Early Doors

Set solely in a Northern Boozer in Manchester, Early Doors is a sitcom with a small selection of witty characters. It is a fly on the wall type show which is packed full with realism, witty dialogue and lovable, complete characters who all add something special to the show. It is one of the most relaxing shows I have ever seen and at 3 hours per season, time will fly by without you noticing whatsoever.

The assemble of characters is what makes this show so memorable as they are all perfectly created and the actors/actresses are selected with faultless precision. You have the barman Ken with his adopted daughter Mel and his Mother, his Mothers cleaner and friend, the old miserable man who doesn't like conversation or to be involved in anything and who is angry at the world. The best friend men in dead end jobs who have marriage problems, the table of gossiping women, out for free drinks, looking to cop off and the oddball couple who have a heart of gold but are ultimately social outcasts, although they are still loved by everybody! There are also a couple of on- duty bent coppers who regularly appear for free drinks in return for 'law enforcement'. Other characters come and go but that is your main group and it works perfectly!

Early Doors taps in to the concept that the average person who is working class, visits the boozer night after night to drink the cheapest beer they can find and smoke their nights away, is more than happy to see the same people every night and talk about unimportant things, often repeated daily. Runnings jokes are common in this show and they make it all the funnier, it doesn't get boring or repetitive, it's simply realistic and hilarious. The temporary traffic light joke is a prime example of this!

Craig Cash writes and stars in this and he does it in complete comedy gold. Not much happens in each episode, nothing needs to happen really. All you need is good dialogue, witty sarcastic banter and a sense of working class realism to make it feel authentic and special. Craig Cash masters this perfectly. You could say it's the Royle Family in a pub, or Phoenix Nights without Peter Kay. I would say it's neither as it has its own style and is strong enough to stand on its own as a British Classic, an overlooked gem which sadly doesn't get the recognition that it truly deserves.

10/10

The other day I went to my special little video shop again to get some nice DVD for the evening in and found Early Doors sitting on the shelf. I had never heard about it, I didn't know the actors and feared I wouldn't be able to understand the northern dialect. But I rented it nevertheless (there were subtitles, they convinced me, because the mere sound of a Yorkshire dialect is beautiful, but I also want to know what they say) and was interest what Early Doors would be.

In the first episode I got to know the characters, in the second their habits and moods, in the third you got used to them, in the fourth you started to like them, in the fifth you did like them and the sixth... was the last, unfortunately, although by now you loved the pub and its people and wanted to know more about them. But then it was already over. Three hours had passed without me noticing it! I hope there will be more episodes out on DVD soon, I really would love to watch them.

And I can't get this catchy tune from the credits out of my head. For days now I'm humming it. This really is a beautiful little gem of a series. Typically British, I'd say. Let me tell you, if you love Britain and the British, watch Early Doors. You won't be disappointed. Time for more, gentlemen, please!

I had the fortune of catching season one before I returned to the states. I told my friends about it "oh it's the uk version of cheers then?" well no, I don't remember sam talking a pee with the door open or norm and cliff talking about having bit on the side. Some might find it a bit boring but me I could have watched until closing time. 10/10 pure (working) class

Ken runs The Grapes, a failing Manchester pub, frequented by a handful of loveable locals. A pub where more goes on than meets the eye, probably.

This has to be the most underrated and forgotten 'MASTERPIECE' that has ever come out of the BBC. Writers Craig Cash and Phil Mealey created something absolutely wonderful with this one.

Why on Earth did this not get more coverage and no further series? Criminal: so funny, beautifully written and meaningful events, the characters were all thoroughly believable and lovable!

I was lucky enough to see the live stage show, none of the magic has gone, this show is begging to be brought back to our screens, comedy is pretty much dead, this could bring it back to life!

Jean and Winnie's dialogues are just the funniest thing I have ever seen; incredible! But the line of Eddie and Tommy speaking about Joan's driving test - what sign would you expect to see on a narrow country lane? The answer: 'fresh farm eggs for sale.' Absolute genius!

I can see the same fate happening to the current series 'The Visit,' which is very similar and again wonderfully fantastic. Why aren't these on BBC in prime spots instead of rubbish like 'After You've Gone' and 'Green Green Grass'? Please, someone read this and take note.

To the regiment! I wish I was there; a real gem of comedy with a hint of heartwarming drama running through it as well.

10/10.

Why is it that every comedy now has to either have some "incredibly original" gimmick, or be extremely vulgar, or both, to hit it big? This consigns near-masterpieces like Early Doors to the slops bucket of TV history. Yes, as many observe, little happens in the course of the half hour, but you certainly don't even think about that when you're watching it. Cash and Mealey's genius is to realise that everybody's lives are generally repetitive, and so they are likely to have the same discussion in the same refuge every day. This is never treated with a hint of irony, but genuine warmth for the old school pubs that Ken and his lost bretheren run. Lacklustre shows like The Smoking Room and Little Britain, so pleased with themselves and determined to run down the losers, halfwits and layabouts of this world, would do well to learn from this and find that happiness is in whatever routine you, not society, carves out for you.