CALIFICACIÓN DE IMDb
5.8/10
30 k
TU CALIFICACIÓN
Terri quiere mudarse a Los Ángeles para asistir a una escuela de arte después de la muerte de su hermano. Sin embargo, su padre está en contra de su plan.Terri quiere mudarse a Los Ángeles para asistir a una escuela de arte después de la muerte de su hermano. Sin embargo, su padre está en contra de su plan.Terri quiere mudarse a Los Ángeles para asistir a una escuela de arte después de la muerte de su hermano. Sin embargo, su padre está en contra de su plan.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 3 nominaciones en total
Steven T. Palmer
- Street Drummer
- (as Steven 'T7' Palmer)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Hilary Duff stars as Terri Fletcher, a 16-year-old anxious to explore her musical talent at a performing arts academy in L.A. for the summer. After a little persuasion, she makes it there, and the movie is more or less about her exploits therein.
The film starts well; the Three Days Grace concert helps set the musical tone for the movie. That was an unexpected surprise, although I suppose I'm partially biased since I like the band.
A beautiful performance by Hilary Duff. I am more and more impressed with her with every movie I see her in. She brought me to tears twice in the first twenty minutes of the movie. I was impressed by the colorful array of teens at the school, even if they were chosen primarily to make it believable that they're in L.A. I appreciated that none of the teens were written to fulfill any particular stereotype and all seemed like real people, for stereotypes are a sore spot for me, as my teen years were not all that long ago.
I loved the scenes with Denise playing the violin; again, very refreshing and stylistic. John Corbett turns in a innovative performance as a progressive music teacher, breathing a little more life into the film.
The direction really helps to further the movie along, as it is pretty anti-climatic. The 'unwanted kiss' was a bit predictable, however an element of predictability is generally assumed in movies of this persuasion. The make-out scene was completely unnecessary and should've been cut.
And it should be noted that the film is more or less like a Crossroads (2000) for a slightly younger generation, but despite that, it still maintains its own life.
I absolutely love the last song in the filmthat was the perfect song for the theme of the movie. And I don't care what anyone says, Hilary Duff is a true performer, even if she isn't that great of a singer. She just always has this glow about her, and no matter how I feel, seeing her perform always makes me smile, and that's something to be commended.
VERDICT: Very enjoyable musical film despite its predictability. Recommended to anyone with kids, who's young at heart, who likes Hilary Duff, or just needs a good smile, but be forewarnedyou might get a little teary-eyed before that smile reaches your lips.
6.5 out of 10.0
The film starts well; the Three Days Grace concert helps set the musical tone for the movie. That was an unexpected surprise, although I suppose I'm partially biased since I like the band.
A beautiful performance by Hilary Duff. I am more and more impressed with her with every movie I see her in. She brought me to tears twice in the first twenty minutes of the movie. I was impressed by the colorful array of teens at the school, even if they were chosen primarily to make it believable that they're in L.A. I appreciated that none of the teens were written to fulfill any particular stereotype and all seemed like real people, for stereotypes are a sore spot for me, as my teen years were not all that long ago.
I loved the scenes with Denise playing the violin; again, very refreshing and stylistic. John Corbett turns in a innovative performance as a progressive music teacher, breathing a little more life into the film.
The direction really helps to further the movie along, as it is pretty anti-climatic. The 'unwanted kiss' was a bit predictable, however an element of predictability is generally assumed in movies of this persuasion. The make-out scene was completely unnecessary and should've been cut.
And it should be noted that the film is more or less like a Crossroads (2000) for a slightly younger generation, but despite that, it still maintains its own life.
I absolutely love the last song in the filmthat was the perfect song for the theme of the movie. And I don't care what anyone says, Hilary Duff is a true performer, even if she isn't that great of a singer. She just always has this glow about her, and no matter how I feel, seeing her perform always makes me smile, and that's something to be commended.
VERDICT: Very enjoyable musical film despite its predictability. Recommended to anyone with kids, who's young at heart, who likes Hilary Duff, or just needs a good smile, but be forewarnedyou might get a little teary-eyed before that smile reaches your lips.
