Cautiva

In English, when we say, "He was DISAPPEARED", we are using a term that came into English from Spanish. Over the past decades, countless thousands have suffered this fate in many South and Central American countries.

CAUTIVA offers us a genuinely fresh take on this truly somber subject. We see the problem from the perspective of a teenage girl, Cristina Quadri, who one day, without the slightest warning, is yanked out of her class at school and taken to the office of a federal judge. He then proceeds to unravel her world by informing her that her real name is Sofia Lombardi and that her parents were "disappeared" by the dictatorship in power at the time of her birth in 1978.

Furthermore, the people who she has called Mom & Dad her whole life, are, in reality, her abductors! At first, she is completely incredulous. In a most demanding role, Barbara Lombardo delivers an extremely intense and nuanced performance that is nothing short of awesome. To watch her...as she very gradually, step by step, comes to terms with the stark and utter tragedy of her reality, is something very few actors could have done so convincingly!

Cautiva leaves us contemplating just how profoundly life altering the truth can be. The film, of course, is in Spanish, and as to the quality or the accuracy of the subtitles, I'm sorry, but I didn't read them, so I can't give an opinion in relation to that importabt factor.

ENJOY! / DISFRUTELA! 9*********

If anyone has seen La Historia Oficial, the description makes this film sound like it could basically be a sequel with regard to the issues it deals with. In that film, set during the period immediately following Argentina's dirty war, a mother must deal with the prospect that her 5-year-old adopted daughter's biological mother might have been a prisoner who did not consent to giving away her baby. In Cautiva, the daughter is 15 and must deal with the consequences of being such a child. Fascinating idea to show of the human repercussions of corruption and military government. Does anyone know if it will be released on DVD/video in the US? Please email me at uncute1585@aol.com if you have any information, it would be much appreciated.

Cautiva (2005)

Set in a period about ten years before its release, but dealing with issues of the Argentine dictatorship and disappearances from the late 1970s, this is a remarkably realistic and important look at one girl's astonishing involvement with the worst of it.

And if it sometimes is terribly linear in its storytelling, following this girl's realizations one after another (and her emotional burden as it grows and grows), the movie is still so convincing and sad and filled with national (Argentine) guilt it is totally riveting. Anyone interested in the horrors of Latin American dictatorships (left and right wing) and in the victims and survivors, this is a must-see.

Anyone else just interested in the plight of a single sixteen year old girl in a whirlwind of suspicions and lies and a few seemingly tender sympathizers, and see her cope and rise above and maybe, in fact, find a small amount of truth for herself, this is also really rewarding. You might find parallels in similar South American films such as "Machuca" but there is also a weird resemblance to many touching holocaust films that center on the plight of children whose identities get changed and whose histories are disrupted. Not to mention the tragedy of parents killed by cruel governments.

The filming here is really good but never something you'd notice (except one brief dream scene). What you will notice is the gravity and depth of the lead girl's performance. Barbara Lombardo was only 14 for filming (unlike a lot of movies where older girls play younger parts) and she alone makes the movie poignant and serious.

Oddly, this is officially a 2005 movie with its original Spanish title, and yet it gets listed here as "Captive" with a 2004 date. There is a lot left unsaid here, but in a way that's sufficient. It makes you want more.

A political film in the higher sense of the term, it made me put into question many beliefs I had on my country. Isn't this one of the highest functions of Art!? What I liked most is that, although it obviously "has an agenda", I don't think they fall for "defending a political thesis at all costs". Such a common mistake of Argentine cinema on the "desaparecidos"... It's not without defects, thou. A bit "black and white", stereotyped characters. Let me elaborate: the "left wingers" seem to have no defects AT ALL, they're "full of love and high principles". And the "rednecks" are unlawful liers, violent, hypocritical and even ..."ugly"! They could also take bribes to "have all vices"... I mean, yes, characters could be more nuanced, but, given the low average of reality in most other films of the genre, I think this one deserves accolades. Some humour in any way would have helped, I guess. Just a personal opinion.

Is there any worse thing than what happens here? I can't think of more than one (murder, in all its forms). I think even rape is "less bad"! Before turning this into a "moral philosophy", let me point at the scenes I liked most: 1) When Sofía and her expressive Spanish friend have this important talk about life, surrounded by soccer. Now as before, quenching everything that matters. The "paralelism" is challenger indeed! 2) Having Ives's "The unanswered question" as a musical score when... (I can't say more!) 3) Final scene (aerial take, Handel?) 4) The shower scene, between the two now women, "naked" in more than one sense 5) The brawl between the Quadris and Sofia. An one moment, Pablo starts treating Sofia as a stranger, almost an enemy. Suddenly, her "dear daughter Cristina" is dead, even before he hits her. (maybe a bit predictable I guess) 6) (you may laugh) "The nightmare". It made me realize true horror is not what Hollywood sells us, it's opening a door into the unknown (in her grandma's or aunt's house) and finding a glimpse of a life frozen in time (her dead mother's). The film luckily avoids many pitfalls. Has only one very unbelievable moment, when a nun's teen escapes from Tribunales, from the same savvy cops who reduce the also hard boiled Pablo Quadri. Tribunales' zone is very WELL FILMED, feels absolutely real to somebody like me who's hanged around there very often. Retiro, the trains, both schools... It's a very Argentine film! By the way, found it great how she "downgraded" economically from her rather posh house in the suburbs to her grandma's "dark old house" & derelict Citroen! The contrast between the nun's school, which is not luxurious but looks like when compared to the truly depressing state school!

I was surprised about the performances! Have to say I didn't expect much from this film, for a) I don't like Argentine cinema b) the subject is normally a sign of a tsunami of clichés c) didn't have much faith in Lombardero. When I saw "Hugo Arana" I feared the worst :) I had to gulp my prejudices, they both acted surprisingly subduedly, without overemphasis. I had my "lesson", they taught it to me. I would have liked to know what was being played during the film, I loved the usage of classical music throughout the film (not in just a couple of broken scenes). My kudos to the director, of whom I knew nothing, and who (thanks IMDb!) has been a "sound editor" in mainstream American cinema! Well, I hope he continues to surprise us!

Another story about the disappeared Argentinians, during the military regime in 70s Executed, others forced to leave their country,and many children left behind,to be adopted by couples close to the regime... A close look to real lives and tragedies