CALIFICACIÓN DE IMDb
7.3/10
94 k
TU CALIFICACIÓN
Sigue la historia de dos niños que lidian con el divorcio de sus padres en el Brooklyn de la década de los 80.Sigue la historia de dos niños que lidian con el divorcio de sus padres en el Brooklyn de la década de los 80.Sigue la historia de dos niños que lidian con el divorcio de sus padres en el Brooklyn de la década de los 80.
- Dirección
- Guionista
- Elenco
- Nominado a 1 premio Óscar
- 23 premios ganados y 49 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A friend of mine was hesitant to see this movie, because she'd heard that it pushes the agenda that divorce is never a good option for dealing with marital problems. I don't really know who told her this, and I hope this same reason isn't keeping others from seeing it. This isn't at all what I took away from the film. It certainly communicates the idea that divorce isn't easy, on either the parents or the kids, but I don't feel that it pronounces judgement on those who turn to it as an option.
"The Squid and the Whale" is a sad--though at times very funny--look at what divorce does to one family in 1986 New York. Jeff Daniels plays the dad, a pompous, arrogant writer whose feelings of commercial failure (he teaches literature at a university) cause him to act intellectually superior to everyone he meets. Daniels is almost too good in this role; he reminded me way too much of people I actually know who are like this. He's the kind of guy who would be deadly at a dinner party, because there's no such thing as a casual or flippant remark in this guy's presence. He analyzes everything to death, and isn't content until everyone's opinion matches his own.
Laura Linney plays the wayward mom, blamed for the break up of the marriage by the dad because of a string of affairs she carries on. Her guilt keeps her from being able to discipline her sons, especially the oldest, who treats her horribly. Linney's role is smaller but in some ways much more complex than Daniels'. Her character has to take responsibility for her infidelity but still make the audience sympathize with her.
Caught in the middle of this mess are their two boys. The oldest quickly allies himself with his dad, and walks around regurgitating his father's opinions on every subject, rarely pausing to form any of his own. The younger son, more sensitive and tired of being intellectually brow beaten by his father and older brother, sticks closer to the mom. No one is totally to blame, yet no one is completely innocent either in this honest and frank film.
Noah Baumbach has made no secret of the fact that it is based on his own adolescent life, and it has that confessional feeling that movies in this genre frequently do. There are awkward moments when this doesn't totally work. The ending for one is rather ham-fisted, and a scene between the oldest son and his school therapist seemed awfully pat to me. But the acting and the sharp writing make up for these weaknesses, and the movie manages to be poignant without ever becoming maudlin or overly sentimental.
See it for the performances of Linney and especially Daniels, who has been proving his versatility as an actor over the last few years.
Grade: A-
"The Squid and the Whale" is a sad--though at times very funny--look at what divorce does to one family in 1986 New York. Jeff Daniels plays the dad, a pompous, arrogant writer whose feelings of commercial failure (he teaches literature at a university) cause him to act intellectually superior to everyone he meets. Daniels is almost too good in this role; he reminded me way too much of people I actually know who are like this. He's the kind of guy who would be deadly at a dinner party, because there's no such thing as a casual or flippant remark in this guy's presence. He analyzes everything to death, and isn't content until everyone's opinion matches his own.
Laura Linney plays the wayward mom, blamed for the break up of the marriage by the dad because of a string of affairs she carries on. Her guilt keeps her from being able to discipline her sons, especially the oldest, who treats her horribly. Linney's role is smaller but in some ways much more complex than Daniels'. Her character has to take responsibility for her infidelity but still make the audience sympathize with her.
Caught in the middle of this mess are their two boys. The oldest quickly allies himself with his dad, and walks around regurgitating his father's opinions on every subject, rarely pausing to form any of his own. The younger son, more sensitive and tired of being intellectually brow beaten by his father and older brother, sticks closer to the mom. No one is totally to blame, yet no one is completely innocent either in this honest and frank film.