6.5 out of 10.0
I do not understand why anyone would rate this movie anything less than a perfect 10. I thoroughly enjoyed the story, the characters were great (all movies make high-end music students look like snobby prima-donnas). I have seen every Hilary Duff movie to date and this is definitely her best work. Compared to "A Cinderalla Story", this movie has 10 times the quality and entertainment value. I thought Terri's relationship with her brother was very moving - and the scene where she first saw his DVD that was sent to the school was very well done - I could almost feel her grief. The teachers were well done. Thanks to everyone who made this film. I will be purchasing the DVD. Remember that Hilary is 16 years old when this was filmed - I look forward to the next decade as Hilary finishes her teens and goes into her 20's. My only complaint about Hilary - lose the fake hair - just let yours grow - it looks better.
I bought this movie hoping it was cheesy just because it was on special offer... it turned out OK...
This film did shock me in some respect. I expected it to be extremely cheesy (more so than what it was!) The music in it fitted so well. and the acting was actually at times believable (apart from the guy who played Hilary duff's dad in the film) He just wasn't right for any of the hospital scenes.
One thing that did disappoint me was the way after the crash the film used fade in/outs to get the point across that the brother had died, there was a funeral and that the friends didn't know how to act around her now. The film should of explored that a bit more rather than comment &fade out.
Overall i thought it was good. I've actually watched it more than once, but its mainly for the reason of the music and the type of instruments.
One thing that did disappoint me was the way after the crash the film used fade in/outs to get the point across that the brother had died, there was a funeral and that the friends didn't know how to act around her now. The film should of explored that a bit more rather than comment &fade out.
Overall i thought it was good. I've actually watched it more than once, but its mainly for the reason of the music and the type of instruments.
I went to see Raise Your Voice expecting the worst. What I left with was a lump in my throat and a sincere admiration for this young actress/singer Hilary Duff.
People are so hard on her and she just seems so unworthy of such criticism. Sure it's a squeaky clean Fame...and it's kinda cliché. But...the performances of Hilary as well as her supporting cast were honorable. This movie certainly doesn't deserve the bashing it's getting.
I was especially impressed with the young supporting cast including Kat Dennings, Johnny K. Lewis and Dana Davis. Not to mention John Corbett who by far was one of the greatest things in this film.
I cared...I cried...and when it was all over I honestly felt inspired.
I give this film a 6 out of 10...because it makes u care..it really does.
People are so hard on her and she just seems so unworthy of such criticism. Sure it's a squeaky clean Fame...and it's kinda cliché. But...the performances of Hilary as well as her supporting cast were honorable. This movie certainly doesn't deserve the bashing it's getting.
I was especially impressed with the young supporting cast including Kat Dennings, Johnny K. Lewis and Dana Davis. Not to mention John Corbett who by far was one of the greatest things in this film.
I cared...I cried...and when it was all over I honestly felt inspired.
I give this film a 6 out of 10...because it makes u care..it really does.
In my review of "Cheaper by the Dozen"(2003), I mentioned the difficulty Hilary Duff is going to have breaking away from typecasting as Lizzie McGuire. The fact that this movie was a Brookwell/McNamara Production, a staple of the cable network that made her famous may be another obstacle from that typecasting. Make no mistake though -- Hilary Duff *IS* a talented actress and singer(in spite of corporate punk pretensions), and even with this formulaic material she proves it. But the way things are looking now, she couldn't break out of the Disney universe if she did hardcore pornography.
Terri Fletcher(Duff) sings in a local church chorus, and for her own personal enjoyment. She also thinks her singing can make her a star, and so does her brother Paul(Jason Ritter) who secretly recommends her for a scholarship to a school for the performing arts in Los Angeles. But her father(David Keith) wants her to stay at home and wait tables at the family diner. After she and her brother sneak out to go to a concert one night, some drunk driver plows into them on the way home. Her brother dies, she survives and is left with crippling flashbacks and survivor's guilt. But just when she thinks she's going to have to spend the rest of her life at the bottom of the barrel, along comes that scholarship to the performing arts school she didn't even know she entered. Of course, the only reason she doesn't want to go is because she's afraid to face the wrath of Dad, so Mom(Rita Wilson) and Aunt Nina(Rebecca De Mornay) tell Daddy she's going to spend time with her aunt, while smuggling her off to that school. And the rest of the movie involves Terri trying to make friends in the big city, cover-up her lie to her father, and deal with her own fear of bright lights, courtesy of that random drunk driver.
