Godzilla: Tokio en Peligro

Direct sequel to Godzilla Against Mechagodzilla. Surprise, surprise, Godzilla returns for revenge against his robotic counterpart. This time the end of the world may also follow suit, as humans have managed to annoy Mothra as well. I loved the way in which Godzilla's bones helped create Mechagodzilla, and save humanity, are now the cause of all the controversy may destroy humanity. There is less human conflict in this film, but the action more than makes up for it. Another wonderful Godzilla movie then. I'm sad I only have one left to watch. But I must stress, don't just tune into this and expect the effects to win you over. You have to make an effort.

Godzilla: Tokyo SOS is the only film of the Millennium series that is preceded by another film. Picking where Godzilla X Mechagodzilla left off, the Japanese Defense Force is in the process of repairing Mechagodzilla after his last outing with Godzilla. Yoshito Chûjô, played by Noboru Kaneko, is an mechanic working on Mechagodzilla and was visited by the tiny twin fairies of Mothra, the Shobijin. They warned him that the people must return Mechagodzilla to the sea, for the dead must not be disturbed (Mechagodzilla was created from the bones of the original Godzilla). If the people do not heed to their warnings, Mothra will declare war on mankind, which I think is a departure from Mothra because she has always been depicted as a benevolent creature. But, without Mechagodzilla, Japan has no defense against Godzilla.

This film provides many references to previous Toho films, including bringing back the two character leads from Godzilla X Mechgodzilla, containing footage from the previous movies and even bringing back Kameba, the gigantic turtle from "Yog, Monster from Space" (1970). Perhaps the most notable mention is the return of Professor Shinichi Chujo, played by Hiroshi Koizumi, from the original 1961 Mothra movie. Koizumi reprises the role he did 42 years earlier, and delivers drama about Mothra's previous attack on Tokyo and referenced photographs from his trip to Infant Island in the original Mothra film.

The movie is filled with drama and heroism. The part where Chujo's grandson made the Mothra sign to call her for help was one of my favorite scenes. Michiru Ôshima gave another brilliant music score and Eiichi Asada did an awesome job on the special effects. Mechagodzilla's rockets and Mothra's wing attacks were among my favorite special effects in the film - all contributed to exciting action-packed monster mayhem. Some downsides to this movie is that as this movie also serves as a sequel to the original Mothra movie, Mothra and her larvae were not emphasized enough. Godzilla was also portrayed as very weak - in some of the battle sequences with the robot, Godzilla just stands there as if he is letting Mechagodzilla attack him. And, Godzilla rarely gets any chance to do some city stomping. As with most films in the Millennium series, this movie focuses on the military - an element that gets repetitive. But, on another note, the cast of characters are likable for the most part and Mothra's design is this film is my favorite of the monster, though she is really overused by this time.

Grade B-

The Millennium-Era series of "Godzilla" features - released over a five-year period between 1999 and 2004 in Japan - is an interesting film series, to say the least. I have been slow in getting to it, having grown up on both the Showa-Era (1954-1975) and Heisei-Era (1984-1995) "Godzilla" film series. The first film I ever saw from the Millennium Era was 1999's "Godzilla 2000" - which, as I remarked in another review - was the last film I ever saw at the now-defunct Cineplex Odeon at my local shopping mall before it closed down forever in early 2000. I was 14 when that movie came out and when the Cineplex Odeon finally closed its doors.

Just yesterday, I watched "Godzilla Against Mechagodzilla" (2002). Today, I just finished watching its direct 2003 sequel, "Godzilla: Tokyo S.O.S." When I remarked how interesting the Millennium Era is, I mean that it's interesting in that like the Heisei-Era "Godzilla" films, it completely disregards all the films that came before it - pretending that they never happened - and instead goes right back to "Gojira" (1954), the gloomy black & white monster flick that started it all. But unlike the Heisei Era, each film in the Millennium series is a stand-alone feature that not only disregards all previous "Godzilla" features from different eras, but each film in the Millennium Era prior to it is also disregarded. So, in other words, "Godzilla Against Mechagodzilla" disregarded the three films that preceded it.

"Godzilla Against Mechagodzilla" is the only film to have a sequel, which is "Godzilla: Tokyo S.O.S." "Tokyo S.O.S." is a better film than its predecessor, and also a unique one. Since "Godzilla Against Mechagodzilla" and "Godzilla: Tokyo S.O.S." are stand-alone features that started 45 years after "Gojira" - these two films are unique in that they also include a loose continuity of sorts with other non-Godzilla-related Toho "kaiju-eiga" (Japanese giant monster films), namely "Mothra" (1961) and "War of the Gargantuas" (1966); for this sequel, "Mothra" is the film most referenced and shares the greatest continuity, and it also includes a few references to "Godzilla vs. Mothra" (1964) - the latter film of which has the benefit of being Godzilla's last portrayal as the bad guy in the Showa-Era film series.

