Agrega una trama en tu idiomaAn artist with coulrophobia ("fear of clowns") is stalked by a murderous clown resembling one of the ones she paints.An artist with coulrophobia ("fear of clowns") is stalked by a murderous clown resembling one of the ones she paints.An artist with coulrophobia ("fear of clowns") is stalked by a murderous clown resembling one of the ones she paints.
- Dirección
- Guionista
- Elenco
Jacqueline Reres
- Lynn Blodgett
- (as Jacky Reres)
Andrew Schneider
- Phillip
- (as Andrew C. Schneider)
Lisa Willis
- Julie
- (as Lisa Willis Brush)
Judith Grannas
- Gale Wroten
- (as Judith Furlow)
- Director
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I've seen some bad movies in my time, but this, for the love of everything that's holy, is definitely in my top 10 most horrid movies of all time. From the god-awful acting, to the choppy camera work, this movie can't even be classified as a "B Grade horror movie".
The constant chopping of camera angles made me feel as though I was watching an episode of "24", and the acting made me feel as though I was watching some trained dolphins do interpretive dance about their feelings. The upstanding performance by the "Detective" was played more like a 40's gumshoe than someone from (apparently) the 90's. The lead actress has two emotions - uninterested and confused. The clown, well, he was semi-cool. Not overly scary, but cool. He made me want to giggle, and poke him.
I can't emphasise the horrific acting enough. There are not words in my vocabulary to describe how pathetic and transparent it was. The single saving point for the movie is the story, which could have been made into a decent movie had some rational thought been injected into it.
All in all, don't waste your time unless you're a fan of pathetic acting.
If you want a similar experience, paint a wall and try to teach it to act. Even that will be more fulfilling.
The constant chopping of camera angles made me feel as though I was watching an episode of "24", and the acting made me feel as though I was watching some trained dolphins do interpretive dance about their feelings. The upstanding performance by the "Detective" was played more like a 40's gumshoe than someone from (apparently) the 90's. The lead actress has two emotions - uninterested and confused. The clown, well, he was semi-cool. Not overly scary, but cool. He made me want to giggle, and poke him.
I can't emphasise the horrific acting enough. There are not words in my vocabulary to describe how pathetic and transparent it was. The single saving point for the movie is the story, which could have been made into a decent movie had some rational thought been injected into it.
All in all, don't waste your time unless you're a fan of pathetic acting.
If you want a similar experience, paint a wall and try to teach it to act. Even that will be more fulfilling.
Hey,
I've seen a lot of posts where you defend the hell out of this flick, but I've got to tell you, you can't blame shoddy writing and extremely poor directing on a lack of budget. I was on board to see a movie that looked like crap but had all the basic elements OK, because that's what a low-low budget film normally has. But this "film" is a piece of crap.
Here's the complaints:
ON WRITING: You claim to have a definitive love of horror films, specifically Halloween and Alien, yet you completely ignore the structure of these scripts. Each great horror film has its foundation in a strong psychological subtext (I.E. repression and return of the repressed, male/female archetypes and the overthrow of such, infiltration of boundaries, etc.). Your film has people talking in circles with crap lines like "Have you ever been spanked by a clown?". If childhood trauma were at the heart of the film, why not draw us more into it? Instead, you do what every other hack in this business does: you write B.S. dialogue that makes no sense because you don't have the first clue as to who your characters are.
In addition, the reason that this film is not scary is because you explain EVERYTHING. What's scarier: a psycho-killer who walks around in a mask killing for no reason and with no remorse or a psycho-killer who sits around saying, " Get BETTER, Get BETTER."? This is why Carpenter, Craven and Scott are geniuses, and well, you have this as your crowning achievement.
ON DIRECTING: Have you ever heard of the 180 degree line? You jump all over the place with mismatched reverse shots, and ever-changing screen direction, leaving us as an audience unable to settle. And since you've asked repeatedly why the editing is bad, I have one question: Do either you or your editor know what a beat is? There are no dramatic moments in this film because you are constantly cutting away from them. What could have been a nice introductory scene between your two protagonists becomes a confusing mess because you cut the living daylights out of it.
