A Detective Story

This is one of the anime films from The Animatrix collection, one of nine - the only one done in black and white, and the only one featuring Trinity. Richly textured and beautifully rendered in every way, and the animated version of Trinity definitely does her justice. If you're a fan of The Matrix, you will need to put this on your short list.

I love film noir. The aesthetic, the mystery, the cynicism; it all really appeals to me. In this Animatrix short Ash, a private detective is hired to find Trinity. All other PIs have failed to locate her, either winding up dead or crazy. But Ash perseveres and meets with Trinity on a lonely train, where the Agents are waiting to apprehend them.

Although featuring modern technology the rest of the animation design is of 1940s vintage. This is my absolute favorite look for movies. I wish my whole life was a film noir. If I could go into the Matrix I'd ask the Agents to make that wish come true. One of the better Animatrix shorts and a great short in its own right.

The detective story is not typical for the Matrix Universe. It is a film-noir-esque private eye story, with a strong narrator and a very rich feel. Rich, in terms of its visual appeal. The snowing scenes, the grainyiness, it all stuns the eye.

But what about the story? It is interesting, even if it feels a little out of place. The agents hire a privat detective to track down Trinity. He finds out that they tried the approach before, but with hazardous consequences for the hired detectives. Still, he tries to locate her and eventually succeeds, through Alice in Wonderland references and hackers and chat rooms. Then things begin to get interesting...

All in all, this is a perfectly satisfying short animated movie.

8/10

The eighth, and thus second-to-last short of the Animatrix ones, this is the only one quite like this. This takes two of the main types of filmed entertainment inspirations of The Matrix, and combines them unbelievably well. This is immensely faithful to the trilogy in that aspect, the tone. The animation is a gorgeous, breathtaking Animé. The style, which is omnipresent in this, is Noir. The plot is fitting, and the story-telling, as well, as the music, is spot-on. The sound in general is fantastic, and really helps solidify the mood and atmosphere, along with the drawings and designs. The voice acting is impeccable. This is one of only two where people also in the movies reprise their roles, and both have Anne-Moss, who is the only of them appearing in this. This is one of the best of the nine, and also one of my personal favorites. This is about ten minutes long. The pacing is perfect. It never slows down terribly much, but it's not overwhelming, either. The ending could not have been more appropriate for this. This shares a nine and a half-minutes long making of with Kid's Story, and it's well-done and informative. I recommend this warmly to any fan of the universe and the two genres that this is made up of. 8/10

Ash is a private detective who is down on his luck. Tired of investigating cheating wives for suspicious husbands, he stares at his empty bank account and empty fridge and he decides that this business is not for him. It is then he gets a call and payment from a mysterious employer who asks him to find the hacker `Trinity'.

Opening with a great atmosphere of noir detective thrillers, this film continues in this vein until it turns into a confrontation on the train with some agents. Part of the series of animations making up the Matrix companion piece `The Animatrix', I saw this as a stand alone piece recently at a festival of shorts and animations and it stood out for me thanks to this same style. However the substance is also engaging even if it takes liberties at times, the length of time it takes the agents to come down the carriage for example, or the sudden semi-understanding that Ash seems to have near the end. Despite this, the plot still works pretty well - certainly enough to hold the style in check.

Visually, the short is great. It creates a sense of period that isn't undone by the agents, guns or Trinity. It feels like it was charcoal drawn (it wasn't) and it really feels moody and dark. Also, out of all the entries in the series, this is the one that gets the look and feel of the agents down best. The voice work is good as well with good input from Moss; who's incarnation here manages to look feminine - a feat she failed to accomplish in the last two of the films!

Overall this is a good film even if it loses it's way substance-wise at times. It is dark and brooding and has a conclusion that befits the look and feel of the film. All round one of the best of the series.