Rick

When the Munich Filmfest 2004 offered "Rick" I was delighted. Because I love Verdi/"Rigoletto" and I happen to think that Bill Pullman is a very fine actor. (Whom I would like to see on stage; the biggest compliment I have to offer, Mr. Pullman -) However, I was/am deeply disappointed because this "adaptation" of a tragedy of Shakespearean or Greek dimensions, excepting one short moment, just didn't come off. To start with, Rick is such a hard-core bastard (much more so, mark you, than Rigoletto when, mistaking or over-doing his role as jester, laughs off the sorrow of a grieving father) that his janus-faced attitude of a loving father is about as 'convincing' as a square football! Moreover, his daughter Eve, apart from being a fairly attractive young female, has none of Gilda's characteristics. On the contrary, she's arrogant, spoiled, thoughtless, pretty ruthless and - in her own way - heartless. Very much like 'Duke' in fact whose part doesn't even begin to work, and remains shapeless and pale throughout the film. Thus, by victimizing Eve accidentally the writer and director achieve little more than a "Too bad"-reaction. And there are aeons between this and the suicide of Gilda, who knows only too well that she deliberately sacrifices her life for a man unworthy of her love.

However, there is ONE moment in "Rick" that is worthy of great drama/tragedy. And we owe it to (apart from Mr. Pullman) Ms Sandra Oh who (as Michelle) curses Rick in a night bar so vehemently, ferociously and convincingly that it took my breath away! Wow, WHAT a scene, what an actress!

Don't let the presence of Bill Pullman (Sleepless in Seattle, While You Were Sleeping, Singles) fool you; this is no breezy romcom. Not by a mile.

Based on a famous opera (in case you don't already know which one, I won't tell you because that might ruin the story), it's a pretty clever modernization. It begins innocently enough like a good dark comedy, but almost immediately you start to pick up cues that the director is trying to unsettle us. Scenes of New York City are shot from low, wide angles creating a claustrophobic effect. Most of the story seems to happen at night in shady places or in the dark, ominous halls of the sleazebag corporation where Rick works. All of this offsets the comedy which is rife in the first half.

But if you're expecting a comic morality tale like "Scrooged" or "Groundhog Day" or even "A Christmas Carol", you'll be in for a few surprises. First of all, the choice of leading actor Bill Pullman is a puzzler. We're supposed to hate him, right? How can we possibly hate the eternal good guy "Walter from Sleepless in Seattle"? The answer is we can't. And I believe this casting choice was intentional. In the DVD extras the filmmakers say it's much more complicated than bad-guy-takes-his-lumps. Instead they create a complex protagonist who is evil but not without just cause. This complicates matters as we become sympathetic toward him. The experience can be very emotionally draining, but that's why I think this is a good film.

An outstanding performance from Agnes Bruckner as the daughter, as well as great supporting roles from everyone involved, keep things moving at a somewhat fast pace. You barely have time to notice the great architecture and powerful sets featured in the film, not to mention all the literary allusions and little winks at the audience (for example, notice how the phone number on Buck's business card keeps changing).

As far as creative retellings of classic stories go, "Rick" is a winner. Other good ones include "The Claim" (a wild west adaptation of the Byron poem "Ozymandias"), "Dolan's Cadillac" (based on Stephen King's rewrite of Poe's "Cask of Amontillado") and--a bit of a stretch but--"Star Trek II: The Wrath of Khan", a kick-butt retelling of Moby Dick.

If you go to the movies to feel good about life, to feel all warm and fuzzy about the world around you, then "Rick" isn't for you. However, if you delight in stories that revel in the darker side of human nature, that have a nasty sense of humor, then this incredibly dark comedy might be just the film for you.

Based on Verdi's opera, "Rigoletto," editor-turned-director Curtiss Clayton brings to life a script by Daniel Handler, better known to audiences as the "Lemony Snicket" author. In "Rick," Bill Pullman plays the title character, a man who works at a company called Image, though we're never told what exactly he or the company do. His boss Duke, almost half Rick's age, engages in machismo talk and has a penchant for online chats on a porn I'm service.

To reveal more would be to destroy much of the fun of this very wicked film.

"Rick" actually goes way beyond dark comedy. Pullman gains tremendous glee from playing someone loathsome. Come to think of it, with the exception of Rick's teen-age daughter Eve (played by the marvelously talented young actress Agnes Bruckner), there really aren't any likable people in this movie.

And Eve, who's the only one who sees the good in her dad, isn't exactly squeaky clean. She gets her kicks by "talking" dirty on the Internet. Bruckner, whose depiction of an emotionally scarred high school student in "Blue Car" was one of last year's highlights, finds just the right mix of confidence and innocence to make Eve believable.

Often, it is hard to be absorbed by a film where none of the characters seems to have any redeeming virtues. But, strangely, "Rick" manages to hook us. Mostly because we're initially intrigued by who these people are and why they behave so despicably. Watching Rick berate a woman interviewing for a job is uncomfortable. Yet, there's something hypnotic about the whole sequence.

This is extremely broad social satire veering into the absurd. This film is filed with several odd moments. The interview aside, there's the initial macho gamesmanship between Rick and Duke (played by Aaron Stanford as a slimy creature, quite a departure from playing 15-year-old Oscar Grubman in "Tadpole"). Then there's Buck (Dylan Baker), who meets Rick in a bar where people spy on other patrons. Buck tells Rick he runs his own company. There's a funny joke about that when Rick sees Buck's business card.

"Rick" is by no means a perfect dark comedy. But it definitely has a strange way of keeping you interested in its characters. They may not be likable but, damn it, they're most certainly intriguing and captivating. If you're in the mood for something out of the ordinary and you relish films that dabble in morally decrepit people, give "Rick" a peek. I've seen better films this year, but this one will stick in my mind for a long time.

It is surprising that an indie film was able to attract the talent of such talented actors, designers and crew, but over looked a critical element which is the film score. The music composed and arranged for this film was a very amateur work. So much so that it pulled you out of the story each time the poorly done music was played. You have to fight to not listen to it, so that you can keep your head in the story and action of the film. This is not the purpose of film music, it needs to work with the film, not against it.

The art direction was right on, as was the location shots of the film including the offices and the apartment. It is too bad that this wasn't done with a composer of the talents equal to the rest of the level of this film.

Bill Pullman stars as the title character Rick, a mean spirited businessman who does not care who he has to step on or what he has to do in order to get ahead.

The movie starts when he goes overboard with an interviewee (Sandra Oh)one day and not only insults her, but costs her her current job as well. He shows little regard for her and she loses it and "curses" him. Of course, from this point forward, he seems to have bad luck, but nothing too abnormal. At least not for awhile.

I did not care for this movie because it made you sit through some pretty boring drivel and it does not pay off in the end. In fact, it becomes pretty predictable. I also got a bit of an incestuous vibe from Pullman's character and that of his daughter, Eve, played by Agnes Bruckner (who is very beautiful and probably the best thing about this movie). This does not seem to have any purpose, therefore does not sit well with me, either. Also, too many coincidences to make the movie as unbelievable as it is boring. Pullman does not pull off the performance you would expect here and to be honest, I really can not recommend it. I give this movie 4 out of 10.