Chokher Bali

I bought the DVD a long time ago and finally got around to watching it.I really enjoyed watching this film as you don't get the chance to see many of the more serious better quality bollywood films like this. Very well done and but I would say you need to pay attention to what is going on as it is easy to get lost. When you start watching the movie, don't do anything else! I would actually advise people to read all the reviews here...including the ones with spoilers, before watching the movie. Raima Sen gave her first great performance that I have seen. Aishwarya was easily at her best. All performances were strong, directing and cinematography...go watch it!

The Hindi version of the film is 121 minutes. Set in Bengal in the early 1900's, the film (based on Tagore's novel) draws an analogy between the British colonization of India and the subjugation of women. An educated and beautiful woman, Binodini becomes a widow within a year of her marriage, but she does not accept the constraints imposed on her as a widow by her society. The film has a beautiful look to it but perhaps Aishwarya Rai is out of her depth in portraying Binodini's strong character with its subtle combination of idealism and deviousness. Binodini's idealism does not come across, and as a result, the analogy between women and colonization remains somewhat buried.

Chokher Bali – A passion play.

Based on Rabindranath Tagore's novel of the same name, this is a classic tale of deception, adultery and relationship exploitation. Set in 1900 Bengal, director Rituparno Ghosh transformed the Nobel Laureates' acclaimed literature into a delightful visual treat.

Tagore's story elaborately deals with the Bengali society, through his central character, the rebellious widow, who wants to live a life of her own. We are taken into the picturesque part of Bengal, where we meet our heroine, the beautiful, young widow Binodini (Aishwarya Rai).

Despite her gorgeous looks, two handsome men, the rich Mahindra (Prosenjit Chatterji) and his friend Behari (Toto Roychowdhury), denied marrying her.

Mahindra chooses a naive Ashalata (Raima Sen) over Binodini and marries her. Leaving behind the country life, the free-spirited Binodini accompanies Mahindra's mother to Calcutta as a caretaker. Soon, her friendship with Ashalata flourishes. It looks like, the two, addressing each other as 'Chokher Bali' (sand in the eyes), share an enduring bond. The English-speaking Binodini captures a special place in the house. But, soon, she unmasks her real face. Manipulating good-natured Ashlata, Binodini gets closer with Mahindra and fulfills her sexual desires.

When, she is thrown out by the enraged mother of Mahindra, Binodini seeks solace from a reluctant Behari. The remaining part of the story shows how the lives of these four characters crisscross and culminate in an unimaginable climax… Aishwarya walks through the role—a manipulative, rebellious lady, still gaining the viewer's sympathy—with a ballet dancer's elegance. The other lead artistes—Prosenjit Chatterjee, Raima Sen and Toto Roychowdhury—are equally brilliant, in enacting their characters.

While Tagore penned this 'mould-breaking' story at the turn of the 20th century, the very idea of widow marriage was a taboo, even among the upper class! Narrating the nations' freedom movement in parallel, the author asserts the importance of individual freedom from the caged life. Kudos to the art director, who gave life to the early 20th century Bengal, and applause to the cinematographer for capturing those sets with verve.

This 'passion play,' by Tagore, has been fervently converted to the screen by the ablest filmmaker without loosing its originality.

The strength of this Tagore novel was the simultaneous portrayal of the baser human instincts and its destructive effects and the nobler human emotions and its uplifting purifying effects in its central protagonist- Binodini. Binodini's deliberate enticement of Mahendra was a result of hurt ego that Mahendra would choose the far inferior Ashalata to lavish his affections, greed for all she could have possessed had he married her, and is provoked her to break their marriage.Bihari, however, inspired her abiding love and respect and this gave her strength to resist Mahendra's lust and also Bihari's marriage proposal as this would have led to the latter's defamation and social ostracisation. Unfortunately Rituporno's film was unable to portray this duality of emotions I don't blame the viewers who are unfamiliar with the novel for thinking that this is about a widows sexual lust. Shame on Rituporno for so defaming that great writer 'TAGORE.'

Has RabindraNath ever thought about the person, he's writing? Why it is so important to write a story about the lead character and glorifying it without showing any consequences.

Has He ever thought about the Person who rejected someone and then somehow he agrees to open his heart and... Writer burns his soul.. Favouring insight to the main lead.

Why wasn't she understood it? Why did she throw something the moment she get it?

Why?

Why?

Why?

This is mental illness that a person just run away breaking someone's soul.

This is most disgusting story anyone can write about.

I don't care about any character, I only care about the guy who had nothing and Binodini stripped him and run away.

This is disgusting.