Fear of Clowns

This movie was bad enough to be pretty funny, but terrible acting, empty dialogue, slow pacing & a bad ending ruined most of it. I was surprised by how some of it was shot, which was somewhat impressive for a director with a small budget, but the director definitely needs a script supervisor because some of the choices the characters made were just plain dumb. This film, like many before it, takes itself way too seriously at times and that detracts from the hilarity of everything that occurs.

Watch this film while drinking or on several various intoxicants, but expect to interact with the film and get several wtf's and gut laughs along the way.

The acting in this film was diabolical: more wooden than a school play. It was so bad it had no comedy value either.

The detective character was the worst of all, and all these people should seriously consider a career change. This film had a feel about it that said that the director had just gathered a group of his mates together to act out a poorly written play for a laugh.

I confess that I cannot say whether this film had a good ending as I had to switch it off well before I got to the halfway stage even - it was THAT bad! I have never failed to watch a film all the way through, no matter how bad, before.

The clown was about as scary as a hippo. And what was with the weird speeded up part where he was chopping wood?

The camera techniques were all over the place and in a word this film was amateurish.

More properly my fear of a sequel to this pretty damn dire little flick. It's the film only a mother could love, and indeed by the outpourings of the shills here it seems the film has more than a few apologists. Sorry guys, I'm sure you all love Mr Kangas, maybe even have vested interest in his career, but get a grip please. Here's a recommendation; if you liked "Snapped" you will probably like this. At times, yes it verges towards the so bad it's OK for what it is. It is however painfully overlong at that, and to be utterly frank comes off as the work of enthusiastic people reaching way, way beyond their abilities. Oh, and failing, because they don't have any real talent and they are somehow unaware of this stark fact. The guy that plays Shivers did a better job than the rest of the cast, and luckily as he was in make-up, it may not be the end of his career. The other actors were bad, and unfortunately are made to look EVEN WORSE by the awful direction. The scenes in the multiplex at the end were admittedly pretty comical for just this reason. Suspense and urgency had obviously been temporarily removed from the dictionary when those scenes were shot. All that said, I sat through it till the long awaited end. (Did I mention it was painfully drawn out?) I don't believe the director is a horror fan for a moment, but as one myself, and a fan of bad horror at that...I give it a 3.5/10 considering budget etc. There must be much more talented people out there for Lion's Gate to invest in though, so do them a favour Kevin, and go and do something you're good at. Making films is not what you were born for.

Hey,

I've seen a lot of posts where you defend the hell out of this flick, but I've got to tell you, you can't blame shoddy writing and extremely poor directing on a lack of budget. I was on board to see a movie that looked like crap but had all the basic elements OK, because that's what a low-low budget film normally has. But this "film" is a piece of crap.

Here's the complaints:

ON WRITING: You claim to have a definitive love of horror films, specifically Halloween and Alien, yet you completely ignore the structure of these scripts. Each great horror film has its foundation in a strong psychological subtext (I.E. repression and return of the repressed, male/female archetypes and the overthrow of such, infiltration of boundaries, etc.). Your film has people talking in circles with crap lines like "Have you ever been spanked by a clown?". If childhood trauma were at the heart of the film, why not draw us more into it? Instead, you do what every other hack in this business does: you write B.S. dialogue that makes no sense because you don't have the first clue as to who your characters are.

In addition, the reason that this film is not scary is because you explain EVERYTHING. What's scarier: a psycho-killer who walks around in a mask killing for no reason and with no remorse or a psycho-killer who sits around saying, " Get BETTER, Get BETTER."? This is why Carpenter, Craven and Scott are geniuses, and well, you have this as your crowning achievement.

ON DIRECTING: Have you ever heard of the 180 degree line? You jump all over the place with mismatched reverse shots, and ever-changing screen direction, leaving us as an audience unable to settle. And since you've asked repeatedly why the editing is bad, I have one question: Do either you or your editor know what a beat is? There are no dramatic moments in this film because you are constantly cutting away from them. What could have been a nice introductory scene between your two protagonists becomes a confusing mess because you cut the living daylights out of it.

This "film" has no sense of mood or character whatsoever. I think the character that actually went deepest was Shivers, and that should say something about where your focus was. In your extremely self-important and self-indulgent "making of" segment, I found your attitude toward your actors appalling. First of all, DO NOT DIRECT A RESULT! This is the first rule of working with actors, taught in the most basic of classes. When you stood there and said to Mark something like, "I want to see a mixture of agitated and hungry" or something to that effect, my heart broke for all of the people who had to work under such conditions. And at one point you were yelling at people, and saying to the actors, "I just want to finish this f--- ing scene and go home." What does that say to them about your level of support, when they're the ones bleeding on film for you. Shame on you, my friend, shame on you. And on a sidenote: if the makers of the camera that you shot with won't let you release their name or logo in your "making of", doesn't that say something about the film?

Rent the movie "Overnight". You might learn a thing or two about the path you are traveling. That is, if you ever do get a shot, which I highly doubt. You should go into another field, or at least take some classes on writing, directing and working with actors.

The entire storyline is entirely ridiculous. BUT, if one must make a serious horror movie out of such a dumb premise, well, I tip my hat. My problem with this movie is many. First of all, the script is just plain bad, everyone sounds quasi retarded. Secondly, the acting is very very poor on almost all counts. The detective is pretty good, and there are a few hammy performances, but the leads are just plain wooden and boring, there's no one of interest here, even the killer clown is bland. Having said all of these nasty things, there are some redeeming points to be made, the screenplay isn't awful, some good camera work for digital, and the overall production doesn't feel completely cheap. Still, this felt an awful lot like amateur hour at the carnival.