Un empleado de oficina coreano-estadounidense y su amigo fumador indio-estadounidense se embarcan en una búsqueda para satisfacer su deseo de hamburguesas de White Castle.Un empleado de oficina coreano-estadounidense y su amigo fumador indio-estadounidense se embarcan en una búsqueda para satisfacer su deseo de hamburguesas de White Castle.Un empleado de oficina coreano-estadounidense y su amigo fumador indio-estadounidense se embarcan en una búsqueda para satisfacer su deseo de hamburguesas de White Castle.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 nominaciones en total
Rob Tinkler
- J.D.
- (as Robert Tinkler)
Paula Garcés
- Maria
- (as Paula Garcès)
Angelo Tsarouchas
- Mean Tollbooth Guy
- (as Angelo Tsachouras)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
If two chicks sitting in stalls playing 'Battleshits' while the two Indian and Asian 'heroes' hide between them suffering the sounds and smells of scatological low humor sounds funny to you, then you should consider seeing 'Harold and Kumar Go to White Castle.' My last stoner movie, the remake of 'Starsky and Hutch,' was indeed Sunday school by contrast.
Director Danny Leiner ('Dude, Where's My Car?') has taken this genre and made a classic, not just because it exploits every possible ethnic stereotype with zeal equaled only by 'Bad Santa's' decimating the Christmas formula. 'Castle' has such fun imitating the roguish good will of the Hope/Crosby road pictures while commenting on the egregious weaknesses of parents and police that almost anyone who doesn't mind a breast or two bared in the name of satire can laugh heartily at modern adult pretensions and youthful indiscretion.
Harold and Kumar are trying to find an all-night White Castle after experiencing the sudden yearning that afflicts almost anyone who has had a 'slider' burger. Like that little square of fat and calories, the pot and girls are just too good not to indulge now and then. The two early twenties students, one a serious stock analyst and the other a lazy pre-med genius, are like Hope and Crosby in their witty repartee and canny ability to escape harm. Being delivered from the wrath of seriously deformed 'Freak Show' and his siren wife doesn't deter them from considering the affections of the battling babes or idolizing Neil Patrick Harris in a cameo playing himself as a lethal womanizer.
More serious is the multicultural subtext about stereotyping (Asians are nerdy number crunchers and Indians are overachieving medical doctors, for instance) overturned by, for instance, morphing a seemingly 'Joy Luck' club gathering into a raunchy party or exposing a gang of mouthy skinheads as 'girliemen.' It's all pop-cult fun at our own expense, something akin to actually enjoying the articles in 'Playboy' even if they weren't our reason for buying the mags.
My grandson Cody and I bonded once again, this time just laughing at the silliness, enjoying the satire, and figuring how we could get his dad to allow his young brother to see it, despite the lurid spots that give spice and lend naughtiness to our increasingly dangerous lives.
If stoner comedy has a place in the satire canon, this is one of the best.
Director Danny Leiner ('Dude, Where's My Car?') has taken this genre and made a classic, not just because it exploits every possible ethnic stereotype with zeal equaled only by 'Bad Santa's' decimating the Christmas formula. 'Castle' has such fun imitating the roguish good will of the Hope/Crosby road pictures while commenting on the egregious weaknesses of parents and police that almost anyone who doesn't mind a breast or two bared in the name of satire can laugh heartily at modern adult pretensions and youthful indiscretion.
Harold and Kumar are trying to find an all-night White Castle after experiencing the sudden yearning that afflicts almost anyone who has had a 'slider' burger. Like that little square of fat and calories, the pot and girls are just too good not to indulge now and then. The two early twenties students, one a serious stock analyst and the other a lazy pre-med genius, are like Hope and Crosby in their witty repartee and canny ability to escape harm. Being delivered from the wrath of seriously deformed 'Freak Show' and his siren wife doesn't deter them from considering the affections of the battling babes or idolizing Neil Patrick Harris in a cameo playing himself as a lethal womanizer.
More serious is the multicultural subtext about stereotyping (Asians are nerdy number crunchers and Indians are overachieving medical doctors, for instance) overturned by, for instance, morphing a seemingly 'Joy Luck' club gathering into a raunchy party or exposing a gang of mouthy skinheads as 'girliemen.' It's all pop-cult fun at our own expense, something akin to actually enjoying the articles in 'Playboy' even if they weren't our reason for buying the mags.