This "film" has no sense of mood or character whatsoever. I think the character that actually went deepest was Shivers, and that should say something about where your focus was. In your extremely self-important and self-indulgent "making of" segment, I found your attitude toward your actors appalling. First of all, DO NOT DIRECT A RESULT! This is the first rule of working with actors, taught in the most basic of classes. When you stood there and said to Mark something like, "I want to see a mixture of agitated and hungry" or something to that effect, my heart broke for all of the people who had to work under such conditions. And at one point you were yelling at people, and saying to the actors, "I just want to finish this f--- ing scene and go home." What does that say to them about your level of support, when they're the ones bleeding on film for you. Shame on you, my friend, shame on you. And on a sidenote: if the makers of the camera that you shot with won't let you release their name or logo in your "making of", doesn't that say something about the film?
Rent the movie "Overnight". You might learn a thing or two about the path you are traveling. That is, if you ever do get a shot, which I highly doubt. You should go into another field, or at least take some classes on writing, directing and working with actors.
I've seen a lot of posts where you defend the hell out of this flick, but I've got to tell you, you can't blame shoddy writing and extremely poor directing on a lack of budget. I was on board to see a movie that looked like crap but had all the basic elements OK, because that's what a low-low budget film normally has. But this "film" is a piece of crap.
Here's the complaints:
ON WRITING: You claim to have a definitive love of horror films, specifically Halloween and Alien, yet you completely ignore the structure of these scripts. Each great horror film has its foundation in a strong psychological subtext (I.E. repression and return of the repressed, male/female archetypes and the overthrow of such, infiltration of boundaries, etc.). Your film has people talking in circles with crap lines like "Have you ever been spanked by a clown?". If childhood trauma were at the heart of the film, why not draw us more into it? Instead, you do what every other hack in this business does: you write B.S. dialogue that makes no sense because you don't have the first clue as to who your characters are.
In addition, the reason that this film is not scary is because you explain EVERYTHING. What's scarier: a psycho-killer who walks around in a mask killing for no reason and with no remorse or a psycho-killer who sits around saying, " Get BETTER, Get BETTER."? This is why Carpenter, Craven and Scott are geniuses, and well, you have this as your crowning achievement.
ON DIRECTING: Have you ever heard of the 180 degree line? You jump all over the place with mismatched reverse shots, and ever-changing screen direction, leaving us as an audience unable to settle. And since you've asked repeatedly why the editing is bad, I have one question: Do either you or your editor know what a beat is? There are no dramatic moments in this film because you are constantly cutting away from them. What could have been a nice introductory scene between your two protagonists becomes a confusing mess because you cut the living daylights out of it.
This "film" has no sense of mood or character whatsoever. I think the character that actually went deepest was Shivers, and that should say something about where your focus was. In your extremely self-important and self-indulgent "making of" segment, I found your attitude toward your actors appalling. First of all, DO NOT DIRECT A RESULT! This is the first rule of working with actors, taught in the most basic of classes. When you stood there and said to Mark something like, "I want to see a mixture of agitated and hungry" or something to that effect, my heart broke for all of the people who had to work under such conditions. And at one point you were yelling at people, and saying to the actors, "I just want to finish this f--- ing scene and go home." What does that say to them about your level of support, when they're the ones bleeding on film for you. Shame on you, my friend, shame on you. And on a sidenote: if the makers of the camera that you shot with won't let you release their name or logo in your "making of", doesn't that say something about the film?
Rent the movie "Overnight". You might learn a thing or two about the path you are traveling. That is, if you ever do get a shot, which I highly doubt. You should go into another field, or at least take some classes on writing, directing and working with actors.
This is one of those rare movies where absolutely NOTHING was good!! Usually I can always point to one good thing (I.E. An actor who stood out, a particular shot, editing, something)I can't believe the director is actually brain dead enough to try and defend this embarrassment of a film.
