Baadasssss!

There have been many movies, usually bittersweet comedies, about movie-making with the director as the put-upon ringmaster of eccentrics, like Truffaut's "Day for Night" or "Living in Oblivion," or bio-pics that show the director as eccentric visionary, like "Ed Wood" or "Matinee."

But I think "Baadasssss!" is one of very few to show the filmmaker as a driven artist, more comparable to the intense look at a ground-breaking creator like "Pollock."

Writer/director/producer Mario Van Peebles eerily reenacts how his father Melvin wrote/directed/produced the seminal "Sweet Sweetback's Baad Asssss Song," one of the first indie movies that also virtually created the potent blaxpoitation genre and guerrilla moviemaking; I thought I had seen it back in '71, but as soon as this film started I realized my memory was, embarrassingly, confusing it with Robert Downey Sr.'s "Putney Swope," so now I do need to see the original.

The production design, including costumes and hair styles, exquisitely recreates the era, but the editing and cinematography suck us even further into Melvin's head as he incisively surveys the state of the image of blacks in movies up to that time and story boards his response.

Melvin's obsession to create and complete the film according to his vision and on his terms threatens his health and his personal and business relationships, but we are caught up in his whirlwind and root for him no matter how ruthless and prickly he becomes as the odds get ever longer and more frustrating and he refuses to compromise, taking offense at lame, well-meaning suggestions, for example, that he might get further if he would at least smile. But he everywhere, rightly or overly sensitively, only sees racism and condescension, including when he has to part layers of irony to beg Bill Cosby for help.

Recalling the spirit of Werner Herzog's documentary "My Best Fiend" about his tortured collaboration with Klaus Kinski to portray obsessives in "Fitzcarraldo" and "Aguirre: The Wrath of God," Mario adds layers of Freudian issues as this filial tribute unflinchingly includes the father's treatment of the son on set and off in the original film and unsparingly brings to life everyone around them.

Mario effectively borrows other bio-pic techniques, such as the camera-facing interviewees in "Reds," first by their portrayers, then, next to the closing credits, the real people, concluding with a loving portrait of his father.

Contrary to the original film, which boosted the careers of the fledging Earth, Wind, and Fire, the soundtrack instrumentation here is surprisingly traditional and sentimental.

The Portrait of the Artist can rarely be a Portrait of a Nice Guy and "Baadasssss!" beautifully and honestly shows why.

Man this one was awesome,the movie just blew me away!As a black man and a movie buff i always knew about melvin van peebles and his great contribution, not just to ethnic filmmakers but to all entertainment as a whole.This man was 1 of the pioneer who truly changed entertainment as we know it.Filmmakers of less talent and courage get credit and attention while a man of true importance gets ignored.This was one of the most inspirational movies i have ever seen(view from the top was another)if you have a dream,i don't care what it is, this movie will make you want to push to the max to achieve it!great movie check it french

"Baadasssss!" beats out Truffaut's "Day For Night" as the greatest movie ever made about the movie business. What Mario Van Peebles does here is nothing short of extraordinary: he manages to inform the viewer about independent film-making while also incorporating an enthralling portrayal of a man obsessed by his unique version of the American dream.

Like "Adaptation", the film is a dizzying array of comedy, satire, family drama, and a little bit of Freudian psychology. Van Peebles, casting himself as his father, obviously doesn't glorify the production, but tells the story of the making of "Sweetback" in a low-key and understandable manner. He doesn't make his father a hero or a villain but rather a man pushed to his limits. The backstage antics are sometimes funny, but more often are simply incredible to believe. Van Peebles' daring use of "American Splendor"-like documentary transitions are also wonderfully effective.

It must be said that I have not seen "Sweet Sweetback's Baadasssss Song" and it's hard to fathom that this film would actually be better upon after viewing it (I'm not suggesting that I won't look for the film next time I'm at the video store). Like its subject, "Baadasssss!" is a revolutionary film, and should not be limited to film buffs or fans of Mario Van Peebles; this is a movie any casual film-goer would thoroughly enjoy.

I had been putting off seeing this, and then was pleasantly surprised.

I didn't know much about Mario Van Peebles, nor of his father ("Sweet Sweetback's Baad Asssss Song" came out 2 years before I was born) but after seeing this homage to Mr. Van Peebles and seeing how much he risked - everything from finances to his family and his own health, for his dream of "the world" to really see life from the African American point of view, the way it really is, is well impressive to say the least.

The unimaginable struggle, the pressure and the sheer will that Mario portrays in his father is a touching tribute. Mario reveals his father's motives for making "Sweetback" in a moving and heartfelt way, documenting how Hollywood portrayed races other than white - if you are not white, then you are the white man's servant - how at that time - no one and no other film had film portrayed a Black Man as a hero or the struggles that he or any other race faces. It is a tale that is bigger than him and despite the risk and struggle, he fights to tell it. This is a fitting homage to a pioneer of a Genre and a Father.

"Baadasssss!" It also depicts the rugged world of guerrilla film-making and the rabid fight involved in making an indie film from inception to distribution. After seeing this I take a much greater heed of the Van Peebles Name, "Baadasssss!" is worthy film as a Drama in its own right, an Homage to a Pioneer and Father and as a Documenty Tribute to a Piece of Film History.

Mario Van Peebles gives us a biopic unlike any other bc unlike others he was there when his father written, acted, and directed his film 'Sweet Sweetback Badass song' and this film gives us a movie history lesson bout how that movie broke grounds cinematically. This is one of my favorite films by far bc how good Mario made this film and it is such an awesome and honest movie. This movie came out in 2003 and I'm surprised this film didn't get a Oscar nod at all. If the academy couldnt recognize this film, we are still in trouble today. If you love movies and black history, watch this film bc as a white man I'm happy to see a glimpse of a man who against all odds and traditional Hollywood, made his vision of a successful film and made history.