Noah Baumbach has made no secret of the fact that it is based on his own adolescent life, and it has that confessional feeling that movies in this genre frequently do. There are awkward moments when this doesn't totally work. The ending for one is rather ham-fisted, and a scene between the oldest son and his school therapist seemed awfully pat to me. But the acting and the sharp writing make up for these weaknesses, and the movie manages to be poignant without ever becoming maudlin or overly sentimental.
See it for the performances of Linney and especially Daniels, who has been proving his versatility as an actor over the last few years.
Grade: A-
This movie is a good film, that's for sure. The actors perform brilliantly and the script is original and touching. However, all this is boring.
I guess people with an interest in the social aspect of one's life will find this very nice and good. For the parents (and children) who are on the same path as the character, should they choose to really understand the movie, it will be a learning experience that will save them from a lot of pain and anguish.
OK, the guy is a cowardly hypocrite that hides behind his intellectual aura tons of frustration and, surely enough, stupidity. The woman leaves a life of discomfort and maybe even fear, but lacks the courage to do anything about it. She cheats on the husband then leaves clues to it, so that the responsibility of the divorce would fall on him. The sons pick sides based on age, both mimicking behaviour that they don't understand yet, and thus making fools of themselves. Very weird and socially tense situations, but that's it. After the first half an hour you know everything there is to know, only the awkward situations remain, in a hostile, not humorous manner.
The ending is as devoid of resolution as the entire content. The problems are there, you know what, where, when and how, but there is no solution. In the end, the film is nothing but a portrait, you either like it or you don't.
I guess people with an interest in the social aspect of one's life will find this very nice and good. For the parents (and children) who are on the same path as the character, should they choose to really understand the movie, it will be a learning experience that will save them from a lot of pain and anguish.
OK, the guy is a cowardly hypocrite that hides behind his intellectual aura tons of frustration and, surely enough, stupidity. The woman leaves a life of discomfort and maybe even fear, but lacks the courage to do anything about it. She cheats on the husband then leaves clues to it, so that the responsibility of the divorce would fall on him. The sons pick sides based on age, both mimicking behaviour that they don't understand yet, and thus making fools of themselves. Very weird and socially tense situations, but that's it. After the first half an hour you know everything there is to know, only the awkward situations remain, in a hostile, not humorous manner.
The ending is as devoid of resolution as the entire content. The problems are there, you know what, where, when and how, but there is no solution. In the end, the film is nothing but a portrait, you either like it or you don't.
Not being a child from a product of divorce, after seeing this movie I can appreciate the push and pull that manifests from divorce. Now, I am positive that not all broken homes are this broken, but Noah Baumbauch creates an environment that makes you squirm and want to cry all at the same time. All of the performances are near perfection and are executed with utmost conviction. I find that Jeff Daniels is one of those actors who get better with every movie he does. He is completely unlikeable in this movie yet you feel for him and you want him to get it together. Very few actors can play a prick and yet you are rooting for him and there are a few points in the film where you even buy into his bullshit as much as his oldest son (played by Jesse Eisenberg) does. The Squid and The Whale is not the most uplifting of fare, but it is a must view for anybody who appreciates film, not movies, film.
HERE...I am going to serve up a rather Long LIST of Details,,,,
BUT. FIRST... Let us FOCUS on the Title´s Content and Context:
For dyed in the wool fans of European cinema, The Squid and the Whale, an independent production, Grand Prize winner at the "Sundance" Film Festival, has much more in common with films from the old continent than with those huge budget Hollywood productions. IMDb lists its budget as 1.5 Million, most certainly paltry, especially when compared to the 100 to 200 million dollar behemoths that abound in LA-LA-LAND! So if the European style is to your liking, we guarantee that "SQUID" will truly enchant you!
To justify my initial assertion, let's just analyze SQUID for a moment:
A) No CGI effects, No car chases or crashes, and no 100 Decibel Explosions!
B) SQUID is highly character-driven
C) SQUID is very heavy on intense, highly focused dialog
D) SQUID's characters have almost no physical contact, but engage in relentless psychological arm-wrestling!
E) SQUID resorts to NO cinematic gimmicks of any kind, whatsoever!
F) Considering that both Jeff Daniels and Laura Linney appear in SQUID, with its miniscule budget, it cannot be anything other than a TRUE labor of love!
