Matador

The delivery of some very humorous rude lines by Pierce Brosnan is alone worth the price of admission. He plays a kind of "James Bond's psycho twin brother", separated at birth, no doubt. As an intense hit-man, his character is very sexual but even better, very funny. Add the kind-hearted, uber-likable American "guy next door', Greg Kinnear, to set up contrast. The myriad locations, vivid colors, and quick-witted humor provide great entertainment. Hope Davis is well cast as the "gem of a wife". But the focus of the film is on the two fellows, a new "Odd Couple", and that's the part that works very well. Have a great (probably R-rated) laugh, and look for the places where the story goes a little deeper.

Star / producer Pierce Brosnan exercises his comedic chops in this rather nuanced look at the life and career of a veteran hitman. Julian Noble (Brosnan) meets a struggling businessman, Danny Wright (Greg Kinnear) when their paths cross in Mexico City. The two become good friends - better friends than we even realize at first, because after Julian has botched more than one job, he becomes a dead man walking. And it is Danny to whom he turns for help. While Danny and his wife "Bean" (Hope Davis) are understandably dismayed at the presence of a professional killer in their home, they get over it, becoming rather intrigued by this charming, eccentric individual.

The supporting cast features some solid actors - Philip Baker Hall, Dylan Baker, Adam Scott - and Davis is enchanting as the loving wife, but the main reason that "The Matador" works as well as it does is due to the interplay between two interesting characters. Brosnan and Kinnear play this extremely well; indeed, Brosnan has never been quite this endearing or amusing before. Also, "The Matador" is a highly offbeat affair, foregoing some of the trappings that one might expect from a tale about a hitman. It forgets about violence (for the most part) and action set pieces, concentrating on its poignant moments and its humour.

Written and directed by the talented Richard Shepard, "The Matador" spends some time globe trotting and offering up some international locales. The title stems from Julians' enjoyment of watching bullfights, and belief that the spectacle is not without honour. The struggle of our haunted main character to overcome his mental blocks and emotional problems does make him vulnerable, and certainly as likeable as any person could be who earns their living killing people.

The brief sight of Brosnan in a cheerleaders' outfit is absolutely priceless. He'd made a good living playing debonair types, but here he really cuts loose for once, and the film is all the better for it. But this is not meant to sell Kinnear short, as he does an excellent job at playing the "straight man" with a tragic past and uncertain present.

Seven out of 10.

Greetings again from the darkness. Much anticipated, twisted comedy from writer/director Richard Shepard is a coming out party for Pierce Brosnan the actor. That Bond guy is gone. This new guy is something else entirely!! Have read that Shepard thought Brosnan was too much the pretty boy for this plum role, but Brosnan proves to be the perfect Julian Noble, "Facilitator" ... and is anything but pretty! Do not underestimate how twisted the humor is in this one. If you go, expect punch lines and sight gags regarding all types of sex, killing, religion, sports, business and anything else you might deem politically incorrect. Brosnan takes an excellent script to another level with his marvelous facial gestures and physical movements. Even sitting on a hotel bed (with or without a sombrero) is a joy to behold.

Greg Kinnear is the straight guy to Brosnan's comic and has plenty of depth and comic timing to make this partnership click. Hope Davis has a small, but subtly effective supporting role as Kinnear's wife (what's with her name "Bean"?) who happens to get a little excited when she has a facilitator in her living room.

The visuals and settings are perfect - including a bullfight, racetrack and Denver suburb. And how often do we get The Killers and Xavier Cugat on the same soundtrack? This one is definitely not for everyone, but if your sense of humor is a bit off center and you enjoy risky film-making, it could be for you.

A Note: I think it's best if go to the theater thinking, "Pierce Brosnan = James Bond." This is what I was expecting. Normally, I will have seen the trailer before going to a film. In this instance, I saw an advance screening as a part of the Austin Film Festival and had only seen a promotional photo of Brosnan walking away from an exploding car. This reinforced the stereotype I had for Brosnan. I think the distributor of this film would have been wise to promote it in this manner, feeding people's stereotypes by using this James Bond-esquire image, for I think the effectiveness of the comedy may in large measure be a reaction to what a drastic departure it is for Brosnan. And this was, no doubt, his intention.

Plot Summary: The story is about hit man Julian Noble. Noble, on assignment in Mexico City, has somewhat of a meltdown when he realizes his nomadic existence has left him with no one -- no friends or family, not even a place to call home. Desperate for companionship, he starts up conversation with Danny Wright, a normal guy, with a normal life, in town on business. Unaccustomed to normal social etiquette he scares Wright off, but pleads for forgiveness the next day and requests that he accompany him to a bull fight. And the comedy begins as Julian decides to open up to his new friend more about what he does for a living. All is well until Julian realizes his "meltdown" is serious and he is having difficulty following through on his "assignments." He therefore has to ask for help from his new friend Danny.

Analysis: Brosnan took a substantial risk in signing on to this picture. Paying him less than he would normally receive, and requiring that he sport a creepy 'stache, a pot belly and trade in his custom- tailored Armani suits for tight-fitting-euro-pimp threads, you would think he would be out of his element. It turns out to be quite the contrary. Brosnan proves that he is more than James Bond or Thomas Crowne. He proves that he can be one of the most entertaining comedic actors working right now as well. The dynamic between Kinnear and Brosnan is delectable. Kinnear plays such a likable straight man cum everyman, and Brosnan plays such a likable hit man, and the combination of the two is irresistible. Their rapport with each other is so ripe for comedy that you want it in every scene.

While the film uses many conventional cinematic devices, I couldn't help but feel as if I was watching something very fresh and original. Largely, I can attribute this to the performance of Brosnan, but it was also interesting that the film maintained the feel of a fast passed action movie, in keeping with Brosnan's most notable genre.

I highly recommend this film.

JeromeFreeman.com

THE MATADOR is hit-man movie lite....if you can say that about a hit-man movie. The violence is never really shown but often introduced. At first I was scared I was in for another retread of mid-90s gangster-hit-man-hipster-dark comedy BUT was happily surprised when I realized this is just a sweet and humorous story about friendship. Nothing terribly exciting happens in this film but every bit of it is kept me grinning. The three leads have the best chemistry the big screen has offered in recent years and it looks like they had a great time making this film together. The writing is sharp though at times it felt as if the script had been adapted from a stage play because of the one set dialog scenes. This is a good film that I probably won't remember for too long but at the time it was a complete joy. Good film.