My grandson Cody and I bonded once again, this time just laughing at the silliness, enjoying the satire, and figuring how we could get his dad to allow his young brother to see it, despite the lurid spots that give spice and lend naughtiness to our increasingly dangerous lives.
If stoner comedy has a place in the satire canon, this is one of the best.
This movie is enjoyable only if you don't try to take it seriously. It was bust a gut laughs from start to finish. Next to DodgeBall, I would say this was tied as the funniest film of 2004. It starts out with Harold(John Cho) an overworked and very passive guy, who has a crush on the beautiful Maria(Paula Garces, remember her from ClockStoppers and T.V.'s Guiding Light). Harold has a best friend and roomate named Kumar(Kal Penn) who rather be stoned, then get a job. One night decide to go to White Castle fast food place. Then begins an unenjoyable night, where thing that could go wrong, really do. That is all I'm gonna say. Get ready to laugh your head off. It was quite edgy. But for some people, don't see it, if you get easily affended.
"Harold And Kumar Go To White Castle" is an amusing, hilarious comedy not to be taken too seriously and not to be dismissed as just another silly stoner comedy. Certainly there are plenty of elements which appeal to those dophamine, "good times" movie-goers, yet there are also some classic instances of comedic greatness. Aside from chronicling two inane potheads on a quest to satisfy their appetites, "White Castle" offers a great coming-of-age and funny coincidence premise, which reminds us of the heavy, sadistic curveballs life hurls at us, sometimes when we merely desire something simple and cannot attain it. Here is a story of a simple goal by two simple minds: to find a White Castle hamburger joint and fulfill the lasting effects of "the munchies". Yet, as these two stoner friends come to realize, even the seemingly simplest of goals in life can be impossible to achieve, due to such disturbances as irony, circumstance, error, and misfortune, as they are all encountered in this journey. The comic elements are listless: stoner instinct-gone horribly awry, catastrophic error, not-so-pleasant raunchy surprise, near-death escapes in the most unlikeliest of ways, and the eventual finesse of overcoming all obstacles to finally enjoy a binge at a hamburger joint. This is a fresh, original, and satisfying comedy, and though it is nothing of a brilliant production or a cinematic masterpiece, there are plenty of the elements here which constitute for a barrel of laughs and a genuinely entertaining experience at the movies. ***1/2 out of ****
Yes this film is rude, crude, over the top, full of choppy editing (probably to ensure an R not NC-17)and sometimes cliché', but it works. Yes there is plenty of Drug Humor and sex humor, but the funniest stuff is actually the on going humor involved with racial inequality and characters who learn how to break those typifications because of their symbolic journey to White Castle. This film pushes the line between being too crude and sometimes too smart for it's own good. The Acting is Right on from the 2 leads and there are quite a bit of funny cameos.
This film is similar to the American Pie films, but substitute the cutesy wootesy sub plots and messages with a realistic and brash message about race and class equality and beating the typifications we in life get tagged with constantly.
The film has plenty of raunchy humor which acts as a great balance to the theme. It does dabble with some stereotypes but the times the stereotpyes are broken especially from Kumar who brings a light fun and jovial spirit to the film and has some of the funniest moments.
At times the editing is so bad, especially when Kumar is peeing by the bush.
The editing ruins a perfectly cast cameo which gets wasted it just ends up making no sense because of obvious excessive cuts.
But overall I found it very very funny, and I did not leave feeling stupid like I did after the funny yet inherently stupid Dodgeball, but left thinking about these social and racial issues. Overall, I left a funny satire with some strong points and ideas that sometimes get overshot but still resonate . . . . a little anyway. Still funny as hell though even if you miss the hidden almost subliminal message within the film.
This film is similar to the American Pie films, but substitute the cutesy wootesy sub plots and messages with a realistic and brash message about race and class equality and beating the typifications we in life get tagged with constantly.
The film has plenty of raunchy humor which acts as a great balance to the theme. It does dabble with some stereotypes but the times the stereotpyes are broken especially from Kumar who brings a light fun and jovial spirit to the film and has some of the funniest moments.