If the above list hits some of your cinematic hot buttons... You really MUST SEE Squid! ....8 STARS!
If you are unphased...DON'T...Simple as that!
ENJOY! / DISFRUTELA!
Any comments, questions or observations, in English o en Español, are most welcome!
BUT. FIRST... Let us FOCUS on the Title´s Content and Context:
For dyed in the wool fans of European cinema, The Squid and the Whale, an independent production, Grand Prize winner at the "Sundance" Film Festival, has much more in common with films from the old continent than with those huge budget Hollywood productions. IMDb lists its budget as 1.5 Million, most certainly paltry, especially when compared to the 100 to 200 million dollar behemoths that abound in LA-LA-LAND! So if the European style is to your liking, we guarantee that "SQUID" will truly enchant you!
To justify my initial assertion, let's just analyze SQUID for a moment:
A) No CGI effects, No car chases or crashes, and no 100 Decibel Explosions!
B) SQUID is highly character-driven
C) SQUID is very heavy on intense, highly focused dialog
D) SQUID's characters have almost no physical contact, but engage in relentless psychological arm-wrestling!
E) SQUID resorts to NO cinematic gimmicks of any kind, whatsoever!
F) Considering that both Jeff Daniels and Laura Linney appear in SQUID, with its miniscule budget, it cannot be anything other than a TRUE labor of love!
If the above list hits some of your cinematic hot buttons... You really MUST SEE Squid! ....8 STARS!
If you are unphased...DON'T...Simple as that!
ENJOY! / DISFRUTELA!
Any comments, questions or observations, in English o en Español, are most welcome!
It's interesting to read all of the comments and how each reviewer has found something unique that calls to them. Some reviewers have focused on the boys or the father or the mother. Different scenes have been noted, almost none by more than one reviewer. What this tells me is that the writer/director has crafted a story in which all of the scenes contribute to the whole. This was my experience watching the movie. It was believable, well shot, great backgrounds, all in all a treat for anyone who loves movies and can handle some pretty raw dialog/situations.....and nothing gets blown up.
I would recommend this only for adults or a very mature teenager. The language and situations are tough but as I said, very believable. I identified with much of what the teens in this movie are going through and my sympathies definitely sided with them against their self-involved and self-indulgent parents. This is the best role I've ever seen Jeff Daniels in and having known men in my life like his character I think he was spot-on with his portrayal. There were no weak characterizations with any of the actors, for that matter.
I would recommend this only for adults or a very mature teenager. The language and situations are tough but as I said, very believable. I identified with much of what the teens in this movie are going through and my sympathies definitely sided with them against their self-involved and self-indulgent parents. This is the best role I've ever seen Jeff Daniels in and having known men in my life like his character I think he was spot-on with his portrayal. There were no weak characterizations with any of the actors, for that matter.
¿Sabías que…?
- TriviaAccording to director Noah Baumbach, Jesse Eisenberg auditioned 9 times for the part of Walt.
- ErroresFrank complains that the writing desk Bernard got for him is for a lefty. Frank is clearly a lefty, as evidenced in his eating, drinking, tennis and ping-pong play.
- Citas
Bernard Berkman: How do you know they were both Frank's?
Ms. Lemon: Well, I suppose it's possible other kids are masturbating and spreading their semen around the school as well... It's possible, but, uh, somewhat unlikely.
Bernard Berkman: Oh, it happens, I'm sure, much more than we know.
Joan Berkman: Bernard, have you ever done anything like this?
Bernard Berkman: I'm not going to answer that.
- ConexionesFeatured in The 63rd Annual Golden Globe Awards 2006 (2006)
- Bandas sonorasHey You
Written by Roger Waters
Performed by Pink Floyd
Courtesy of EMI Records
Under license from EMI Film & Television Music
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Squid and the Whale
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 7,372,734
- Fin de semana de estreno en EE. UU. y Canadá
- USD 129,844
- 9 oct 2005
- Total a nivel mundial
- USD 11,098,131
- Tiempo de ejecución
- 1h 21min(81 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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