute and Disney-fy the product while clumsily presenting scenes composed of live-action actors and not-so-great computer effects. The result, not surprisingly is like an animated film with some flesh-and-blood actors spliced in. However, once you get used to the film stylistically, all is mostly forgiven.

The filmmakers finally find solid ground when they really start to dig deeply into the story and reveal the blending of nature-based neo-paganism with medieval Christian mythology and wrap it up nicely into a children's fairytale. It's when you start to realize the white witch (played effectively by the always somewhat creepy Tilda Swinton) represents the old pre-Abraham polytheism demanding animal and human sacrifice for appeasing the pantheon of gods/goddesses and the lion king, Aslan, represents the Christian view of one self-sacrificing god that you remember the brilliance of Lewis' source material. And while it isn't terribly well executed, the epic "Battle-Beast" style showdown at the end is pretty entertaining from a visual and imaginative standpoint.