Atomik Circus - Le retour de James Bataille

Story revolves around an escaped, die-hard romantic stuntman, a small-town singer, a sleazy businessman, a slow-witted villager who hurts his dog so he can hear it sing, and oh yeah, an alien invasion. Honestly this sounds like a pretty sweet flick. But for some reason, it just doesn't succeed in any particular area.

Atomik Circus features some good acting, especially by the dude who was the lead in Man Bites Dog, Benoit Poelvoorde. He was actually pretty memorable as the sleazy businessman who ends up suffering from an alien bite. Also, I had no clue Jason Flemyng could speak French. He didn't have really long lines, so maybe he just jumped on board because it seemed like an easy and fun role....that was probably it.

The movie had a weird vibe that reminded me of the movie Undead. Probably because it had a similar style, especially with the blood and gore. Atomik Circus had a real cooky vibe that felt like it was trying too hard to amuse the viewer. At times I was amused, by the over-the-top violence, but never really by anything jokey. The dude with the missing face, that completely fell flat.

Atomik Circus is a weird flick, and I can see many people enjoying it, and many people hating it. I'm in the middle ground because there were some good things about it, but overall it just kinda felt like a jumbled mess. Definitely a unique genre hybrid though, that's for sure. 5.5 outta 10

A former comment spoke about a jambalaya about this movie, and I think it summarizes well this UFO (Unidentified Filmed Object). The acting is wonderful and it holds the entire movie: Marielle, Flemyng, Paradis, Poolevoerde, Venantino Venantini (unexpected in this part)and also Bouli Flanners(the fat chip cop)and all the third knives of this drama. From the funny-sex-gore movies lovers, It will be very delightful. Even if some shots switching from one genre to the other (from the Belgian-french surreal movie to the Italian Z to the US Cajun gore wonder through the Spanish funny and colored fantasy) inside the same movie are not perfect and need several seconds of adaptation, this masterpiece of nonsense needs to be seen at least once, twice etc...

finally, the shooting is perfect and unexpected.

Enjoy your watching this...thing.

Well the only problem of this movie is the marketing campaign, it has been sold as the latest comedy in town, and it is one of the first gore Z-rated movie in a very long time.

Compare it to Bad Taste, any horror flick from the 50's, or eventually to a Troma movie (there is nothing like lesbian-vampire-sex scene in this one). If you like those things, you'll agree that while this movie does not renew the genre and is only a sort of modern version of those oldies, we haven't seen this kind of things since the mid-eighties.

Amazing that someone financed this stuff in 2004 (but rumors say that producers signed the contract based on the actors and did not read the first drafts...)

10/10 !

Energetic and frequently mind-blowing excursion into manic cinema, this is a thoroughly enjoyable cross-genre science fiction tale – starts out as a love story between a backwoods wannabe rock starlet Concia (Vanessa Paradis, who has a face worth staring at for decades - damn you Johnny Depp!!) and a down-on-his-luck motorcycle stunt performer James (Brit actor Jason Flemyng); but her dad (respected French actor Jean-Pierre Marielle; aka the murdered professor from DA VINCI CODE) frames him for an accident and he goes to jail; but he escapes to try and be reunited with her. Meanwhile, face-sucking aliens land and begin decimating the populace, while in James' absence a chauvinistic entrepreneur claiming to be big in the music business tries to woo Concia with promises of stardom, while all manner of strange and warped townspeople have various activities and agendas of their own. It all explodes into an immense action climax. Filmed with hyper energy, most of its low budget spent on pretty convincing CGI effects for the aliens (I mean, they even have a mechanical dog instead of a real dog!), it's a thoroughly wonderful cinematic insanity, with something astonishing, humorous, disturbing, or very appealing at every turn.

The finest genre-blend ever. An insane (in the best sense of this word) sci-fi / comedy / gore / (and more ) B movie. Both strong visual mastery and amazing human character in every shots. It is something totally new even if a lot of components are very familiar (jut like Tarantino's kill bill).

The highly inventive rock'n roll soundtrack is gorgeous. This film is so creative that you could discover new pleasures even after 100 screening...

It is just a pure delight from the first to the last frame.