The acting is junk, there's no effects (I.E. gore,awesome killings,NOTHING!!) The script/story is junk and I swear the guy who plays Tuck will NEVER get a role in any project not featuring this incompetent director!! He was FAR AND AWAY the worst actor in this movie.
I'm mad as hell at myself for not having turned off this dogs*it movie that seems like it was made by someone who rode the small bus to school...I usually don't try to be cruel but to actually try and defend this pathetic attempt to make a film just makes me sick!! There's NO WAY the director and just about everyone else involved in making this trash don't know how bad this is!! And that by trying to defend this speaks volumes on their mental capacity (Or lack of)
There's not enough minus stars to give this pile of crap your best bet is to avoid it!! It'll bore you to tears within the first 5 minutes.
The acting is junk, there's no effects (I.E. gore,awesome killings,NOTHING!!) The script/story is junk and I swear the guy who plays Tuck will NEVER get a role in any project not featuring this incompetent director!! He was FAR AND AWAY the worst actor in this movie.
I'm mad as hell at myself for not having turned off this dogs*it movie that seems like it was made by someone who rode the small bus to school...I usually don't try to be cruel but to actually try and defend this pathetic attempt to make a film just makes me sick!! There's NO WAY the director and just about everyone else involved in making this trash don't know how bad this is!! And that by trying to defend this speaks volumes on their mental capacity (Or lack of)
There's not enough minus stars to give this pile of crap your best bet is to avoid it!! It'll bore you to tears within the first 5 minutes.
The acting in this film was diabolical: more wooden than a school play. It was so bad it had no comedy value either.
The detective character was the worst of all, and all these people should seriously consider a career change. This film had a feel about it that said that the director had just gathered a group of his mates together to act out a poorly written play for a laugh.
I confess that I cannot say whether this film had a good ending as I had to switch it off well before I got to the halfway stage even - it was THAT bad! I have never failed to watch a film all the way through, no matter how bad, before.
The clown was about as scary as a hippo. And what was with the weird speeded up part where he was chopping wood?
The camera techniques were all over the place and in a word this film was amateurish.
The detective character was the worst of all, and all these people should seriously consider a career change. This film had a feel about it that said that the director had just gathered a group of his mates together to act out a poorly written play for a laugh.
I confess that I cannot say whether this film had a good ending as I had to switch it off well before I got to the halfway stage even - it was THAT bad! I have never failed to watch a film all the way through, no matter how bad, before.
The clown was about as scary as a hippo. And what was with the weird speeded up part where he was chopping wood?
The camera techniques were all over the place and in a word this film was amateurish.
this was one of those movies that you go out and take a chance in the video store. You see a b-movie that you've never heard of with a cool box and cool title. Then you get home, hoping you've found yourself a gem, but when you pop it in your DVD player you realize you have to reach for the Ben & Jerry's to stave off the depression. From the novice acting, to the bad writing to the cheesy special effects... everything was just plain bad. Even right down to something I never even notice... the editing. There are some downright noticeably bad cuts that boggle the mind. I listened to a little of the audio commentary and the director kept talking about how much attention they paid to the audio, but I never once heard him voice his production concerns about any visual aspects i.e. poor lighting, amateur camera angles. Stay away from this one.
¿Sabías que…?
- TriviaTodas las entradas contienen spoilers
- Citas
Detective Peters: That is the biggest fucking clown I've ever seen.
- Créditos curiososThe Director does not wish to thank the following: Most of the Anne Arundel and Howard County Police Department, Cumfort Inn, Hurricane Isabel.
- ConexionesFeatured in No Clowning Around: The Making of Fear of Clowns (2006)
- Bandas sonorasGoodbye To My Heart
Written by John Maellaro
Performed by ODDCAT
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Detalles
- Tiempo de ejecución1 hora 46 minutos
- Color
- Relación de aspecto
- 1.78 : 1
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