Personalidad múltiple

Sorry, Sarah, but, since your 'Buffy days,' your film career has hardly been glittering. What we have here is a short - and pretty empty - horror/thriller. If you believe the marketing on the poster, the people who made it have something to do with both The Grudge and The Ring. I can assure you... it's not even nearly as good as either of them.

In my opinion, it has two major problems: the first is that it's rushed. It's only eighty minutes long and everything has to happen really quickly to fit it all in. Buffy is now married to 'nice brother,' but 'nasty brother' is generally hanging around with them. Then, one fateful day, nice brother and nasty brother accidentally crash their cars into each other (yeah, seriously), leaving them both fighting for life side by side in their hospital beds.

Then, nasty brother wakes up, only he claims to be nice brother. And now we have our film. Only we don't. Seeing as it's nice brother in nasty brother, he behaves very well and doesn't do anything nasty. So... who's really in there? Nice brother, or nasty brother? Um, do we care? He's nice, so there's absolutely no real sense of danger or dramatic tension (my second fault with the film).

If you're a Buffy/Sarah fan like me, you'll probably agree that she's the best bit. She does her best, but the script is lame and she could do with either having to fight someone, or be chased by something (ala The Grudge).

Sadly, Possession offers nothing you haven't seen before, only better. Stick to the Grudge or the Ring. Like I say... sorry, Sarah.

http://thewrongtreemoviereviews.blogspot.co.uk/

This is middle-tier SMG film, but I must say, it has really grown on me over the years. It's gorgeously shot, the story is pretty twisted which keeps you guessing, and Sarah has total command over the emotion of the film. She's pretty fantastic; she's always been one of the best criers in Hollywood, and here she manages a certain emotional state consistently as Jess collects these experiences and weighs the possibilities. Lee Pace is rather good, too.

The directors have a strong sense and a compelling approach to the material that is not stylish and clicks with the audience. The script is the most flawed aspect but serves the basis for a solid thriller. It's quite impressive that they filmed an entire alternative third act. I do prefer the alternative ending to the more Hollywood-ized final version. However, the producers made the right call. American audiences wouldn't have gone along with Jess's final motivations and conclusion in the alternative ending. I find the psychology so interesting.

I wish it would have had a proper wide theatrical release. It would've made $bank$ had it been released early February or mid-April.

This movie was very uneven I think I would have to see the Japanese version or read the book in order to appreciate it better or at least understand what happened at the end of it. Too much of vital details was left on the cutting room floor apparently or maybe the director expects too much of his audience. Wanting an intelligent audience is one thing but leaving so much details out to the point whereby the audience is practically left to make up their own movie is just ridiculous. It has shades of Bollywood's 'Anamika' in it. The idea behind the film was brilliant but it was executed poorly. I like Sarah Michelle Gellar but this was not one of her best work.

I may review this report after watching the film a second time. this time around, I was most disappointed, expecting from the DVD sleeve promotion and the very title of the film, a demonic horror thriller. No such thing.

Another love triangle involving a young woman and two brothers, this is a soppy sentimental love story but I can see where people are coming from in thinking the husband Ryan has possessed the soul of his brother as a result of the accident. they could have fed off the recent film 'Brothers' which had a war topic to the story and although not great, delivered the goods. this film doesn't.

There is no real drama or horror in this movie and the ending is macabre to say the least. The acting is below standard even from the leading lady and the script is poor, the story told with so slow a pace it was excruciating.

Checking IMDb, there are quite a few films by the same title and it was difficult at first to identify the correct film on which to post the review.

There have been some very sensible and to the point comments by previous commentators about this movie. it remains to be seen whether I revise this review after a second viewing.

Jess (Sarah Michelle Gellar) finds her perfect married life turned upside-down when both her husband Ryan (Michael Landes) and his bad-boy brother Roman (Lee Pace) are sent into comas following a head-on car collision. Roman eventually wakes from his coma, but seems convinced that he is Ryan. Will Jess believe that her husband's spirit has somehow passed into the body of his brother, or will she call bulls**t?

It doesn't surprise me at all to find that Possession is a remake of an Asian film: it stars Sarah Michelle Gellar, it moves like molasses, and the messy plot sure takes some swallowing. The title promises supernatural shenanigans, and for most of the film, that is precisely what we are led to believe we are watching; but as the film progresses (very, very slowly) to the less than scintillating finale, it becomes apparent that there is nothing supernatural about the story whatsoever. Personally, I felt more than a tad cheated: I watched the film with the expectation of a spooky chiller, but what I got was a psychological thriller-cum-romance instead. And a pretty poor one at that!

Edit *** I've just watched Addicted, the Korean film on which this was based; it is also a very slow-moving film, but a much more worthwhile effort overall—classy and subtle, where Possession is just clumsy ***