Too much about this movie is predictable; The overbearing father, sympathetic avant-garde artistic aunt, the tragic car wreck, the boyfriend with an ex-girlfriend who won't let go(who Terri catches putting the moves on and thinks is unfaithful to her), and yes even the triumphant concert at the end. Having said all that, I must reiterate that I don't want my criticism of this movie to be interpreted as another Duff-bashing tirade. Because regardless of the cookie-cutter plot line, Duff is still outstanding. Yes, she's a better actress than a singer, but both of these aspects of her are far superior to the movie. And if you DON'T believe she can play anyone else but Lizzie McGuire, you should've seen her in a highly publicized episode of Joan of Arcadia from the Spring of 2005. So while it's nowhere near the fluff-piece that her first big series was, it makes you wish there were more parts out there that are better for her.
Terri Fletcher(Duff) sings in a local church chorus, and for her own personal enjoyment. She also thinks her singing can make her a star, and so does her brother Paul(Jason Ritter) who secretly recommends her for a scholarship to a school for the performing arts in Los Angeles. But her father(David Keith) wants her to stay at home and wait tables at the family diner. After she and her brother sneak out to go to a concert one night, some drunk driver plows into them on the way home. Her brother dies, she survives and is left with crippling flashbacks and survivor's guilt. But just when she thinks she's going to have to spend the rest of her life at the bottom of the barrel, along comes that scholarship to the performing arts school she didn't even know she entered. Of course, the only reason she doesn't want to go is because she's afraid to face the wrath of Dad, so Mom(Rita Wilson) and Aunt Nina(Rebecca De Mornay) tell Daddy she's going to spend time with her aunt, while smuggling her off to that school. And the rest of the movie involves Terri trying to make friends in the big city, cover-up her lie to her father, and deal with her own fear of bright lights, courtesy of that random drunk driver.
Too much about this movie is predictable; The overbearing father, sympathetic avant-garde artistic aunt, the tragic car wreck, the boyfriend with an ex-girlfriend who won't let go(who Terri catches putting the moves on and thinks is unfaithful to her), and yes even the triumphant concert at the end. Having said all that, I must reiterate that I don't want my criticism of this movie to be interpreted as another Duff-bashing tirade. Because regardless of the cookie-cutter plot line, Duff is still outstanding. Yes, she's a better actress than a singer, but both of these aspects of her are far superior to the movie. And if you DON'T believe she can play anyone else but Lizzie McGuire, you should've seen her in a highly publicized episode of Joan of Arcadia from the Spring of 2005. So while it's nowhere near the fluff-piece that her first big series was, it makes you wish there were more parts out there that are better for her.
¿Sabías que…?
- TriviaEvan Rachel Wood and Jonathan Jackson were the original choices for the roles of Terri and Jay respectively, but both dropped out due to production changes, as did Annie Potts (who was set to play Terri's mother) and director James Hayman. The story's location was then changed from New York City to Los Angeles.
- ErroresTerri and Paul's car crash is impossible. Paul is making a left hand turn through what appears to be an advance green (as the car behind them is pulling up directly behind them.) The car is t-boned, with the truck hitting Paul first. For this to be possible during a left hand turn given Paul's projected location, the truck would have to be traveling in the same direction on the wrong side of the road. There is clearly a median between the two sides of the road, making it impossible for the truck to be logically traveling there.
- Citas
Terri Fletcher: Dad, this place is the scariest, hardest, best thing that has ever happened to me.
- Bandas sonorasJoy to the World
Written by Hoyt Axton
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- How long is Raise Your Voice?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 10,411,980
- Fin de semana de estreno en EE. UU. y Canadá
- USD 4,600,000
- 10 oct 2004
- Total a nivel mundial
- USD 14,867,514
- Tiempo de ejecución
- 1h 47min(107 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
- 2.35 : 1
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