Modigliani

I was lucky to see this movie in Paris where this movie was first

released in the cinemas. I was really impressed by the brilliant

performances of Andy Garcia and Elsa Zylberstein and the rest of the cast. Andy Garcia is a VERY versatile and extremely talented actor. We may already know this story is about the last years' of life of the Italian painter Amedeo Modigliani and set in Paris in 1919. However this movie has a new approach and new ideas and it is not an ordinary biography movie. The spirit of Paris in that period comes alive in this movie. Everyone who involved in this movie worked with passion and passion is actually a main theme of this movie.

I totally enjoyed seeing this movie and I hope that this movie will be released widely and many people will be able to see it. We are all surrounded by those big blockbuster movies nowadays and it is so nice to see Modigliani, a real gem.

I really liked the movie. it is beautifully shot and the acting is great and that also counts for the beautiful story of this painter. Sure, if you are not into 'art' movies this wont be something for you but if you like a movie that is not a Hollywood blockbuster and if you like Garcia, i'm sure that you will like the movie. Andy Garcia is far most the only 'star' in the movie but that gives the movie a certain amount of credibility. If there would have been to many A listers, the movie wouldn't have worked like it does now. Although the movie is set in the 1920-1930's there is also a modern part (the scene where everyone is painting their masterworks for the exibition with some lounge music on the background is gorgeous!). So if you want to see a true actor's movie check it out!

It is a good biographical movie, even if it is obviously overdramatized. Andy Garcia again plays a charismatic , yet having abuse problems, which makes me wonder how he is in real life. Anyway, he did a great role.

Worth mentioning, the movie was shot in Romania, with a lot of Romanian actors. It was funny hearing "Ionel, Ionelule" sung in French, since it was all supposed to be happening in Paris.

Now, about the movie. It showed an overly emotional world of artists, highly competitive, yet in owe of one another. Being a rather technical, introverted guy, I cannot sympathize with any of the characters. They all did really stupid things for reasons I didn't understand. Yet the movie was definitely a good movie, although I guess it would have a greater impact on women and artists.

It is, after all, a drama, so don't expect a nice little film with a happy ending.

This movie is very much a mixed bag.. it's a good film. It's nice to watch, the acting is good, the direction is good and the story is engaging. But I feel it doesn't capture the real spirit of the era and the Paris artist community. It focuses too much on the immoral behavior and madness of the artists and leaves out the way these people viewed the world and their concepts of beauty. It's good the film tries to show the grittiness of it all, but there was so much more... i'd really would've liked to see more about what drove modigliani to paint as he did and what exactly drove him to destruction. This film only just touches on that...

it tries too much to please the American audience in their quest for standardized Hollywood stories, but on the other hand it tries to have a certain "artsy" flair that remains just polish because it lacks depth. Add to that some production-decisions that are a bit unfortunate, like the for any European obviously fake accents. They should've taken the original languages (french, Italian, Spanish, German) or English. Not this lame compromise..

Still you gotta see this. Not for an actual representation of modiglianis life or that era, just for it being a good film, dealing with passion, loyalty, madness, love and hate. See it for the atmosphere ,which although not accurate, is beautiful. See it for the good acting and the wonderful chemistry between modi and picasso. It could've been so much more but it is what it is.. good, intelligent entertainment.

Colorful and engaging, albeit, self-important lengthy Bio-Pic. Acting values range from screaming to sublime. Artist portrayals are always difficult to convey on the screen, and in this case, a painter, comes across as self-serving, ultimately unsympathetic but full of great art. His oeuvre speaks volumes but his lifestyle, littered with latch key kid lacking, results in some sad and destructive behavioral patterns that he never could outgrow. Backstory handled effectively and the anti-semitic storyline brutally honest but ham-fisted by the script. The debauched artists are overwhelmed by pistols, pity and the tortured artist syndrome. The scenes between the Big M and Pablo Picasso are the most interesting because of the tension created by the actors in each of the scenes; but Diego Rivera is reduced to bows and grunts. Excessive use of blood overstates some of the violence and one of the characters spends all his time yelling, about anything and everything. The "age" of the baby bothered my gal-pal ("M's" lover is seven months pregnant and carrying a three month old in her arms...say what?!) and the bad guys are straw-men with blackjacks to wield. Although there are scenes of "M" studying the bone structure of his subjects and checking out the rain on his window pane his artistic inspiration may be too subtle for the cinema to effectively embrace, without including his bouts with booze and hash. Keep this guy away from mommy's purse, he's a man on binge mission. Of course how do you portray inspiration? That's a puzzle. Too bad, too, because ultimately "M" left me mostly unmoved and wanting to take a trip to The Prado; rather than watch a vain and valiant Andy Garcia doing his Leaving Las Vegas cocktail chug-a-lug tumble down the auteur hole of dipsomania and consumption. Not a pretty slide. Not since Steven Boyd sucked his last gasp in Ben Hur has a character expelled air with such profound pathos. The women are pretty pawns in the directors hand's and the Salon Artist Paint-off "Contender" sequence rivals March Madness in frustration, respect and triumph. The euro trash tune-age is redolent of Cirque Du...and the salon scenes are gaudy but filled to the brim with odd balls and period patches.

Has the film a USA distributor? And for who is the pic targeted? The Hitch and Robots crowds will have a hard time pronouncing the title let along paying ten bucks to walk through the doors of the local multiplex to catch this one. Wait till DVD, rent it; and then go to an art gallery.