CALIFICACIÓN DE IMDb
6.2/10
7.3 k
TU CALIFICACIÓN
Un antiguo matón de la calle regresa a su casa de Filadelfia tras una temporada en el ejército. De vuelta a su tierra natal, se encuentra de nuevo enzarzado con el jefe de la mafia que fue d... Leer todoUn antiguo matón de la calle regresa a su casa de Filadelfia tras una temporada en el ejército. De vuelta a su tierra natal, se encuentra de nuevo enzarzado con el jefe de la mafia que fue decisivo para que se fuera a hacer la mili.Un antiguo matón de la calle regresa a su casa de Filadelfia tras una temporada en el ejército. De vuelta a su tierra natal, se encuentra de nuevo enzarzado con el jefe de la mafia que fue decisivo para que se fuera a hacer la mili.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A decent story, good acting, but for a good number of people who have spent any time in Philly and/or Pittsburgh, ... you can't pull off calling Pittsburgh 'Philadelphia' (anymore then you can call Philadelphia 'Pittsburgh'). Both cities are great locations for movies... but just because they both happen to be in Pennsylvania, you can't interchange them -- geographically, architecturally they are distinctively unique (even if you leave the "Youse Guys" and the "Younse" accents out of it). Had South Philly's "Rocky" been filmed in Pittsburgh but pawned off as Philly it wouldn't be the classic it became, (nor conversely would the "Deer Hunter") it would have been ruined. I don't know how much better "10th & Wolf" would have been if the geography matched the story, but for me it would have been more believable.
What an awful film. I caught a screening of it last night in Irvine, CA. I think the filmmakers would be lucky if it made it straight to USA or FX. It's not even good enough for Showtime. Seriously though. Every cliché in existence is thrown in, combined with REALLY bad acting and REALLY bad cameos from Val Kilmer and Dennis Hopper. What a waste of time. The worst performance in the film probably comes from Lesley Ann Warren, who acts all Jennifer Coolidge-esquire in an over-the-top role. After seeing this movie, everyone will know that Paul Haggis is the real brains behind "Crash," because what Bobby Moresco wrote here comes straight from the lame examples you would find in a book on how to write a screenplay. Trust me, and don't waste your time on this movie if it ever ends up coming to a theater near you, which it probably won't. This was pure trash.
This is one of those films that gives the impression it is written by someone who is more a fan of the genre than a practitioner. It contains all the usual elements found in these 'tough' and 'gritty' crime dramas the questionable loyalty between hoods who have grown up together on the mean streets of the city's slums, the psychotic gangster, the tough but vulnerable single mum, the doting mother, the sleazy clubs, the random acts of violence, the pop music soundtrack but never once comes close to showing any signs of originality.
James Marsden as anonymous a leading man as you are ever likely to find plays the son of a mobster drummed out of the marines for stealing a jeep and going after Saddam on his own when the US call off the Gulf War on the dictator's doorstep back in '91. He is offered a deal by shady cop Brian Dennehy (looking surprisingly trim but worryingly frail) to help put away a mobster from his old neighbourhood in return for his freedom from military prison. Returning to his old haunts, he falls in with his slightly feeble-minded brother and his cousin ably played by Giovanni Ribisi who is about to embark on a gang war with the mobster in question, which leads to the usual conflict of loyalties.
After watching this I wondered not only why I bothered watching it through to its inevitable conclusion, but also why anybody bothered putting up the money for it. The script is pedestrian at best, and the storyline never wavers from a path that is as predictable as it is dull. Only the quality of the acting, and especially a blistering performance from Ribisi, make this worth watching at all. Well that and the unintentionally hilarious death scene of one-legged gangster, Julian.
James Marsden as anonymous a leading man as you are ever likely to find plays the son of a mobster drummed out of the marines for stealing a jeep and going after Saddam on his own when the US call off the Gulf War on the dictator's doorstep back in '91. He is offered a deal by shady cop Brian Dennehy (looking surprisingly trim but worryingly frail) to help put away a mobster from his old neighbourhood in return for his freedom from military prison. Returning to his old haunts, he falls in with his slightly feeble-minded brother and his cousin ably played by Giovanni Ribisi who is about to embark on a gang war with the mobster in question, which leads to the usual conflict of loyalties.
After watching this I wondered not only why I bothered watching it through to its inevitable conclusion, but also why anybody bothered putting up the money for it. The script is pedestrian at best, and the storyline never wavers from a path that is as predictable as it is dull. Only the quality of the acting, and especially a blistering performance from Ribisi, make this worth watching at all. Well that and the unintentionally hilarious death scene of one-legged gangster, Julian.
I was surprised at how much I liked this film, being that I had never heard of it. The story focuses on Tommy (James Marsden), who has just come home from the army, but he's now undercover (working for Brian Dennehey), to bring down the gangsters he grew up. He comes home to see his brother Vincent (Brad Renfro) and his cousin Joey (Giovanni Ribisi), and the story goes from there. I won't go into any more detail at the sake of not ruining the film, but it's very good. If you enjoy a good gangster film, then this is the one for you. I am giving it an 8 out of 10. Also notice certain celeb cameos, such as Val Kilmer, Tommy Lee, an d Dennis Hopper.
It was a mediocre movie with a good cast and lots of clichés. Plot was nice, but predictable and unoriginal. Val Kilmer and Dennis Hopper were simply there for BIG NAME billing and a waste of time. It was also funny to see Tommy Lee in a cameo. James Marsden, Giovanni Ribisi, and Brad Renfro were all excellent and were believable. I don't know, but I think Rocco was played by The Tony Luke, Jr. His roast pork sandwiches are fantastic.
My main problem with the movie is that it was not filmed at 10th & Wolf. I grew up in Philadelphia and it looks nothing like the scenes in the movie. Well, maybe they got a few street shots. There were too many bridges, streets too wide and too clean, and the properties were too wide to name a few examples. Even the scenes on 9th street (outside the butcher shop scenes) were not filmed on the market that I know. It was not just a mediocre movie, but it was a sham.
My main problem with the movie is that it was not filmed at 10th & Wolf. I grew up in Philadelphia and it looks nothing like the scenes in the movie. Well, maybe they got a few street shots. There were too many bridges, streets too wide and too clean, and the properties were too wide to name a few examples. Even the scenes on 9th street (outside the butcher shop scenes) were not filmed on the market that I know. It was not just a mediocre movie, but it was a sham.
¿Sabías que…?
- TriviaPennsylvania lured the production with the following incentives to keep the budget fiscally responsible: a 20% transferable tax credit, no state sales tax, and free use of state-owned property.
- ErroresLocation errors abound as the story is based in Philadelphia. Most telling are: a Steelers logo on a beer billboard in one scene (would be an Eagles logo if in Philly); the Allegheny County '412' area code on a sign on a building for lease, late in the film; The PPG famous spiked tower in the background; famous Pittsburgh yellow bridges throughout; and key scenes at 'Wholey's' which is a real meat and fish landmark store in Pittsburgh's Strip District.
- Créditos curiososJesse Gullion - Milk Shake Guy
- ConexionesReferences Brasco (1997)
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- How long is 10th & Wolf?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 54,702
- Fin de semana de estreno en EE. UU. y Canadá
- USD 20,774
- 20 ago 2006
- Total a nivel mundial
- USD 143,451
- Tiempo de ejecución1 hora 47 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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