At times the editing is so bad, especially when Kumar is peeing by the bush.
The editing ruins a perfectly cast cameo which gets wasted it just ends up making no sense because of obvious excessive cuts.
But overall I found it very very funny, and I did not leave feeling stupid like I did after the funny yet inherently stupid Dodgeball, but left thinking about these social and racial issues. Overall, I left a funny satire with some strong points and ideas that sometimes get overshot but still resonate . . . . a little anyway. Still funny as hell though even if you miss the hidden almost subliminal message within the film.
I haven't laughed that hard at a movie in a long time. Being a fan of White Castle and the talents of John Cho and Kal Penn, this movie was a sure fire hit. Normally I would think a script about two stoners on a quest for White Castle sliders would be boring, if not retarded, material... but this movie just works.
Let's face it - the stoner angle may not appeal to everyone, but their quest is just too good/funny to pass up. There are more wacky moments than most "buds hit the road" comedies can muster. Imagine Neil Patrick Harris (NPH!!) playing himself - well, he flippin' does here, in a very funny, if slightly disturbing, role. The comradeship between John and Kal is fantastic. They'll probably remind you of two old buds from college - or maybe even hit closer to home.
I'm not sure if it's the great delivery by John/Kal, maybe the writing, or a both - this movie is really a great time. The whole theater was laughing - I haven't heard that in A LONG TIME. Did "Bruce Almighty" do that? No. Did "Envy" do it? Hell no. Did "50 First Dates" do it? Ummm, no.
Bottom line - this is a good movie that actually delivers the laughs.
Let's face it - the stoner angle may not appeal to everyone, but their quest is just too good/funny to pass up. There are more wacky moments than most "buds hit the road" comedies can muster. Imagine Neil Patrick Harris (NPH!!) playing himself - well, he flippin' does here, in a very funny, if slightly disturbing, role. The comradeship between John and Kal is fantastic. They'll probably remind you of two old buds from college - or maybe even hit closer to home.
I'm not sure if it's the great delivery by John/Kal, maybe the writing, or a both - this movie is really a great time. The whole theater was laughing - I haven't heard that in A LONG TIME. Did "Bruce Almighty" do that? No. Did "Envy" do it? Hell no. Did "50 First Dates" do it? Ummm, no.
Bottom line - this is a good movie that actually delivers the laughs.
¿Sabías que…?
- TriviaAs a "thank you" for all of the free advertising the film gave them, White Castle arranged to have collectible "Harold and Kumar" cups at all of their locations during the film's release. It marks the first time an R-rated comedy is advertised on fast food containers.
- ErroresThe cheetah roars during the film. Cheetahs cannot roar, they can only purr, hiss, and growl.
- Créditos curiososThe denouement is shown during the start of the end credits.
- Versiones alternativasThere is approximately one extra minute of scenes in the "Unrated" version of the movie:
- At the Asian party, two women flash the shy guy in order to get some weed. Harold and Kumar stop and stare, as does a campus police officer chasing them. The women then cover themselves after noticing the campus police.
- After the kayak stunt, the guys talk a little longer about how "extreme" the stunt was and one picks up a bag of Doritos Extreme Cheddar and eats it.
- The scene with Neil Patrick Harris and the two strippers is slightly longer.
- Cindy Kim is shown kissing Goldstein (when his mouth is full of food) at Hotdog Heaven.
- The Extreme guys have more dialogue after Harold steals their truck.
- ConexionesEdited into Dos tontos en fuga (2008)
- Bandas sonorasChick Magnet
Written by Mike Herrera
Performed by MXPX
Courtesy of Tooth & Nail Records by arrangement with Position Soundtrack Services
Courtesy of Thirsty Moon River Publishing (ASCAP) (c) 1998
Administered by EMI Christian Music Publishing
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Harold & Kumar Go to White Castle
- Locaciones de filmación
- 16544 Hurontario St, Caledon, Ontario, Canadá(White Castle)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 9,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 18,250,550
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,200,000
- 1 ago 2004
- Total a nivel mundial
- USD 23,936,908
- Tiempo de ejecución
- 1h 28min(88 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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