Freeze Frame

Sean Veil is the ultimate paranoiac, a man so convinced that everyone is out to get him that he's even begun spying on HIMSELF. However, there is actually a method to his madness, for unlike many paranoiacs, Sean has a valid reason to be fearful and suspicious of those around him. About ten years prior to the time of the story, Sean was falsely arrested for the brutal slaying of a woman and her two young daughters - a crime for which he was eventually acquitted, although the experience has left him emotionally devastated and psychologically damaged. His reputation ruined, Sean has since devised an elaborate system whereby he can videotape himself 24/7, so that he will always have an alibi if someone ever attempts to accuse him again of a crime he didn't commit. Unfortunately, Sean soon discovers that even the latest in modern technology can't guarantee his safety if the forces out to get him can figure out how to beat him at his own game.

This quirky and original Irish film suffers a bit from the constraints of its budget and the amateurishness of some of the performances. Director John Simpson's split screen technique, though intriguing at first, becomes a bit trying after awhile, and the storyline is not always as cleanly and clearly developed as it might be, although the drab, colorless look of the film perfectly reflects the drab, colorless life of its protagonist.

The movie overrides most of its flaws thanks to one element that is the real thing: Lee Evans' searing and uncompromising portrayal of an innocent man driven to the brink of madness by his obsessive need to prove that innocence. With his nervous, soft-spoken demeanor and constant look of terrified submission, Evans makes what could have been a creepy, repulsive character into a thoroughly sympathetic figure. We find ourselves so drawn to his predicament and so involved in his fate that, even at those moments when the movie itself falls flat, we stick with it anyway.

This is a pretty cool movie. Very stylish with all the handy-cam shots and the unsaturated colour.

A great performance from Lee Evans.

The plot was great but I found the ending a little too convenient and clichéd. I think it would have been better to spread some of the revelations around a bit, or at least give some stronger hints - or did I just miss them? Or was a different ending initially planned?

While watching I was distracted by wondering how such a guy could finance himself for so long? Would have been nice to have been given a simple reason.

Coincidentally I'd watched The Final Cut the evening before and couldn't help noticing the similarity and opposites of the two films. In The Final Cut the main character is tormented by guilt for something he remembers doing, whereas in Freezeframe Veil is tormented by accusations of doing something that he believes he didn't do. Both characters use av-recording technology to help themselves cope.

Anyway, well worth seeing.

I knew nothing of this film until the day i saw it. I came across an advert for it in a local newspaper, checked out where it was showing and went to see it that night. I was gripped by the idea of this bizarre story of paranoia taken to extremes. The acting was, for the most part, very well done, Lee Evans proving he is far more than a slap-stick comic by portraying his character with stunning levels of emotion. Direction was fantastic, building the paranoia throughout the film. The only thing that let it down was the OTT ending which had me groaning in dismay. There were too many twists (most of which were blatantly foreseeable) within the last few minutes. Character development was also a little too staggered. Some of the characters seemed to change completely from one minute to the next, no gradual change or hints beforehand... On the whole, this was an intriguing film, well acted and well directed. One of the better films of the year. Maybe its time Hollywood took some notice that you don't need $200 million+ to make an enjoyable movie.

The film follows the life of Sean Veil who has been accused of the brutal murder of twin six year old girls, their mother and the brutal assault of their father. Sean knows that he is an innocent man, and although the court can't prove he is guilty, Detective Mountjoy (Colin Salmon) and criminal psychologist Saul Seger (Ian McNeice) are determined that he is and will do anything to put him behind bars. Determined to make sure he is never accused of anything again Sean sets up video cameras throughout his entire home and won't leave the house unless he is being videotaped on his "self-cam". When the police storm his home accusing him of another murder he can prove his innocence - or can he? As the specific tapes that are needed have gone missing.

The film is an incredibly dark, chilling and suspense filled thriller that uses many shots from the CCTV that follows Sean around his life. There is a distinct lack of colour throughout the entire film which adds to the eerie nature. The film uses many images of entrapment throughout by the use of camera shots and tricks and really shows the paranoia that runs constantly in Sean's head - even though the first thing he "must remember" is that 'Paranoia is a malfunction of the ability to reason'.

Firstly, I have to say Lee Evans is without doubt stunning in this film. We can only hope that he gets further meaty roles on the back of this performance.

A triple murder suspect has his case thrown out of court due to police incompetence. Vowing his innocence, he becomes a paranoid who tapes himself "24/7/52" and keeps the tapes in a special vault. Just before the 10th anniversary of the murders, he is again arrested on suspicion of murder, and when he tries to produce the relevant tapes they are missing.

The only downside to this superbly edited, visually stunning film is the lack of suspects as there are only half a dozen characters throughout. Other than that, it's well worth watching. Unlike most people here, I even enjoyed the ending (especially Evans last words!)