"Godzilla: Tokyo S.O.S." is set in 2004, one year after Godzilla ravaged Japan, but was thwarted by the Japan Self-Defense Forces' (JSDF) Mechagodzilla, a.k.a., "Kiryu" (meaning, "Machine Dragon" in Japanese). Mechagodzilla, as you remember, was built around the remains of the first Godzilla that was killed in 1954, and shares that long-dead monster's genetic memories. Though Mechagodzilla managed to save Japan from Godzilla, the monster cyborg was heavily damaged and needed to be repaired.

Now, the JSDF is pondering whether or not to deploy Mechagodzilla into the field again, being that its most powerful weapon, the Absolute Zero, is damaged beyond repair and without it, Mechagodzilla will not be able to defend the country against Godzilla. Japan Air Self-Defense Force (JASDF) mechanic Yoshito Chujo (Noboru Kaneko) is on vacation at his uncle's house when he's visited by the Shobijin (Masami Nagasawa and Chihiro Ohtsuka), the miniature twin fairies who act as guardians for the benevolent insect monster-god Mothra. Chujo's uncle is none other than Dr. Shinichi Chujo (the late Hiroshi Koizumi), the Japanese linguist who first discovered Mothra and the Shobijin on their native Infant Island and witnessed Mothra's subsequent destructive rampage in Japan 43 years earlier in 1961.

The Shobijin have come to warn them that because Mechagodzilla is built around the skeletal remains of the original 1954 Godzilla, that this is why Godzilla keeps returning to attack Japan. If Mechagodzilla is returned to the bottom of the Pacific Ocean, then Mothra will gladly take its place to guard Japan from Godzilla's attacks. Meanwhile, Godzilla surfaces once again to attack Japan, and Mothra joins the fray. Pretty soon, though, the JSDF also realizes that Mothra alone will not be enough, and that they have no choice but to deploy Mechagodzilla once again into battle - but the question remains of whether or not the mighty Mechagodzilla will survive another lethal encounter with Godzilla?

Maasaki Tezuka returns behind the camera to direct this stellar follow-up to "Godzilla Against Mechagodzilla." The greatest thing to be said about this feature is to see Hiroshi Koizumi, a regular during the Showa Era in numerous Toho kaiju-eiga, reprising a role he first took on over 40 years earlier. As a supporting player to a younger generation of cast members, Noboru Kaneko makes for an effective leading performer who is dedicated to his job and knows every inch, inside & out, of the cyborg creature that he has been charged with maintaining. He also has a close friendship with Kiryu pilot Azusa Kisaragi (Miho Yoshioka) - having replaced Akane Yashiro (Yumiko Shaku) from the previous film and who appears here in a brief cameo. I was a little startled to learn that Yumiko Shaku wasn't going to be the lead in this sequel, as I did find her replacement in Miho Yoshioka to not be as engaging or sympathetic as she was in "Godzilla Against Mechagodzilla." This was really my only serious disappointment with this flick.

"Godzilla: Tokyo S.O.S." has some stellar monster battles, a beautiful reappearance of Mothra, and an awesome mix of old & new (in more ways than one). This was the last film before the all-out monster battle royale that was this series' epic closer, "Godzilla: Final Wars" (2004).

7/10

The one thing that gets me is how some reviewers rate movies, but only tells the parts that they hated. What about the rest of the movie. This one is much better than the first (Godzilla vs Mechagodzilla 2002) by far. The story is very interesting this go around. The people of Japan are warned that if they do not dismantle Kiryu then Mothra will not fight for them rather against them.

This movie also has key elements from previous movies such as Mothra, and Godzilla vs Mothra, while still staying true to the 2002 flick. The special effects get better with each movie especially Godzilla's thermanuclear blast. The monster battles in this one were good as well, some reviewers think Godzilla has to be super evil to have good monster battles, shame on them. Mothra did her parts to hold off Godzilla until Hio and Mana (the larva) shows up.

I won't spoil the movie or the ending for you, but the doorway for Godzilla Final Wars has been busted open. Again don't trust reviews from critics whom couldn't tell you the difference between Godzilla and Zilla. This is a definite buy and an enjoyable movie. Who says you have to be a kid to appreciate the action of a Godzilla movie? Check this one out, you won't be disappointed.

First, a disappointment: Megumi Odaka, the young woman with the very large ears who communicates with Godzilla telepathically, is NOT in this one...My children and I have dubbed her "Mickey Mouse" and enjoy seeing her in the series...

This movie has the BEST SPECIAL EFFECTS of ANY Godzilla movie that I have seen. The planes look like planes; the tanks look like tanks; and, Godzilla looks so COOL! He has gone through another make-over and has been given a cobra-like neck to go with the newer, smaller head and the glowing spinal plates.

Who else has a new look? The women that Dennis Miller refers to as the Mothra Chicks. New outfits, bare midriffs, ugly shoes...more contemporary ideals of beauty. And, they sing just as well as the originals...

The effects are most spectacular with Mothra, although I hear that Mothra is not really a moth, but a stunt butterfly in a moth-suit. The look of the giant insect is most realistic and the effects of his near miss flybys can almost be felt by the viewer.

Mechagodzilla looks pretty neat as well.

I won't give much of the plot away. There is less screen time for the child actors, but the movie is perfectly fine for children. No discernible death, just a lot of good clean monster fun...