Las crónicas de Narnia: El león, la bruja y el ropero

Adam Adamson's film adaptation of C. S. Lewis' first entry in his classic Narnia Series starts off awkwardly like a combination of the "Wizard of Oz" and "Lord of the Rings." The filmmakers spend too much time early on trying to be cute and Disney-fy the product while clumsily presenting scenes composed of live-action actors and not-so-great computer effects. The result, not surprisingly is like an animated film with some flesh-and-blood actors spliced in. However, once you get used to the film stylistically, all is mostly forgiven.

The filmmakers finally find solid ground when they really start to dig deeply into the story and reveal the blending of nature-based neo-paganism with medieval Christian mythology and wrap it up nicely into a children's fairytale. It's when you start to realize the white witch (played effectively by the always somewhat creepy Tilda Swinton) represents the old pre-Abraham polytheism demanding animal and human sacrifice for appeasing the pantheon of gods/goddesses and the lion king, Aslan, represents the Christian view of one self-sacrificing god that you remember the brilliance of Lewis' source material. And while it isn't terribly well executed, the epic "Battle-Beast" style showdown at the end is pretty entertaining from a visual and imaginative standpoint.

With an appeal to both adults and children, the British author C. S. Lewis wrote seven books in his Chronicles of Narnia series. The stories are rich in mythology and religious symbolism, drawing upon archetypes from the Norse, Greco-Roman, Persian, medieval chivalric, and Judeo-Christian traditions.

Now comes this wonderful film of the first chronicle, "The Lion, the Witch, and the Wardrobe." The beautiful cinematography and the terrific performances of the children make this film outstanding for family viewing. As integrated with the live actors, the colorful animal characters, especially the Lion (Jesus), reveal brilliant technical film-making as well.

Lewis's books are not overtly allegorical. Rather, the symbols and the messages are subtle. The four children in the story (Peter, Susan, Edmund, and Lucy) were inspired by the actual children evacuated from London during World War II, who spent time in Lewis's home. Lewis wanted his books to be enjoyed by young people who would later in their lives draw the spiritual meanings from the stories. In this area, the film is enormously faithful to the original book and would have made the author extremely proud.

The Lion the Witch and the Wardrobe should go down in the history books right up there with the likes of Lord of the Rings. I went to see it expecting a very good movie. I came out stunned by the magnitude of the picture. Everything about it is so well done, the casting, the scenery, the score. Lord of the Rings is the only thing I can think of to compare it to. I experienced the same overwhelming sense of awe watching both of these phenomenal pictures. The CG images are very good, though not quite as startlingly realistic as those in LOTR. I cannot find fault with the casting in any way.

Though the voice of Liam Neeson is not as I would have imagined a lion's at first, it is smooth, confident, and effective. Aslan is given the presence so essential to the heart of the story. I must comment on the performance of James McAvoy as Mr. Tumnus, which I believe was the best in the film. Lucy was adorable, and surprisingly convincing, and Peter was given a very firm performance. I was a little nervous about how Edmund would turn out, but I needn't have worried; those large, startlingly dark eyes are perfect for the change from traitor to hero.

I commend the directors of the movie on their strict adherence to the book. Narnia isn't just "based" on the book. It IS the book. The scope, depth, and wonder of Lewis's world have been captured in a timeless manner that should be cherished for all ages. This is a movie for everyone, at a level for children to understand, yet with a fast plot and exciting battle sequences that will keep anyone interested. The last battle scene especially is as touching as any I have ever seen, including those in LOTR, putting tears in my eyes even while my heart soared. Go see Narnia for an exciting, well-done film, and a timeless message that our world so desperately needs.

Ten stars!!

The Lion, The Witch and The Wardrobe is an extremely enjoyable filmization of CS Lewis's magical childhood epic. The story expertly weaves in childhood themes with a modern day Christian plot line (including a slightly grisly 'crucifiction' scene) to create an enchanting motion picture. Tilda Swinton is superb as the sinister White Witch. The children are average though young Georgie Henly stands out. The Special effects are more than adequate, with a specially impressive rendering of Aslan. The film moves slowly initially and its epic nature become apparent only towards the end with a vicious (but bloodless) final battle. All told, a pleasant surprise indeed!

Overall 8/10

To sum things up: I loved this movie.

I had been waiting for it ever since it was announced, so of course I couldn't pass up the chance to see a press preview this morning. And, while there were some definite weaknesses (mostly in the quality of the animations), overall I was completely convinced. Naturally it did not coincide 100% with my own vision of Narnia visually, but emotionally it rang absolutely true, choking me up several times and really touching me. I walked out of the theatre with a warm, contented feeling - just like I feel every time I read C.S. Lewis' book!

The stand-out performance was definitely Tilda Swinton's as the White Witch, but I liked all actors/voices, from cute little Lucy (newcomer Georgie Henley) to majestic Aslan (Liam Neeson). I thought the children did a great job, considering their relative inexperience and the amount of blue screen work involved.

Tip: Stay seated through the actor credits - afterwards there's another small scene.